Mason's Gypsy, with a New Orleans Twist

I met Mason at the 7th Avenue Street Fair in Park Slope on Father's Day.

He has "twenty or so," tattoos, mostly accumulated from different artists from different places he has visited.

His offering for Tattoosday, however, was inked here in New York. It is a take on the traditional gypsy tattoo which I have been seeing a lot of lately:

Mason went to Kings Avenue Tattoo in Massepequa, Long Island, with a general idea for this piece, which is something he wanted to get for a while.

The artist, Grez, added a Fleur-de-Lis to the piece, per Mason's request, as a nod to the city of New Orleans where he grew up.

Thanks to Mason for sharing this fantastic tattoo with us here on Tattoosday!

Tattoorism: Christina's Fleur-de-lys

For those of you visiting Tattoosday for the first time, I refer to posts based on reader submissions as Tattoorism. That is, tattoos from out of town visiting us here in the blogosphere.

There was a pleasant surprise in my in box this morning:


Skeptics may say, "What's the big deal? It's just a fleur-de-lis!" But we here at Tattoosday don't think that way. Tattoos aren't just designs inked into the flesh, they generally carry significance that transcend the skin and touch the soul.

And I'm always interested when someone I've never met takes the time and energy to send me a photo and elaborate on their tattoo. Christina's tattoo, above, is a case in point.

I'll let Christina explain her one and only tattoo:

"Tom Berg at SoCal Tattoo in San Pedro, CA did my ink. He designed the elaborate tattoo for the main character in the tv show "Prison Break," [see below] among others.

My husband works for the show and knows Tom, so he was able to get an appointment in two weeks instead of the one-year waiting list that he normally has. So we had that going for us, which is good.

People ask me all the time if the 4-inch fleur de lys between my shoulders means that I really really love the [New Orleans] Saints, or the Boy Scouts... Nope. The fleur has been popping up in my life for years. I wore a ring with a fleur on it, identical to a ring that my best friend in high school wore, which we got on my first road trip. That relationship was instrumental in breaking me out of my shell in school. I wore the fleur on a necklace through college. Then, I spent a year living in Florence, Italy. The symbol of the city is the Florentine "gigli," or lily, the Italian version of the fleur de lys.

One of my housemates said something that stuck with me. "Florence doesn't change you, it only makes you more like you are."

For me, my tattoo is a symbol of my journey toward becoming who I am supposed to be, doing what I am supposed to do, living how I am supposed to live. I got it two months after I married the love of my life, my best friend since I was 12."

The Fleur-de-lis (also spelled fleur-de-lys) has appeared on Tattoosday previously here. I'd like to thank Christina for her continued readership and contribution to the blog!

I cannot guarantee that I'll publish every tattoo e-mailed my way, so I don't openly solicit contributions. However, every once in a while, it's a nice change of pace, both for us here at Tattoosday and, I believe, the readers. Thanks again, Christina!

Nina's Ink, Part Deux

I'm following up from this post here.

Nina had offered up so many tattoos I had to split up the post, and then, well, she sort of got lost in the inkshuffle. Best to reacquaint yourself with her through the post above and then resume here.

Nina told me she was the product of Quaker and Jewish parents, and was raised in the Quaker tradition. The core values instilled in her upbringing were virtue and the importance of leading a simple life, known as the Testimony of Simplicity. She recalls the silence that is so prevalent in Quaker meetings. These values translated to the tattoo on her right forearm:


She says this is a reminder, based on her upbringing, that she can "find simplicity through silence".

The saying is punctuated by the recognizable symbol of the fleur de lis, which has been recognized as a royal French symbol for purity.

The fleur de lis is also a significant element in this tattoo, which is on the back of Nina's neck:


A closer look:


This piece has roots in her family. Along with the decorative aspects of the design, the letters N and T represent her name and the name of her brother Tom. The name Rita belongs to her mother. The crown represents her mother being the queen of her family.

The final piece Nina showed me was only partially visible the day I met her, only because modesty and a public setting prevented her from letting me photograph the whole tattoo:


The general design and the phrase "this will linger" is from a skateboard deck. Nina is avid longboarder and the design appealed to her. Not to mention that "this will linger" can be interpreted in so many ways, and can even speak to the idea of tattoos themselves. This could also be a reference to the final line in the song "Beside You Now" by the band, The Fold:

I've no regrets of yesterday, though these tears are falling
I will look to you, I will still remember (God help me now)
This will linger on, your memory deeper than the oceans

Note the fleur de lis just below the navel.

Added to this design, on either side, are two calla lilies, a la Georgia O'Keefe. They, to her, represent "the realm of possibility". Nina told me that she and the tattooer discussed adding white ink to the flowers to make them more "realistic". They decided against that, however, as the tattoo may have suffered due to what likely would have been an aesthetic issue with the ink and Nina's much darker skin tone. I would tend to agree that they made the right choice.

Nina credits most of her work to Dan at Amazing Grace Tattoo in Geneva, New York. She did however indicate that the lower abdominal piece was done by Noah at Extreme Graphix in Geneva, NY.

I would like to thank Nina for spending so much time talking to me about her ink. She showed me her whole catalog of tattoos, and I feel bad for neglecting "part two" of her post for these past couple of months.

Considering that she had all this work done in her eighteenth year, I can only wonder how much more has been added to her canvas since.

Thanks, Nina, for sharing your body art here with us on Tattoosday!