Mitch and a Positive Reminder

I met Mitch last month on the Upper West Side, near the 72nd Street Subway Station.

I spotted him and his seventeen or eighteen tattoos and asked if he would share one. He offered up his most recent piece:

I asked Mitch to elaborate on this tattoo located on his left forearm. He explained:

"I found this Japanese graffiti artist who did a bunch of flash and I just really liked one of his drawings. I was in the mood and decided to get it."

And the banner stating "Enjoy Yourself"? Mitch says, "just try to be happy all the time".

I'd imagine looking down at this cool design, inked by Mike Lucena at Flyrite Tattoo in Brooklyn, helps contribute to the happiness. Work from Mike at Flyrite appeared previously on Tattoosday here.

Thanks to Mitch for sharing this great tattoo with us here on Tattoosday!

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Zoe's Tattoo Makes the Cut

I spotted this superbly-done tattoo on Zoe's upper left arm last month in the New Jersey Transit waiting area in Penn Station:

Straight up and simply, these scissors represent Zoe's tat-tool of the trade - she has worked as a hairstylist for two years.

She credits Mike Lucena at Fly Rite Studio in Brooklyn for the tattoo.

Thanks again to Zoe for sharing her scissors with us here on Tattoosday!

The Lovely Tattoo of Legs Malone

I couldn't help notice the striking woman standing on the subway platform waiting for the R train. She was tall, had long shapely legs, a close-shaven head, and a small tattoo on the back of her left calf.

The R pulled in and, as luck would have it, we sat down next to one another on the train.

I had to introduce myself.

Turns out, I was sitting with a burlesque performer named with the stage name Legs Malone.

We didn't have a lot of time to talk, as she was exiting the train a stop or two earlier than me, but she obliged me for a photo by taking my camera and shooting the tattoo on the back of her leg:

She told me that this small tattoo (the only one visible on her frame) was inspired by a heart-shaped bruise that she wanted to replicate on her skin, but in a more aesthetically-pleasing way. The flowers around the heart are cherry blossoms.

The tattoo was inked at Fly Rite Studio by Charlie Foos, who is now at Read Street Tattoo Parlour in Baltimore. Charlie's work most recently appeared on Tattoosday here.

Thanks to Legs Malone for sharing her tattoo with us here on Tattoosday!

Sugar Skull Sunday - One From Ryan

Since I seem to capture more sugar skulls than any other design, why not reserve a day just for these decorative symbols which, at their roots, have deep religious significance?

Two weeks ago, I met Ryan, who has ten tattoos.

Of that lot, he offered up this design on his left bicep, which Charlie Foos created for him at FlyRite Studios in Brooklyn.

Charlie Foos is now at Read Street Tattoo Parlour in Baltimore.

Aside from the traditional nature of the sugar skull tattoo, Ryan also loves Mexico and this design recalls that beautiful and diverse culture south of the border.

Thanks to Ryan for sharing this decorative tattoo with us on Tattoosday!

Work from Charlie Foos has appeared previously on Tattoosday here.
Tattoosday posts tagged FlyRite Studios are here.
Tattoosday posts tagged Reade Street Tattoo Parlour are here.

Magie's Unique Sugar Skull, Inked by Big Ant (1978-2008)

I was a happy little inkblogger last Friday night when I made it to the 4th anniversary group art show at Tattoo Culture in Williamsburg, Brooklyn.

Happy, because I got to meet the awesome Marisa Kakoulas from the fabulous Needles and Sins tattoo blog, along with the equally-cool Brian Grosz, who is also a major creative force behind the site.

And happy because I was in a bright room with art on the walls, created by talented tattooists, and I was surrounded by people with incredible body art.

But therein lies the conundrum: great tattoos, in a hip tattoo setting, are top quality and, despite Tattoosday's success, I am still reluctant to whip out the Polaroid digital camera when, for all I know, the ink around me may have been professionally photographed and featured in glossy tattoo magazines.

So I had resigned myself to leave sans photos, knowing I had a groovy time and was able to meet other tattoo writers, when I noticed a very interesting sugar skull on the back of a young woman's right arm. Voila:


Of course I chatted a long time with Magie before I asked her if I could snap a picture, so I learned a bit about the tattoo before I asked.

Magie Serpica is an artist and tattooist who works at the newly-opened Bound for Glory Tattoo Studio in Staten Island.


The shop was co-founded by Nick Caruso who also tattoos at Flyrite Studio in Brooklyn. One of Nick's tattoos appeared here back in July on Tattoosday.

One of Magie's paintings was hanging on the wall at Tattoo Culture:

(reprinted with permission of the artist)

We talked at length about tattoos, what she called an under-served market on Staten Island (they are the first full-custom shop) in the borough (no flash on the walls, please) and have a promising future ahead.

