The Tattoosday Book Review: 7 Tattoos

First and foremost, let me clear something up: 7 Tattoos by Peter Trachtenberg is a memoir and is not a book about tattoos. Oh, there are tattoos within, and stories about them and how they were obtained. But tattoos help form the context of the story within, and the ink is often secondary to the action at hand.

7 Tattoos is a riveting narrative, "a memoir in the flesh," about the author's inner struggles with his identity and the world around him. His tattoos form the structure of the book, serving as chapters around which Trachtenberg's life revolves.

Imagine a first tattoo: assuming that it wasn't inked on the fly, everyone's first tattoo comes with context. On Tattoosday, I try and tell the story behind the tattoo. But even I know that I am only scratching the surface of the narrative skin.

Each of the author's seven tattoos serves as a focal point out of which a life chapter spins.

From a tribal piece that is inspired by the ink of Southeast Asia (and subsequent trips there) to tattoos that mark chapters in a life punctuated by drug addiction and strained parental relationships, we are given a warts-and-all tour of Trachtenberg's life. As important as the tattoos may seem, they are really just sign-posts with memories in the ink.

Ultimately, 7 Tattoos is about relationships - Trachtenberg's relationships with women, his father, his mother and, ultimately, himself.

He is a writer and his skills show throughout as he describes tattoos with admirable simplicity:

"The tattoo Slam had given me was a drawing of a wrench placed diagonally between two gears. She'd rendered the spinner with punctilious thoroughness, down to the highlights on the chrome-plated shaft, while leaving the gears black silhouettes, and she'd unified the composition by framing wrench and gears with a red triangle that sat athwart my deltoid."

This passage describes the tattoo with political undertones, in a chapter entitled "I Keep the Red Flag Flying". He does a remarkable job taking a 1992 tattoo and narrating back twenty years earlier to 1972. Again, the tattoo anchors the chapter and is the glue that holds it together.

Trachtenberg has skillfully built a personal history around seven works of art. It doesn't matter where they were inked or if any of them are "good" or not. Each piece is a jumping-off point that elevates the memoir above the standard personal history.

7 Tattoos was recommended to me last Spring when I was interviewing poets and writers for my Tattooed Poets Project. I wish I could remember who suggested I read it, because I would love to thank them.

The tattoos in the book are not at center stage, yet they manage to grab a hold of the imagination throughout as we are carried along by the story of Trachtenberg's life. It's an experience I would heartily recommend to anyone interested in good writing, with a penchant for ink.

The Tattoosday Book Review: Tattoo Machine by Jeff Johnson

First, a point of clarification. I write blog posts with the ideal blog reader in mind. The ideal blog reader being me. And what I have noticed over the years is, despite the interest in the subject matter, it is rare that a blog post will hold my attention longer than a few paragraphs. This is why Tattoosday posts are generally brief, not drawn out, and some times split into multiple parts.

Similarly, my attempts at literary criticism are not as in-depth as many may like. I acknowledge that shortcoming while noting, for many, this is actually a plus.

That said, I am long overdue in reviewing Tattoo Machine: Tall Tales, True Stories, and My Life in Ink by Jeff Johnson.

Johnson is a tattoo artist and owner of the Sea Tramp Tattoo Company in Portland, Oregon.

As anyone in America can tell you, the rise in popularity of the art of tattooing has skyrocketed in the last twenty years, and the first decade of the 21st century has seen the acceptance of body art increase exponentially.

Johnson's book is not your typical tattoo primer (the fanciest of which has been Kat Von D's immensely successful High Voltage), but rather, a memoir of his life and experiences as a tattoo artist.

What separates Johnson from other tattoo writers is that he has a true gift for prose, a writing skill that eclipses the efforts of your standard "all about tattooing" books. As a result, the reader is sitting there in the shop with Jeff, listening to his story. I could hear the buzzing of machines and taste the neon in the air.

