Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

The Tattooed Poets Project: Jeanann Verlee

Here on the final day of the 2010 Tattooed Poets Project, we are featuring two tattooed poets (in two separate posts).

First up is Jeanann Verlee, who holds the distinction of being the one poet this year who met with me in person to discuss their tattoo.

Jeanann offered up her upper left arm:


The incredible detail of this piece is in the hummingbirds:



This whole tattoo is based on the cover art from her just-released first book Racing Hummingbirds (Write Bloody Press, 2010).


Jeanann knew she wanted her next tattoo to have something to do with the upcoming book. When she had the opportunity to work with an artist she respected, Tyson Schroeder, Jeanann held off on getting new ink and waited to see his art for the cover. She was happy she waited and, loving what she saw, she took the design Tyson created to her tattoo artist, Mark Harada at East Side Ink.

The racing hummingbirds design was placed adjacent to one of Jeanann's approximately fifteen other tattoos. The piece already on her arm consisted of a symbol comprised of Celtic and Nordic runes, and calla lilies, which represent transformation.

It was truly a pleasure meeting Jeanann at Grand Central Station and talking with her about her tattoos and her poetry. One of her poems, dedicated to poet Eboni Hogan, can be seen here over on BillyBlog. Eboni's tattoo (here) follows this post, and her poem is dedicated to Jeanann.

Thanks to Jeanann for taking the time to meet with me, sharing her tattoo, and rounding up an exciting 2010 Tattooed Poets Project!

*****

JEANANN VERLEE is a former punk rocker who collects tattoos and winks at boys. She is author of Racing Hummingbirds (Write Bloody Press, 2010) and her work has appeared in a number of journals and anthologies, including The New York Quarterly, PANK, FRiGG, Danse Macabre, and Not A Muse, among others. An acclaimed performance poet who co-curates the weekly reading series Urbana Poetry Slam at the Bowery Poetry Club, Verlee has performed and facilitated workshops across North America. She was co-author and performing member of national touring company The Vortex: Conflict, Power, and Choice!, charter member of the annual Spoken Word Almanac Project, and is an ardent animal rights and humanitarian activist. She lives in New York City with her best pal (a rescue pup named Callisto) and a pair of origami lovebirds. She believes in you. Learn more at JEANANNVERLEE.com.

The Tattooed Poets Project - Caroline Goodwin

Today's Tattooed Poet is Caroline Goodwin.

She sent along this photo of a clematis flower that was tattooed on her belly in the early '90s in Juneau, Alaska:


She says she chose the clematis image from "a book of botanical sketches at the Juneau Public Library". Why this one? "Because I love purple flowers -and vines".

The artist, Caroline recalls, was Dave Lang at High Tide Tattoo.


Caroline Goodwin moved to the San Francisco Bay Area from Sitka, Alaska in 1999 to attend Stanford as a Wallace Stegner Fellow. She teaches poetry and nonfiction writing workshops at California College of the Arts and, with Hugh and Mary Behm-Steinberg of Berkeley, is the publisher of MaCaHu poetry chapbook press.

Check out one of Caroline's poems here, over on BillyBlog.

Anne's Flourish

This is another regular post amid the host of Tattooed Poets for April.

I ran into Anne at a drug store in my neighborhood and she agreed to share this simple, yet elegant, tattoo, which she called her "flourish":


Inked on her inner right forearm, Anne designed this herself, and had it tattooed by Chad Hunt at Name Brand Tattoo in Ann Arbor, Michigan.

Thanks to Anne for sharing her lovely decorative tattoo with us here on Tattoosday!

Two Small Tattoos from Samantha

I met Samantha in Penn Station when I was passing through the New Jersey Transit waiting area earlier this week.

This simple rose is just above her left ankle:


Samantha got matching tattoos with her mother when she was sixteen. I joked with her that I shouldn't post that, since I've told my daughters that they have to wait until they're eighteen before getting inked.

She pointed out that this happened in Canada, so perhaps we could use that as an excuse.

Samantha, however, was more proud of her other tattoo, which I admit, is nicer. She peeled off the sock on her right foot to reveal this:


As a Canadian, she wanted to get this maple leaf to honor her homeland to the north. The tattoo was done at Blue Devil Tattoo and Piercing Studio in Tampa, Florida.

Thanks to Samantha for sharing her tattoos with us here on Tattoosday!

Tattoos I Love: Melanie's Hybrid Flower

This is another special edition of Tattoosday, a variation on the Tattoos I Know series. First seen on Valentine's Day, this is an episode of Tattoos I Love.

This category is reserved for the ink on my wife, Melanie, who turns 40 today.

Several years ago, I bought her a gift certificate for Body Art Studios in Bay Ridge, Brooklyn. The owner and artist, Peter Cavorsi, is a talented tattooer, and he proved it in this case.

Melanie's favorite flower is the iris. She wanted something pretty along those lines, and gave Peter a couple of samples of artwork as a reference.

What he came up with was a lovely interpretation of the iris, but with other floral elements thrown in. So, although based on her favorite flower, it is a hybrid that is uniquely hers:


I surreptitiously snapped this photo of the tattoo on her right ankle last year at a little league game in which our younger daughter was playing.

Work from Peter at Body Art Studios has appeared previously on Tattoosday here.

Happy Birthday, Melanie!

