Showing posts with label Lark Tattoo. Show all posts
Showing posts with label Lark Tattoo. Show all posts

Wednesday 7 September 2011

Joe is Armed with Words of Strength

Last month on 86th Street in Brooklyn, I met Joe, who shared this cool tattoo on his right bicep:


Joe credited Matt Van Cura, formerly of Lark Tattoo. Matt now works out of Da Vinci Tattoo in Watagh, New York. 

Joe came in with an idea for this piece, armed only with the phrase "Increscunt animi virescit volnere virtus," and worked with Matt for a couple of hours as they pieced the art together. Be sure to click on the photo to get a larger view of the exceptional shading, line work and detail. 


When I asked what the Latin translated to, Joe told me it meant "the spirit grows, strength is restored through wounding." A little research on my end revealed that the exact translation,"the spirits increase, vigor grows through a wound," is a quote attributed to the German philosopher Friedrich Nietzsche from Die Götzen-Dämmerung (Twilight of the Idols).


Thanks to Joe for sharing this tattoo with us here on Tattoosday!


This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Friday 2 September 2011

Patricia Loves Summer

The Borders book store in Penn Plaza is closing in less than two weeks, which is sad on so many different levels. When its doors finally shut for good, we here at Tattoosday will personally mourn the loss of one of our favorite spots to browse and, of course, spot ink. Over the years, this particular Borders has been a great location for meeting people and talking to them about their tattoos, as it is just a stone's throw from where I work.

Patricia is among the last people I have met there, having spotted her a couple weeks ago, and interviewed her about this tattoo on the back of her right arm and shoulder:


This tattoo was inked by Miss D'Jo at Lark Tattoo in Westbury, New York.

The artwork for this piece is based on the work of Alphonse Mucha's series of decorative panels depicting the Four Seasons. This was based on "Summer, 1896".


Miss D'Jo's work on this piece is extremely well done and true to this original artwork, which is Patricia's favorite of the four seasons.


It should be noted that I find it remarkable how often I see Mucha's work translated into tattoos. Clicking here will display all the previous works by Mucha that have appeared on Tattoosday. Work from Lark Tattoo has appeared previously here, and this work showcases the last time work from Miss D'Jo blessed our site.

Thanks again to Patricia for sharing this lovely tattoo with us here on Tattoosday!


This entry is ©2011 Tattoosday.



If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I can contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Tuesday 5 October 2010

Sew You Want a Cool Tattoo? Check This One out from Vicky...

I met Vicky back in August outside of Penn Station and marveled about the colorful vibrancy of this beautiful tattoo:


Vicky explained that she is a seamstress for a new company called Cupcake Provocateur. Check out their site, it's pretty cool. Vicky's boss, Cynthia, is the brainchild behind the business, designing all of the aprons and other housewares, as well as making the cupcakes. There are several tattoo-inspired apron designs on their site, including this one, which would make a great holiday gift, no?


But back to the tattoo, Vicky hopes to grow this tattoo into a half-sleeve, and it started out as a design that she had Angelique Houtkamp design for her. "It wasn't drawn exactly the way I wanted it," Vicky explained, so she took it to Sunday Dawne-Marie at Skinflower Cosmic Arts in Phoenecia, New York and, she continued, "Sunday went with my basic idea, an antique sewing machine in a cameo, and re-drew and re-designed the entire thing."

I am most familiar with Sunday's work at Lark Tattoo on the poet Adam Deutsch.

Thanks to Vicky for sharing her amazing tattoo with us here on Tattoosday! We look forward to seeing the sleeve grow in the future!

Friday 2 April 2010

The Tattooed Poets Project: Adam Deutsch

Although the plan is to introduce new poets in this year's Tattooed Poets Project, there will be a few return visitors from last year. Adam Deutsch is one of those exceptions.

In last year's post, in which Adam shared some incredible Miltonian work, he alluded to the fact that he also had a full sleeve inspired by Ralph Waldo Emerson's Transcendental Man. I mean, how could we not bring Adam back to share that?