Case in point, a paragraph from Johnson's introduction:

"This isn't simply a memoir. It is also a personal look at the people behind an art form that has undergone a rebirth and is shaking the natal mucus from its drying wings as a new pool of exciting, schooled, and committed artists take their places. This is also a book about street shops and the artists that flourished or inexcusably withered in those fertile grounds. I want to give the reader a more complete picture of a tattoo artist's life and the lessons learned along the way, the things a TV show or a visit to your local establishment can't capture, the things people wonder about when they look through the window the first time and ask themselves What's really going on in there? This is what I've seen. You might not want to get a tattoo from me after reading this, but there you go..."

The narrative wends its way through Johnson's past to his present, getting the reader to appreciate the journey that led the author to the helm of the Sea Tramp.

He tells it like it is, warts and all. On shows like L.A. Ink, you don't get to see the unsavory characters that are often hindrances to a tattoo business. We get that here.

Part One, Dial Tone, dwells on the business side of tattooing, from employees and scheduling, to flash art and drawing, signs of a good shop, and shop lingo.

Part Two, Man's Ruin, provides a primer on the big problems confronting the business: drugs, criminals, scams and oddities. The oddities section certainly opened my eyes and made me realize any good artist wouldn't bat an eye lash over a mild case of psoriasis.

Part Three, Love and Hate, talks about the emotional journey that the author has taken.

Part Four, Wine, Song and Your Mama, deals with success.

Part Five, Tiny Revolutions, revisits the technical aspects of tattooing and spends a nice amount of time discussing the politics of tattooing and the regulation of the industry.

And the final section, Part 6, Smile Now, Cry Later discusses pranks, rivalries, and the life cycles of a couple of shops. Johnson does a nice job addressing that aching question: how does an artist feel when a great tattoo dies along with its host.

Ultimately, Tattoo Machine, despite its meandering, is a thoughtful, humorous and well-written volume on the life of a tattoo artist. Is it every tattooer's experience? Probably not. But I'd be surprised to find an artist who would read this book and not relate to anything between the covers.

