The Tattooed Poets Project: Shannon Phillips

Today's tattooed poet is Shannon Phillips. She has five tattoos, none of which are in color. All of them are on her back. She sent us a few photos so we could appreciate them:

I'll let Shannon tell their stories:

"I knew I wanted a tattoo, but the commitment to one idea was freaking me out.  However, I took an Art of Mexico class and when I learned the term 'Nepantla' I knew that was it. Nepantla is a term in Nahuatl that roughly means 'on the border' or 'in between.' It seemed perfect. I got the tattoo done at a place off Pacific Coast Highway in Sunset Beach, California. It was a birthday gift from an ex that I was still friends with.

The next tattoo I got was of a coyote ouroboros. I love the coyote as a trickster symbol in Native American myth and I was also very drawn to the symbolism behind the ouroboros, the life-death-life cycle. I did not relate to the more classic ouroboros images of a dragon or a snake so I asked a young artist named Natalie Robles to design the coyote ouroboros for me. The tattoo was done at Atomic Tattoo off Hollywood Boulevard [in Los Angeles].

On the drive to a wedding in Arizona, my friend and I decided to get almost-matching tattoos. It seemed that since we were both people who had tattoos that we should have at least one on a whim. It had to be something simple since we didn't have a chance to research the tattoo shop. We settled on cat silhouettes.

The next tattoo I had done [seen at the bottom of the back in the top photo above] was at a shop in Lake Forest, California.  While walking to class one day at Cal State Long Beach, a flyer grabbed my attention – it depicted an awareness ribbon designed to resemble an Asian character. I saw it and I simply knew.

My quid pro quo\ tattoo was done at Wicked Ink in Knoxville, Tennessee.  I had heard the phrase literally translated to 'what for whom' and I had known for some time I wanted a tattoo that embodied my fascination with the structure of power. Again, I wanted something simple because I hadn't researched the tattoo shop – I was on another trip. I chose a female tattoo artist because it occurred to me that all my previous tattoos had been done by men."

Shannon sent us three poems to consider and I selected this one:

To My Stretchmarks

Fossilized jelly fish tendrils.

Moon-colored veins,
chalk-scrawled tree roots,
icicle milk.

On my hips,
Nature tattoos lightning.

--originally published in RipRap #30, 2008

~ ~ ~

Shannon Phillips earned an MFA in creative writing from Cal State University Long Beach. Her work has been published in Pearl, Verdad, RipRap, Rectangle, and her poem “Plum” placed second in Beyond Baroque's First Ever Poetry Contest. She previously taught ESL for two years and now edits Carnival, an online literary magazine.

Thanks to Shannon for sharing her poem and all of her tattoos with us on Tattoosday. I'd also like to thank her for referring us to Eric Morago, who appeared on the Tattooed Poets Project here, earlier this month.

This entry is ©2012 Tattoosday. The poem and tattoos are reprinted with the poet's permission.


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Casey's Name Transcends Generations

I met Casey while passing through Penn Station. He was waiting for the Amtrak to his home in Rhode Island. I spotted his neck tattoo and asked him about it because it was not your typical neck piece. He was very enthusiastic about sharing it with Tattoosday,

Simply, the ink, which begins on the left side of his neck and curves in a semi-circle to the right side of his neck, is his name (first, middle, and last) in Armenian.


I normally don't spout opinions about people's choice of ink, but I have never understood why people tattoo their own names on their bodies. I work with many people who possess cursive renditions of their names in ink, and these tattoos don't appeal to my artistic sensibility.

However, after speaking with Casey about his tattoo, I fully appreciate the design and meaning of the piece.

One remarkable thing about the tattoo, in my opinion, is that it is inked in a language that is not commonly seen on skin, in this country at least. I have featured kanji, Hebrew, and Arabic, but never Armenian. The name inscribed in another language, especially when it honors one's family
heritage, elevates the art and carves deeper meaning into the flesh.

What makes this piece even more phenomenal is that the handwriting of Casey's name belongs to his grandfather. He went to him and asked for him to write the name out in the language of the Old Country, with the express desire to have it tattooed. And his grandfather not only gave his blessing, but loves the finished product.

In this way, Casey has created a tribute to his heritage, as well to as his grandfather, and is able to convey that respect for the past. It will also be a constant reminder for him to remember his grandfather and the roots from whence he came.

The piece was inked by his friend Jesus, who was not affiliated with a shop at the time he got the tattoo 2 1/2 years ago, but is now working at Wicked Ink Tattoo in Riverside, Rhode Island.

As a bonus, on two-for-Tattoosday, Casey showed me his other tattoo that is inked on his right bicep:


"So you're a Yankees fan?" I asked, smiling.

Casey corrected me, "It's a memorial piece for my cousin J.J. who was a devoted fan".

J.J. died at the too-young age of 26 and the tattoo was supposed to include the text "J.J. - Rest in Peace," but he didn't have time to finish it. There are plans to complete the memorial in the next month, and I hope to post the final version here in the future.

I must say that I have seen tattoos of the "NY" logo for the Yankees, but this piece is one of the best I've seen, just based on its size and sheer brightness of color. The deeper meaning as a memorial for a close relative makes the tattoo even better, in my opinion.

Thanks again to Casey for sharing both tattoos with us here at Tattoosday!