Here's the sleeve:


A closer look shows the mountains wrapping around the upper arm:


Adam explains more fully:

"That moment where 'the currents of the Universal Being circulate through me' is too important to forget. Rather than have the text tattooed, I went with this image--which is an adaptation of a caricature by Christopher Cranch of the transparent eyeball.

I was moved by the image. Beside Emerson, I was reading the Bhagavad-Gita and Bashō. It seemed fitting to have the sky above 'the lover uncontained and immortal beauty' blend into the water at the base of a mountain that peaks at the shoulder.
Like Adam's other work, this piece was done by Sunday Dawne-Marie at Lark Tattoo in Westbury, New York. Adam elaborates on the process:
"We decided that the simple line-art style make it seem less like art on the body, and more like art in the body. The red is a mixture of colors. I had just the red for about 3 years, and went back for the shading in late 2008--everyone would see it peeking out of a sleeve, and they thought I either cut myself, or had a scar from some kind of accident. When I came in and said 'I think we can use some shading. A little depth,' she said, 'That's what I told you 3 years ago.' So, it was two sittings, about 3 hours apiece. Because it's an uncommon style, I booked the last appointment of the day so she could take her time with it. I trust Sunday to no end with ink."
Work from Lark Tattoo has appeared previously on Tattoosday here.

Adam Deutsch was born on Long Island, New York and has his M.A. from Hofstra University (2005) and M.F.A. from University of Illinois at Urbana-Champaign (2008). He's been on the editorial staff of a number of presses and journals, including Ninth Letter and Barn Owl Review. He presently works in higher education all over San Diego, and is the editor of Cooper Dillon Books.

Check out a poem from Adam over at BillyBlog here.

Tuesday 15 September 2009

Mike's Amazing Back Piece


I had just exited from the subway station in Bay Ridge when I spotted an extremely-inked couple.

I talked with both of them, but Mike was gracious enough to share this phenomenal back piece:


Mike, a musician, has been on the receiving end of the tattoo machine for many years. He is currently lead singer/bassist for The F.T.W.'s, a New York-based rock band.

He even speaks nostalgically about the mid-90's, when tattooing was still illegal in New York City. He has a critical eye and like many people with a commitment to old school tattooing, is dismayed by the skyrocketing popularity of the art, and the subsequent deterioration of the overall quality of tattoos.

For every great tattoo you see here on Tattoosday, there are two dozen others that were inked because they are trendy, and not out of appreciation of the art.

We had a lengthy discussion about this and I worried he might not be so down with the site because I don't always feature top quality tattoos, and am oftentimes just as interested in the story behind an average tattoo as I am in a convention-quality piece.

As for Mike's back piece, he credits Miss D'Jo at the fabulous Lark Tattoo in Westbury, New York for the creation of this gigantic tribute.

See other work from Lark on Tattoosday here.

Mike spoke of a friend and tattoo artist, Chris Lewis, who committed suicide many years ago. Chris had given Mike a knife as a gift, and after his friend passed, Mike had this quasi-memorial back piece done. The knives in the tattoo are modeled after the blade in question.

The detail in this gigantic tattoo is simply phenomenal. Just take a look again at the handiwork on the knives:

Much thanks to Mike and his girlfriend Amanda for stopping and talking tattoo with me. Your contribution to Tattoosday is much appreciated!!

Sunday 26 July 2009

St. Michael, Inspired by Survival

I met Michael in Penn Station and he shared this incredible tattoo:


That is a depiction of St. Michael, with whom our contributor shares a name.

Michael had this tattoo added to his right bicep and shoulder after surviving a terrible car accident. One of his lungs collapsed and he was touch-and-go for six days.

Afterward, he wanted to pay homage to Saint Michael and went to Lark Tattoo in Westbury, New York. Brian, the artist, spent nine hours on this amazingly detailed piece.


Work from Lark has appeared previously on Tattoosday here.

Thanks to Michael for sharing this incredible tattoo with us here on Tattoosday!

Wednesday 17 June 2009

Three Tattoos from Mary: Marilyn Monroe and Robert Frost, Fire and Ice

What jumped out at me when I saw Mary in front of Penn Station, on a drizzly late afternoon during Rush Hour, was this amazing tattoo on her left bicep:


Marilyn Monroe tattoos are not incredibly unusual (click here to see those that have appeared on this site previously), but this one strays from the glamorous and dabbles in the tragic.

