The Tattooed Poets Project: Rebecca Wolff

Like Brendan Constantine yesterday, Rebecca Wolff was a carryover poet from last year. That is, we couldn't quite coordinate getting a post together for the Tattooed Poets Project in 2009. Fortunately, we were able to get everything lined up this year.

Good things come to those who wait.

Rebecca sent us two tattoos. We'll let her describe them for us:

"I have seven tattoos, and the ankle is number 4. I got it in 1990, in a dock-side sailor-type tattoo parlor in Glasgow, Scotland, when I was about 22.


The artist was kind of a big lug, and none too bright, and at a certain point in the tattoo (I had my eyes closed) he said, "Uh, did you want the Z and the A to meet?" and I was like, "Yeah," and he was like, "Uh oh," so if you look closely at the latter end of the alphabet (right around the STUV) you'll notice it kind of gets all squinched up, and then the WXYZ is kind of all spread out so as to make it all the way around.

The wild rose on my side is what I still believe to be my final tattoo, though I find myself craving sleeves often.


I got it when I was about 31, in about 1999, and it's the only really super figurative tattoo I have. The others are all kind of ironic symbols of symbolism. So the idea was to jump into full-color symbolism and then leave it at that, and that's what I've done.


This one was done at a place on Canal Street in NYC by a young Japanese artists whose name I never really caught."

Be sure to head over to BillyBlog to read a poem Rebecca selected just for us!

Rebecca Wolff is the author of three books of poems: Manderley, Figment, and The King. Her novel The Beginners is coming out in 2011 from Riverhead Books. She is the editor and publisher of Fence and Fence Books, and publisher of The Constant Critic. She lives in Athens, New York, with Ira Sher and Asher Wolff and Margot Sher.

Thanks to Rebecca for sharing her tattoos with us here on Tattoosday!

The Tattooed Poets Project: Joseph Millar

Today's tattooed poet is Joseph Millar.

This is a bit of an unusual submission, as it was provided on behalf of Joseph by his wife, the poet Dorianne Laux. Dorianne, who herself is un-inked, was instrumental in last year's Tattooed Poets Project, referring me to several tattooed poets, who in turn introduced me to many more, acting as the lead domino in a fantastic tattooed poet domino effect.

This is the tattoo she provided on behalf of Joseph:


Dorianne explains that this tattoo is actually a two-part piece. The original was "a much smaller rose" by the legendary Lyle Tuttle. She continues:

"The banner was etched with his second wife's name, which I never saw as a problem. I liked his ex-wife who is an artist. In fact, her painting graces the cover of my third book, Smoke. One night he came home late with a bandage on his arm. I worried he'd been in a work-related accident. He peeled it back to show me he had the rose enlarged and my name stenciled into the new banner by Doctor Julien of [Julien's Black Lotus Tattoo in] Eugene, Oregon. I wish I could tell you I thanked him and kissed him, but what I did was sock him in the arm and call him an idiot. Secretly, I found I was pleased."

Be sure to head over to BillyBlog and read one of Joseph's poems here.

JOSEPH MILLAR is the author of Fortune, from Eastern Washington University Press.


His first collection, Overtime (2001) was finalist for the Oregon Book Award and the Robert H. Winner Memorial Award from the Poetry Society of America. Millar grew up in Pennsylvania, attended Johns Hopkins University and spent 25 years in the San Francisco Bay area, working at a variety of jobs, from telephone repairman to commercial fisherman. His poems have appeared in numerous magazines including The Southern Review, TriQuarterly Review, Prairie Schooner, Shenandoah, DoubleTake, New Letters, Ploughshares, Manoa, and River Styx. His work has won fellowships from the National Endowment for the Arts in Poetry, Montalvo Center for the Arts, Oregon Literary Arts and a 2008 Pushcart Prize in Poetry. In 1997 he gave up his job as a telephone installation foreman. He now lives in Raleigh, NC and teaches at Pacific University’s Low Residency MFA Program in Oregon and yearly at the Esalen Institute in Big Sur, CA. Pulitzer Prize winner Yusef Komunyakaa has said, “There's a tenderness at the core of Fortune, where the commonplace becomes atypical and fantastical, and each poem possesses a voice that summons and reveals. Joseph Millar is a poet we can believe.” His third collection of poems will be published in fall of 2011 by Carnegie Mellon Press.

Thanks to Joseph and Dorianne for their collaborative submission to the Tattooed Poets Project!

Two Small Tattoos from Samantha

I met Samantha in Penn Station when I was passing through the New Jersey Transit waiting area earlier this week.

This simple rose is just above her left ankle:


Samantha got matching tattoos with her mother when she was sixteen. I joked with her that I shouldn't post that, since I've told my daughters that they have to wait until they're eighteen before getting inked.

She pointed out that this happened in Canada, so perhaps we could use that as an excuse.