We also discussed how difficult it has been in the past to be a female tattoo artist, how frustrating it is not to be taken seriously, and how Kat Von D. and the multitude of tattoo reality shows have helped break down the stereotypes and allowed Magie, as a female artist, to receive more respect as an artist.

Like most tattoo artists, Magie is covered in ink, with no idea how many tattoos she has ("If you can still see skin, it's not enough").

The sugar skull in question was tattooed by Anthony Gregory, aka Big Ant, a Staten Island artist who tragically passed away last year after falling ill in Las Vegas (see the sad news reported here).


She had asked him to give her a sugar skull and she had a general idea about his style, so she gave him total artistic freedom. The end result was fascinating - a unique, almost post-modern interpretation of a classic tattoo design. The angled perspective and the depth to the eyes give this tattoo a greater three-dimensional feel than your standard sugar skull.

I also like how the rose is just as important as the skull, its stem wrapping around it and adding another layer of depth.

I thank the good people at Tattoo Culture for opening their doors and allowing me the opportunity to meet some great people.

A special thanks to Magie for sharing her awesome tattoo with us here on Tattoosday. Be sure to visit her in the new shop, Bound for Glory, in Staten Island.

Here's hoping we'll see more of their work in the future!

Claire's Tree of Memory and Strength

On a drizzly day in late August, I ran into Claire, a woman on my block in Bay Ridge, with this tattoo on her upper right arm:


When I asked Claire about the tattoo, she explained that her mother is mentally ill and that, despite being present, she really has not been there as a parent to her, due to her illness.


She remembers, as a child, that her mom often wore a suit with a floral pattern. When deciding upon this, one of her five tattoos, the design reminded her of that suit, and subsequently, the tattoo came to represent the absent parent.

This tattoo was inked by Charlie Foos at Fly Rite Studio. Charlie apprenticed there and is now working in Baltimore at Read Street Tattoo Parlour. Work from Fly Rite has appeared previously on Tattoosday here.

Thanks to Claire for sharing this powerful and beautiful tattoo with us here on Tattoosday!

Who's Better Than Us: Chris Honors His Father

I met Chris in Brooklyn Heights one afternoon and asked him about his ink. He has seven tattoos in all, but offered up this section of his arm:


What seems at first like an odd juxtaposition of figures makes more sense when it is explained.

The piece is a memorial based on a photograph of his father, who had worked as an editor on the original film of Woodstock, as well as the book documenting the process who worked with the team that made Woodstock (Paradigm), developing and experimenting with new film technology which was eventually used in the process of making the movie.

After searching for a while, I emailed Chris and asked if he could send me the photo. He generously obliged:


Seeing the source material on which this piece is based makes it cooler. The photograph appears in the book, and was taken up at Woodstock when the documentary was in production years laterby one of the cinematographers of the Woodstock film, Chuck Levey somewhere in New Jersey.

And the back of the arm features a quote from Chris's dad, a statement he would often make, which seems genuinely appropriate from someone so deeply immersed in the culture of the 1960s:


Chris had his tattoos inked by Nick Caruso at Fly-Rite Studio in Brooklyn. Work from Fly-Rite has appeared previously on Tattoosday here.

Thanks to Chris for sharing his work here on Tattoosday!

Mark's Gypsy Tattoo Pays Tribute to the Female Singer-Songwriter

I have mentioned before that I tend to shy away from approaching subway commuters about their tattoos.

However, like most of my self-imposed guidelines, I always make exceptions for work that is transcendent. That is, if the tattoos are supremely blogworthy, I will solicit, for the sake of the reader, people on the subway. One such case presented itself last week on the Brooklyn-bound N train.

I approached Mark Turrigiano as the N emerged from the subterranean underworld and climbed the Manhattan Bridge. He has phenomenal sleeves, intricate work that wraps and surrounds the limbs.

His right arm, with an Asian-inspired theme, is mostly attributed to Elio Espana at Fly Rite Tattoo Studio (whose work has been seen previously here). His left arm hosts an incredibly huge and colorful octopus, which was inked by Lou at Third Eye Tattoo (whose work has appeared on Tattoosday here).

Because of the scale of those sleeves, we opted to go with one of his newer pieces, a gypsy on the back of his left calf:


This piece, designed and inked by Craig Rodriguez at Hand of Glory Tattoo Studio in Brooklyn, is seen by Mark as "a good way to commemorate [his] work with female singer-songwriters".

I like this piece a lot because it contains a lot of traditional gypsy elements, but is atypical in its presentation. It seems much larger with greater detail than the traditional gypsy profile tattoos that are much more common. The vividness of the colors also helps the tattoo pop, and you can almost feel the texture of her scarf.

Mark says the piece was completed in about four hours over two sessions. He estimates that his body is about 30% covered in ink.

Feel free to check out Mark's website here.

Thanks to Mark for sharing this great gypsy tattoo with us here on Tattoosday!