What we see is the back of her head, passed out on a make-up table scattered with toiletries and pills. In the reflection of the dressing room mirror you see the woman's face, serenely unconscious.

And, in an effect that makes it look like it was scrawled in lipstick on the mirror, the quote,

"...if you can't
handle me at my worst
then you sure as hell don't
deserve me at my best.
-marilyn
monroe"


The full quote, as uttered by Ms. Monroe, is "I'm selfish, impatient, & a little insecure. I make mistakes, I am out of control, & at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best."

It's certainly a striking piece, and Mary gladly shared it and elaborated. She feels a bit of a link to Marilyn in that the starlet and Mary's grandmother were born on the same date, June 1, 1926.

Plus, there's the universal tragedy of Monroe's demise that resonates on so many levels with so many people. She's a sex symbol to some, a victim of an abusive male-dominated industry to others. And the quote rings true with self-actualized strength. "I am what I am," she seems to say, "if you can't roll with me through the difficult times, then you haven't earned my company in the good times." Do note, this is my interpretation, not necessarily Mary's.

This tattoo was inked, along with many others, by Jimbo at Lark Tattoo. Work from Lark Tattoo has appeared on Tattoosday previously here.

Mary has thirteen tattoos in all, and shared two others as well.

She graciously lifted her shirt to reveal this poetic snippet, tattooed on her right side, accompanied by a peacock feather quill pen on parchment:



The quote "Some say the world will end in fire, some say ice..." is from the opening lines of a poem by Robert Frost, entitled "Fire and Ice":

Fire and Ice


Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
The tattoo points to another piece, at the base of her neck: two flaming ice cubes:


As I mentioned previously, my encounter with Mary occurred outside of Penn Station during rush hour, so I didn't delve too deeply into the meanings of these tattoos. But I do thank Mary for sharing them with us here on Tattoosday and invite her to elaborate further in the comments below.

Sunday 19 April 2009

The Tattooed Poets Project: Adam Deutsch's Miltonic Tattoos

Today's tattoos come from Adam Deutsch. We started with this photo:

Photo taken by Lillian Bertram.

A cool photo, and Adam explained the piece:
It's based on a Gustave Doré etching from his interpretations of Milton's Paradise Lost, the lines "He the Almighty Power/ Hurled headlong flaming from the ethereal sky" (I. 44-45) when Lucifer is waging war, before the fall to Hell.


White ink is incorporated in the rain, and on the halo over his head, as he's still an Angel. We've all got something we turn to over and over again; Paradise Lost is always there.
The tattoo was done at Lark Tattoo in Westbury, New York. The artist was Sunday Dawne-Marie.

Despite the awesome nature of this tattoo, I pressed Adam for something more, as it's a bit hard to make out the images of the tattoo in the photo, and I really want to showcase the work.

Our discussion progressed and Adam ended up sending me photos of his leg piece, as well.




Adam points out that this piece, on his right leg, is based on the depiction of Pandemonium, also from Paradise Lost. This is the mock-cathedral in Hell where the fallen angels meet to decide what is next on their agenda:
Mean while the winged Haralds by command
Of Sovran power, with awful Ceremony
And Trumpets sound throughout the Host proclaim
A solemn Councel forthwith to be held
At PandÆmonium, the high Capital
Of Satan and his Peers (lines 752-757)
The detail in the piece is phenomenal:


Adam notes that the two tattoos, both on the right side of his body, "talk to each other....it's a conversation between an angel & devil". He adds that, "in that context, my arm becomes Elijah, fallen, but re-risen."

The arm took about two hours to complete, but the leg took approximately ten hours, in two sittings of four and six hours, respectively, about a month and a half apart. The two pieces seen here are among four "literary" tattoos Adam has. He also has a whole sleeve based on Emerson.

Head over to BillyBlog to check out one of Adam's poems here.

Thanks to Adam for sharing his amazing work with us here on Tattoosday, with a special thanks to Jill Alexander Essbaum (whose literary feet kicked off the Tattooed Poets Project here) for sending Adam our way!