Samantha, however, was more proud of her other tattoo, which I admit, is nicer. She peeled off the sock on her right foot to reveal this:


As a Canadian, she wanted to get this maple leaf to honor her homeland to the north. The tattoo was done at Blue Devil Tattoo and Piercing Studio in Tampa, Florida.

Thanks to Samantha for sharing her tattoos with us here on Tattoosday!

Angela's Ambivalence About a Rose

Angela, a video editor, wanted a rose tattoo that would match her eyes and serve as a "permanent necklace". This was the result:


Looks pretty good, right? Not so fast. It is not often that I get someone sharing a tattoo with which they're not completely happy. This is one of those cases.

Angela had an issue with the artist, Jon Comstock at Skin City Tattoos, in New Windsor, New York, and felt that his vision, ultimately, differed from hers. Too much neon-like color, less realism in matching her eyes, Angela said. The end result, a fairly visible tattoo that has an ambivalent host. "I wouldn't go back to him," Angela said.

I have decided to include his credit, however, as I don't think it's so bad. Of course, I don't have to live with the end result, Angela does. In a slight reversal, however, when I showed her one of the pictures I took,


she admitted it looked better than she remembered.

Despite the mixed feelings about the piece, I would like to thank Angela for sharing her tattoo with us here on Tattoosday!

A Yellow Rose for a Fallen Friend

I met Dan outside of Penn Station last week on a balmy December day.

He has 22 tattoos and shared this one from his right forearm:


It's a memorial piece for a friend who passed away in 2008.

Her initals are in the heart, which is pierced by a lone yellow rose. "She loved yellow roses," Dan told me, which led him do design this variation on the dagger-through-the-heart tattoo.

The piece was inked at Fat Kat Tattoo in Keyport, New Jersey. Work from Fat Kat has appeared previously on the site here.

Thanks again to Dan for sharing his tattoo with us here on Tattoosday!

Gypsy Roses and a Tombstone

Last month, I ran outside toward the end of the day to throw a letter in the mailbox at the corner of 31st and 7th, near Penn Station.

Always prepared, I had a flier and my camera with me, just in case, and I spotted a woman ahead of me on the sidewalk with an interesting-looking tattoo on the back of her right arm.

After dropping my letter in the box, I ran up and introduced myself. She said her name was Jeanette and she showed me this chest piece which truly took my breath away:


I was however, without a pen, so she lent me hers. Fortunately, she later e-mailed me a fuller explanation of her work, reiterating what she told me in the street:

My gypsies on my chest are a representation of my open, free spirited soul, my wandering spiritual ways and my childhood. As a child, my mom moved my 4 sisters and I from place to place; never truly getting settled but gaining amazing friendships and experiences on the way.


These gypsies were created and drawn by Mo Coppoletta a tattoo artist originally from Italy but now residing in London.


He owns and operates The Family Business...He is a feisty but charming fellow who I bonded with immediately after meeting. You can view more of his work and his shop at www.thefailybusinesstattoo.com.

I also snapped a photo of the original tattoo I had spotted on her right arm:

She explained:

This tattoo is very sentimental...[in memory of] my mother who passed away at the young age of 50 in May of 2003. The words inscribed on the tombstone..."It's Gettin Chistled on yer tombstone" are from one of my favorite films, The Devil's Rejects. These words represent the things you do in life...each moment...each day you are engraving a memory for which people will remember you by, and this is how my mother lived. Always giving a hand and offering her last dollar from her pocket to a stranger. This tattoo is not completed yet, I intend to have the front of the tombstone added soon which will have my mother's name, date of birth and death and the words "Loving Mother and Loving Soul" in bold ink. This tattoo artist is Ezra [McCabe] from Sacramento, CA owner and operator of Timeless Tattoo and his work is truly timeless and remarkable. They are located at 912 J St Sacramento, CA and can be reached at (916) 443-6441.

A little more about Jeanette:

"I am a freelance fashion designer for my own clothing line "Altered Betty's," a line of clothing that comes straight from my heart. All one of a kind pieces made from all recycled fabrics and notions. What once was very special to one could be a delightful surprise for another. I recently moved to New York from California, I am still adjusting but I am beginning to really love and appreciate this beautiful city. "

It was an unexpected treat to meet Jeanette and I thank her for sharing her amazing gypsy rose tattoos with us here on Tattoosday!

Colin's Left Leg is Traditionally Flash-y

I spotted Colin one afternoon while I was waiting for another tattooed individual to get off of her cell phone.

(Not only have I come up with individual terms for things that are associated with inkblogging, but I follow a code, as well. One of its tenets is to never bother someone talking on a cell phone.)

Colin ambled by and I bounded after him, stopping him and asking about his tattoos.

His left leg is covered with traditional flash, from swallows and bombs, roses, death's head moths,


and a pin-up girl, done in the Sailor Jerry style.


He explained that the sleeved left leg is a result of being "overzealous and excited" about tattoos.
Usually I try to talk about one or two pieces, but because most of his work is just flash, I captured most of his calf.

No fascinating stories to tell, just tattoos.

Thanks to Colin for sharing his ink with us here on Tattoosday!