We here at Tattoosday give Jeff Johnson's memoir a big thumbs up and a hearty recommendation.

~~~~~~~

Here's some more on Tattoo Machine.

And here's a real treat, a clip featuring Jeff and a discussion of Sea Tramp Tattoo Company:

The Tattoosday Book Review: The Missing Ink

As tattooing has skyrocketed in popularity, the number of ink-related books hitting the shelves has multiplied like rabbits. I picked up a copy of Kat Von D.'s book at Borders the other day (read my review here) and was astonished to see it was in its eighth printing.

A fresh tattoo-related title emerged earlier this year, and it wasn't in the Health/Beauty/Appearance category, as you would expect. Rather, it's jumping out in the Mystery category.


Karen E. Olson released The Missing Ink, introducing a new protagonist to the literary world. Brett Kavanaugh is a Las Vegas-based tattoo artist who gets caught up in a murder mystery. Behold: a new series is born.

Ms. Olson is currently at work on book three in the series. The second title, Pretty in Ink, is due out in March.


And I can hardly wait.

All judging of books by their covers jokes aside, don't let the art gracing The Missing Ink fool you: this is not "chick lit". Brett Kavanaugh is not looking for love, Manolo Blahniks, or the man of her dreams. She's a career-driven tattooist committed to her art and running her business respectably, as much as can be expected in a Vegas casino.

I'm not saying it doesn't have a feminine touch, Brett is still a beautiful woman, with a soft spot for nice clothing and a blazing crush on one of the mysterious characters in the narrative, but she also wolfs down In-N-Out burgers and doesn't back down from her role in a profession that has been traditionally male-dominated. There are notable exceptions to this, of course, but it has only been in the last ten years that we have seen the elevation of the female tattoo artist joining the ranks of their male peers as acknowledged masters of the art form.

What The Missing Ink has is a plot that keeps us interested, with characters that are believable and entertaining. Her hefty sidekick, Joel, and diminutive employee, Bitsy, are just two of my favorite characters who are a pleasure to behold on the page.

The story wends its way through a maze of a murder that links Brett by virtue of a tattoo she designed but never inked. We get a taste of Vegas that takes us behind the scenes at a casino and even brings us to a wonderfully evocative setting of an Elvis karaoke bar.

I can see tattoo purists rolling their eyes at this book because it is a whimsical murder mystery that doesn't necessarily put the art at the forefront of the action. But it's not intended to. Ink is discussed and we often see Bret at work, but the plot often pulls her away from the job.

But this, after all, is fiction: a creation of the author that has been carefully researched and presented respectfully in regard to the tattoo industry. For more realism, I'd recommend Jeff Johnson's Tattoo Machine: Tall Tales, True Stories, and My Life in Ink, which also came out this summer (a review is forthcoming).

It's fun to dive into a murder mystery every so often and even more fun to do so when you're interested in ink and the main character is an artist. It's refreshing to read a work of fiction that is centered around the modern tattoo industry and just doesn't use tattoos as clues or signifiers on a character's body.

Ms. Olson has created a character that is believable and entertaining. Although I am unlikely to fly off to Vegas and seek out a tattoo at the hotel, I certainly look forward to the Spring when Bret Kavanaugh returns to further grace us with her presence!

Here's another review, and another, if you'd like some more opinions.

The Tattoosday Book Review: High Voltage

As a viewer of the cable show Miami Ink, I watched with great interest when Chris Garver brought his friend Kat Von D. into the shop as a guest tattooer in the show's early days. Kat's portrait work is phenomenal, and she is an extremely charismatic person.

The problem with reality shows like Miami Ink, its spin-off L.A. Ink, and the A&E Series Inked, is that the producers feel, and perhaps rightfully so, that a show filled with tattoos is bad for ratings. When I was getting my second tattoo, in 2005, I asked my tattoo artist, Peter Cavorsi, what he thought of these shows. He shrugged and said "too much drama" and told me he didn't watch them. He struck at the core of the tattoo shows' problems: the purists in the tattoo community generally are frustrated by the fact that the personal relationships often overshadow the occasional tattoo. Fans of the shows will tell you: drama drives ratings.

Kat Von D.'s popular success is not due solely to her skills as a tattoo artist. I am not saying she isn't talented. She's immensely talented. But I admire her just as much, if not more, for her ability to parlay a dramatic turn of events (her conflict with Miami Ink's chief protagonist, Ami James) into what is appearing to be an empire. Kat Von D. may be a great tattoo artist, but she's also a hell of a business woman, as evidenced by her shop's success in L.A., her show's ratings, and her successful side projects, like the Tattoo/Music festival "Musink," her cosmetics line at
Sephora, and, most recently, her book High Voltage Tattoo. In other words, Kat’s not just an artist. She’s a brand.

People generally either love Kat Von D. or hate her. She has a devoted fan base and a huge following. She is indisputably the most popular tattoo artist in America. But with success of such magnitude comes detractors. The tattoo community has always been a very close-knit, insular, society. Tattoos have never been so popular, and there is significant resentment among "old school" tattoo aficionados, that trendiness breeds sell-outs, and a dilution of the purity of tattooing as an art form.

Personally, I understand this sentiment, but at the same time, I admittedly am part of the handful of people who are riding the wave of tattoo popularity. Tattoosday was in-part inspired by the Miami Ink phenomenon. My knowledge of tattooing was limited when I got my first two tattoos. I am much more knowledgeable now than when Tattoosday was "born" a year and a
