Danielle's Beautiful Gypsy Tattoo

Well, we're back after a month-long hiatus of regular inkspotting while we celebrated National Poetry Month with the Tattooed Poets Project. It was actually on my way back from interviewing one of our poets, Alicia Adams, in Union Square, when I ran into a woman on the uptown subway platform who had some incredible tattoos.

We discussed her ink for a couple of stops and, when we got off the train, I snapped this phenomenal tattoo:

Oh, and let me tell you, dear readers, how tough it was to hold on to this picture through the entire month of April. But, as they say, good things come to those who wait.

This incredible piece was inked by Regino Gonzales at Invisible NYC. Danielle recalls, "I wish I had some amazing story about  the tattoo we picked. When I was at InvisibleNYC to talk with another artist, I fell in love with the gypsy woman that Regino designed. Then I made my appointment with him!"

I have been fortunate to come across Regino's work in the streets, by chance, three times before. You can read about those encounters, and see the tattoos, here.

Thanks to Danielle for sharing her awesome tattoo with us here on Tattoosday!

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Tommy's Geisha

Last week I met Tommy, who has six tattoos, one of which he shared with us:

He brought three or four pictures into Regino Gonzales when he was at Inkstop Tattoo and he came up with this design. Regino is now at Invisible NYC.

The line work took two and a half to three hours but he had to stop because, in Tommy's words, "I'm a bleeder". He came back after he healed for another two and a half hours of shading.

Tommy had a lot of nice protrait work and this piece seemed to just jump off of his left arm.

Regino's work has appeared previously on Tattoosday here and here.

Thanks to Tommy for sharing this great tattoo with us here on Tattoosday!

Mike's Tribute to His Thai Heritage

There are generally two kinds of Tattoosday subjects (and by subjects I mean people):

Those that let me take a picture or two and I never hear from them again, and those that send me nice messages and a correspondence more or less develops.

Last weekend I met a guy named Mike at the laundromat (which is turning out to be quite a lucky locale for inkspotting) and he falls in the latter category.

Not only was Mike friendly and interested in the site when I met him, but he has followed up our initial conversation with e-mails that have helped me create a much more thorough and well-rounded post than many readers may be used to.

Mike's tattoo is a tribute to his heritage. His father is from Thailand, so he considers himself "50% Thai". Check this out:


This piece does wrap around the left bicep, and on either side of the elephantine temple, there are "singha" lions:

























The idea for this tattoo started with a concept and evolved into the finished work in flesh above.

Mike started with the basic images, found online in the form of the elephant and lion masks, and the photo of a Thai temple:



He notes that he wanted to use the Tribal elephant mask "because the Elephant is a national symbol of Thailand, they [were] used ... in wars and ... represent strength. I chose the Tribal 'wood' look mainly because it looks great and I thought it represented the 'old/history' of Thailand." He added that he finds Thai temples "amazingly beautiful" and that the two Singha lions on either side of the temple in the design "represent protection, and they usually are at the entrance ways of many Thai buildings".

He then tinkered with these images in Photoshop and came up with this rudimentary design:

He took this artwork to Regino Gonzalez at Invisible NYC. Mike explains, "I showed him my idea and he actually kinda chuckled a bit. I told him I realized [that] this was a real shitty representation of what I want and that I hoped that he could do ANYTHING with it."

Mike continues, "...And then literally three days later, he called me into the shop and when I walked in, he had this HUGE AMAZING piece of art...I just turned to him and said, 'Let's do it' [and] I ... sat down right then and there for four hours and had the outline done ... I ... went back about three weeks later and had the black color and shading done, and then about three more weeks later I had the final color done."

What Mike explains is typical of great tattoo work. So many novices to tattooing are surprised that a nice piece takes a while, unlike it does on the reality tattoo shows, when an eight-hour piece often is edited down to a few minutes of air time. It's also the recommended way to get a great tattoo: bring in the framework of an idea and let the artist go to town.

And, if you have a good artist (which you should have, if you've done you're homework), you should put your absolute faith and trust in them. Case in point, Mike recalls "I asked Regino how he was going to color it and I was pretty nervous ... he looked at me and pointed to his head and said 'Trust me, I have a plan'. And that was it ... I walked away with what I think is an amazing piece of work ... I have since recommended Regino to anyone who asks my opinion, and I will continue to [do so] ....".

Incidentally, work from Regino has appeared previously on this site here.

Thanks to Mike for sharing his incredible work with us here on Tattoosday!