The Tattooed Poets Project: Laura White

Today's tattooed poet is Laura White, who was referred to us by the amazing Dorianne Laux. Dorianne is not inked, but, over the past three years, she has been invaluable as a resource for us, referring numerous tattooed poets to us who she knows in the poetry community, as well as several of her talented students, past and present.

So Laura sent us this photo which, if you ask me, is quite breathtaking:

Photo by Qlint Chesney, courtesy of Laura White

In it, you can see the extent to which she is tattooed, and she offered us this summary of several of her tattoos:

These tattoos were done by amazing Annie Frenzel, who used to be at Blue Flame Tattoo in Raleigh, N.C. but is now at Lowbrow Tattoo Parlour in Berlin, Germany. The bluebird on my shoulder was done about four years ago, and the half-sleeve finished up this past October. I was born and raised in Northeastern North Carolina, where the Eastern Bluebird is a common sight.

Detail of Photo by Qlint Chesney

Aside from being an absolutely beautiful, brilliantly blue and orange bird, they hold a special place in my heart because as a kid my grandparents had a nesting box behind their house. Together, we would keep an eye out on the little inhabitants, shooing away larger birds and guarding the nest from snakes and other predators. When my grandfather passed away about five years ago, I knew exactly how to grieve for him.

            The half-sleeve came later, and is a continuing tribute to the people and places that have made me who I am today.

Detail of Photo by Qlint Chesney

The three kinds of flowers are pink gerber daisies, red poppies, and orange tiger lilies, which my family and I always called cow lilies, because they grow wild in the pastures around our home. The gerber daisies are a personal favorite, because they are strikingly pretty, but in a spunky and fresh way. The poppies are a tribute to a trip I took to Turkey a few years back, in which I realized that the poppies that grow wild all over the Greek and Roman ruins are the same as the poppies that grow along the roadside in my own hometown. And the "cow" lilies, as suggested before, are a tribute to my parents and my childhood family. I remember a specific trip to my grandparents' house in which my dad pulled the car off on the side of the road, shooed us all out of the car, and helped us pick handfuls of lilies from the ditch by the road to take to our grandma.

            I'm far from finished with my body art  -- but maybe don't tell that to my mother. Something that I really hope to incorporate into these pieces one day is the last line of a Philip Larkin poem. It's from "An ArundelTomb," and I think it perfectly sums up not only my tattoo aesthetic, but my poetic one as well: "What will survive of us is love."

Laura also sent along this amazing poem:

My Man

I am a bundle 

of bruised attempts,

a pair of pursed lips,

ringed fingers trembling 

at the task again.

I bandage his fist,

all white gauze and 

wishes I would just 

be done already,

gather the broken glass 

of the curio cabinet, 

the specter of a sentence.      

I wear it like cracked  

concealer, his whiskey

hesitation, silent musing

which tends to bloom

violent in the evening.

Some nights

he just doesn't 

come home at all,

but goddamnit

how I love him.      

His mouth, 

a hot wash of pink

lilies struggling open,

the brown of a petal 

giving up.

His sun touch,

the frozen ground

absence of it.

His hands,            

wisteria when we

breathe together, when

my perfect words 

are his and

                        

Dear 

Dear

Dear       

Poetry

has to be

like this.  

  ~ ~ ~

Laura White is a Master's candidate in World Literature at North Carolina State University, and holds an undergraduate degree in Creative Writing from the same institution. She's been writing since she could hold a crayon, and her first published poem appeared in a children's anthology when she was in fourth grade. Since then, though, she's taken an Emily Dickinson approach to poetry, and her work has only really appeared in the Windhover, NC State's Literary and Visual Magazine. One day, she'll have a book for you to buy. Promise.

Thanks so much to Laura for sharing her work, both tattooed and written. And thanks to Dorianne Laux for sending her my way. We here at Tattoosday appreciate it immensely!


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Tattoorism: Josh Pays Tribute to the Verrazano Bridge

Last Friday I received a very special surprise via e-mail from a guy named Josh:


The following explanation accompanied the photo:

"I recently discovered your blog's postings about various Verrazano Bridge tattoos you've seen [here and here] ... They both looked pretty awesome.

I'm also a big enough fan of the bridge to get it inked on my skin ... Although mine is a slightly different style than the other two you posted.

I'm originally from New Jersey, and used to drive over the bridge on a regular basis to my Army duties at Fort Hamilton ... I also wanted to run in the NYC Marathon for many years growing up, and finally did so in 2004 (and again in 2006) and decided to commemorate the occasion with a little inking."

Needless to say, it's a phenomenal piece. I, too, am partial to the Verrazano-Narrows Bridge, as I can turn my head to the left as I type this at my computer, and see it through my window.

Josh had the tattoo done by an artist named Mark Van Ness at Blue Flame Tattoo in Raleigh, North Carolina. Work from Blue Flame has appeared twice before on Tattoosday.

Josh elaborated on the piece in a follow-up e-mail:

"...I was inspired by the works of artist Barbara Bascove, who's painted dozens of New York City landmarks in her unique style. I loved the dark, rich tones of her paintings, and decided to get my tattoo along the same lines. I used the same angle / template from one of her paintings of the George Washington Bridge, and just had the tattoo artist replace the GW towers with those of the Verrazano."

The piece, which Josh says took about five and a half hours over two sessions, is one of several tattoos that he has. You'll have to wait until a later date for us to share those here at Tattoosday.

Thanks again to Josh for sharing his awesome Verrazano Bridge tattoo with us here on the site!

The Tattooed Poets Project: Whitman's Song on Michael Mayo's Chest

Today's tattooed poet has a poetry tattoo. Michael Mayo was referred to me by the poet Dorianne Laux, who taught Michael at North Carolina State University.


Michael Mayo has "I celebrate myself and sing myself" tattooed on his chest, honoring the opening line of Walt Whitman's iconic poem "Song of Myself":

I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

Michael explains why he chose to have these words, first published in 1855 in Leaves of Grass, tattooed over his heart:

"I got the Whitman quote for a few reasons. The year before [2005], I was dealing with a lot of difficult issues with my family and my Chemistry major at school. My confidence and happiness were being affected very negatively. I took an intro to poetry writing class, and I found I enjoyed the catharsis of writing.

I don't know if I read "Song of Myself" on my own or if we read it in class, but I remember admiring not only the beauty in Whitman's words, but his self-assuredness.

I got the tattoo as a symbol to myself of a great American poet to admire and imitate and as a reminder to have faith and confidence in myself."

Michael is a Creative Writing major and is planning on applying to MFA programs in the fall.

The tattoo was done on his 22nd birthday, March 20, 2006, at Blue Flame Tattoo in Raleigh, North Carolina. Work from Blue Flame has appeared previously on Tattoosday here.

Check out Michael's poem "Blowing Off Death" over on BillyBlog.

Thanks to Michael for sharing his poetic tattoo here on Tattoosday!