half ago, but I hardly think of myself as an expert, nor do I pretend to be. I am just writing about what interests me and ultimately, in its purest form, that is what Kat Von D. has done with her book High Voltage Tattoo.

This, ultimately, is a first for Tattoosday. It is a bona fide review. Have I sold out the original concept behind Tattoosday? Hardly. I am just writing because that's what I do, like a tattooer tattoos because that's what they do.

So let's take a look at the book, which any L.A. Ink viewer knew was coming, as the story behind the book was one of the many episodic plot lines in the show.


First and foremost, let me first say this is a beautiful book. The production value reflects the care that went into its engineering. The first printing has a thick padded cover (the second printing reverted to basic hardcover with dust jacket) which enhances the feel of the book. The pages are thick and bright with colorful graphics and photographs. For the simple fact that the book has on display so many beautiful tattoo images, it is worth the list price, purely for its aesthetic value.


Drilling down into the contents, High Voltage Tattoo offers a great introduction to not only Kat Von D., but to the art of tattooing in general, perfect for the average person looking to know more about tattoos.

The 175-page project is built around the High Voltage motif which has inspired Kat Von D.'s shop in West Los Angeles.

The five sections of the book are named after AC/DC songs: "Highway to Hell," "Let There Be Rock," "Back in Black," "If You Want Blood, You've Got It," and "Dirty Deeds Done Dirt Cheap". Each chapter takes on another aspect of Kat's journey, from her biography, to the genesis of High Voltage Tattoo, to a portfolio of portraits, to a section profiling some of Kat's work, and ending with a brief selection of artists who have inspired her.

This is certainly geared to the Kat Von D. fan, but there is something for everyone. Most compelling is her biographical chapter that gallops through her career, astonishing considering she is celebrating her 27th birthday today (March 8, 2009). We only get the highlights, which is understandable because what is often underplayed and lost on television, is that the life of a tattoo artist may seem glamorous and exciting, but there is an insane amount of hard work and tedium involved. At the same time, the most interesting biographical tidbits seem glossed over. I was very curious to get more of her take on the whole conflict with Ami James. To her credit, she doesn't take any real shots at Ami, and doesn't exploit the drama, despite the public's appetite for such controversies.



Aside from her biography, I really enjoyed the small section on tattoo machines. It certainly gives the reader a better understanding of the basic mechanics and the variations in design. It's not just a tool that gets plugged in and runs. Kat's rudimentary introduction paints a broader base on machine knowledge than one normally sees.

Another fascinating part is the several pages devoted to her own physical canvas. She catalogues her tattoos and answers the burning questions about her ink and their provenance.

I especially like her "yearbook" leg, the left limb on which her friends and family have tattooed their marks. It shows a lack of pretentiousness that is appealing to me, at least; that she is not all about the perfect piece in the perfect spot. It drives home the point that many tattoo snobs
don't get: the meaning behind the tattoo more often than not outshines the quality. And that's completely okay.

Other elements of the book that are useful are Kat's "dos and don'ts", although a lot of it is common sense. But given the lack of sense some people display, these pointers will certainly spare some artists the grief caused by otherwise clueless clients.

I was a little bit put off by some small features of the book, like her lists of things she’s inspired by and the catalog of items she collects. Whether this was just filler, or something the author thought the fans wanted to see, I would have preferred more artwork. In the grand scheme of
things, how important is it that Kat’s inspired by “The F Word” and that she collects leg warmers?

Another section is devoted to what terminology to use and not use. I knew that the expression "tats" is generally not favored (unless it is) and I was corrected early on in this blog's history not to refer to a tattoo machine as a "gun". But I was chagrined to see the expression "ink," referring to tattoos, as much of a no-no as "tats". There aren't a lot of synonyms for tattoos a writer can use, and I was annoyed to have another one frowned upon. Especially since the three most popular shows about the craft all have "ink" in their title. But I'll get over it.

This is a Kat Von D. Production through and through. You can tell she put her heart and soul into this book, and it's certainly a testament to her perseverance and success.

The worst criticism I have is that she certainly makes herself out to be a craftsman devoted to the art, but she doesn't really dwell on her own faults. She acknowledges that she is still learning, but it's hard to find faults in the rosy facade that she paints of herself. She cautions that one
should never get tattooed while under the influence. Sage advice, but she seems to revel in the fact that a lot of her early work (both given and received) was delivered while in "party mode". But if you can get beyond those small contradictions, then the book is a treat for the eyes and the
brain.

I have tried to paint as an objective review of High Voltage Tattoo as I can. The bigger the personality, the more controversial the figure. If you strip away the small aspects and focus on the larger facts: that Kat Von D. is an immense talent, that she is a savvy businesswoman, and, most importantly, has a devout love for her art, then you should derive immense pleasure from this testament to a career that is flourishing in an industry at the height of its popularity.

Not to mention the fact that she is rock and roll, through and through.