Austin's Sleeve Pays Tribute to His Grandmother

Austin was visiting New York when I stopped him on 7th Avenue right in front of the Fuse studio.

He offered up this sleeve on his left arm:


























This was inked by Amanda Grace at Truth and Triumph Tattoos. She now works at Smartbomb Tattoo. Both shops are in Dayton, Ohio.

The playing cards are a tribute to his grandmother, who was a card player. She also tended roses, so these flowers also pay homage to her.

Of the other elements, Austin says he just likes skulls, artistically. Also, the words "Never Again" are there to remind him to remain strong his sobriety, and not to go down that same road of dependency.

I appreciate Austin stopping and chatting with me, and thank him for his forthrightness, and for sharing his tattoos with us here on Tattoosday!

Tattoorism: Erika's Yellow Rose

I've been remiss in sharing Erika's tattoo, which she sent me almost two months ago. So let's have a visit from her lovely rose tattoo:


I'll let Erika explain the artowork:

"...[this] was done at Miami Ink [actually called Love Hate Tattoo Studios]. Not by anyone on the show, as they only tattoo for the show, but they have a group of very talented artists who are not featured. This tattoo has a very personal meaning for me. My mother's favorite flower is the yellow rose, so the rose represents her. I have a very close bond with my mother and tell her absolutely everything, and she means a lot to me. As for the two thorns? Representing me and my sister. Yes, we are the thorns in her side, but we also protect her.

I went into Miami Ink with a couple of pictures of yellow roses, as I wanted it to be just going into bloom (that's when I think roses are at their most beautiful) and told them I wanted it to curve around my ankle bone. They drew up a design in an hour and I liked the very first thing they showed me. I always get comments on it when it's exposed, and it remains my favorite of my 6 tattoos. They did such a lovely job with the shading and I think it's beautiful!

And for the record, it's the only tattoo I have that my mom kind of likes."

Here's a shot of the tattoo, just after it was completed. You can see the source material in the background:


Erika followed up with more information:

"James [Hamilton] (pictured below with Erika) was the artist and he was great. I was in Miami over Spring Break in March 2007 and that's when it was done. Ami James was hanging around the shop when I went, so I got to meet him as well..."

Thanks so much to Erika for sharing her rose tattoo with us here on Tattoosday!

The Tattooed Poets Project: Kim Addonizio's Blue Roses

When first embarking on this tattoo project, nearly everyone I asked referred me to Kim Addonizio. I'd venture to say she is the poet most well-known as "tattoo-friendly". In part, this is due to her editing an anthology called Dorothy Parker's Elbow: Tattoos on Writers, Writers on Tattoos.

Graciously, Kim accepted my invitation to participate in Tattoosday's National Poetry Month project. She sent me the photo above, her fourth tattoo. I love the blue roses that set this piece apart from most lower back tribal tattoos.

Kim told me:

"The piece was done ... in Santa Barbara. It was the worst tattoo experience I ever had. (I have five tattoos). In the middle of it [the artist] took a phone call, saying, "Oh, hi. I'm tattooing a crack." I like the tattoo, though. There wasn't any particular significance to the design, for me, though afterwards I thought about Laura Wingfield in Tennessee Williams' The Glass Menagerie being called Blue Roses by her Gentleman Caller, and so it's become a bit of a reminder to myself, when I'm feeling fragile, to take a risk rather than withdraw."

She had this tattooed in 1994 and has added one more to her collection since then.

Be sure to head on over to BillyBlog to read one of Kim's poems. And although not every poem written by an inked poet appearing on BillyBlog this month is tattoo-related, Kim's is.

Thanks very much to Kim Addonizio for sharing her tattoo with us here on Tattoosday!

Melanie's Traditional Revolvers

As I mentioned above (here), Melanie crossed my path on a day last week when I had been having some bad luck with inkspotting.

However, when I saw her on 34th Street across from Macy*s, I had to talk to her about her tattoos.

What caught my eye first was her chest piece, two traditional Sailor Jerry designs, including a near replica of the neck piece sported by Buddy Nielsen of Senses Fail.

She told me an artist named Kenny up in Kingston, New York had inked the chest piece, but instead of photographing that, she offered up her stomach piece instead:


The reason for her offering this other piece is that it was tattooed by the artist she is currently working with, Cookie, at Pop's Tattoo Emporium in Kingston.

Melanie got her first tattoo at sixteen and fell in love with the traditional style. When I asked her how many she had, she had the typical response of the heavily-inked: she wasn't sure.

The guns and roses along the waistline are a traditional motif and part of her desire for ink is to fill in space, to keep working with the body's canvas. The sheriff's badge exemplifies this, as she noted it was added as an afterthought.

The "City of Sin" identification on the badge is consistent with the piece's theme, and it artistically brings the whole tattoo together, centering the focus at the ends of the gun barrels, and providing a stronger sense of balance in the design.

Thanks so much to Melanie for sharing her traditional holsters with us here on Tattoosday!