Juan's Sleeve, Traditional Elements, Inked in the Bronx

A burst of pleasantly warm weather this week signified the end of a quiet winter.

Posts have been scarce indeed, but I see busier times ahead.

Wednesday afforded me my first "Tat* Trick" of 2010. That term, for those unfamiliar, is reserved for a day when I meet and photograph at least three tattoo hosts. Even rarer is the "Lunch Tat Trick," which involves me getting photos from three people (or more) in the course of an hour, on my lunch break.

So I am grateful for the following contributor, and the two three other nice people from the 10th of March.

I spotted Juan in Penn Station and he offered up this half-sleeve-in-progress, which includes a skull element and a panther :


Inked by Freddie Arroyo at Cool Hand Tattoo in the Bronx, this tattoo features his ideas and the artist's interpretation of the suggested design elements. The mask at the bottom of the design is one element I find exceptionally interesting, as it deviates slightly from what a traditional demon mask looks like, and takes on a slightly more original appearance which more likely reflects the style of the artist:


The work as photographed represents two sittings. Not seen in the shot above, but quite impressive, is the work and color of this flower, which is on the inside of the biceps, extending into the ditch:


Thanks to Juan for sharing this tattoo with us here on Tattoosday!

* Ed. Note:Tattoo purists often raise an eyebrow at the term "tat" to denote a tattoo. I generally employee it when I am attempting a clever play on words. Sometimes, I fail.

Tattoos I Know: Paul, Part 5 or, The Great Cover-Up of 2008, continued...

In December 2008, we posted about our friend Paul getting some cover-up work done on his upper right arm. Revisit the report here.

We checked in with Paul again this past November to see the progress (here). And, just last Friday, he updated us again on the latest efforts by Horisei, who has one more session before this cover-up is done:


Horisei tattoos out of the Chelsea Tattoo Company, formerly the home of Rising Dragon.

Thanks again to Paul for sharing. I'm guessing we'll see the finished product later in 2010!

Tattoos I Know: Paul, Part 4, or, The Great Cover-Up of 2008, continued...

Late last December, we posted about our friend Paul getting some cover-up work done on his upper right arm. Revisit the report here.

We recently checked in with Paul to see how things were going, and he updated us with the latest efforts by Horisei, who is about a session away from finishing this beautiful work:




Horisei tattoos out of the Chelsea Tattoo Company, formerly the home of Rising Dragon.

Thanks again to Paul for sharing. I'm guessing we'll see the finished product some time in 2010!

Amy Beckerman's Ink: Laughter and a Peony

It was Amy Beckerman's peony above her right ankle that first caught my attention:


This beautiful floral tattoo, designed by Dan Bythewood at Regeneration Tattoo in Alston, MA, is one of four tattoos she has.

Dan is a friend of Amy's from college who had studied art then went on to become a tattoo artist.

I thought this one was wonderful, as well:


The word "laughter" pefectly suits her, as Amy is a professional comic. This was also inked at Regeneration, but by Cathy Johnson.

You can see a segment of Amy performing below, as one of her characters, "Ida Felter":



Amy performs regularly in a show called "Dykes on Mics," the second and fourth Tuesday of every month at Comix (353 West 14th Street in Manhattan). It's a free show, starting at 9:00 PM. The next performance is Tuesday, September 28.

Amy's website is here.

Thanks to Amy for her enthusiastic participation in Tattoosday!

A.J.'s Floral Ink

I ran into A.J. earlier this month, walking aling Seventh Avenue near 34th Street.

She has seven tattoos, and shared this lovely black and gray floral piece on her upper right arm:

She had been debating on whether to add color or not, but is pretty happy with the way this tattoo looks.

This tattoo was created by Junior at Adrenaline Rush Tattoo in Newark, New Jersey.

Thanks to A.J. for sharing this lovely tattoo with us here on Tattoosday!

Katte's Memorial for the Artist, Gone Too Soon

I met Daniel and Katte as they were about to go into the subway station at 34th Street and 7th Avenue.

Although Katte had a lot of visible work that was interesting, she rolled up her left pant leg to show me this interesting collage on her calf:


The tattoo, along with much of her work, was inked by her step-father, who works out of his home.

The piece is a memorial for an ex-boyfriend, who was hit by a car and killed in February 2008.

He had been into Japanese art and graffiti and had drawn this on her wall. After he died, she transposed it so that it could be tattooed on her.

She wears it as a keepsake by which to remember him now that he's gone.

I thank Katte for sharing this very personal piece with us here on Tattoosday!

See what Daniel had to offer here (or just scroll up if you are reading this chronologically).

Jared Shares His Vegan Tattoo

I met Jared while he was waiting for a train in Penn Station.

After the Manhattan Mall food court closed last summer, I discovered this wide expanse of Penn Station (especially the Amtrak area) was great for inkspotting when the weather made normal traipsing about unappealing.

Jared's ink runs down the length of his arm, from the top of his right bicep, down to the inner part of his forearm.

As a Vegan, Jared did his research, and sought out a tattoo artist that could give him a Vegan tattoo:



There's a school of thought that some tattoo inks are not "vegan," in the sense that they incorporate glycerine from animal fat, or they use bone char in the black inks. See this article here.

Some artists refute this as gimmicky, and here is a more skeptical view point from a Vegan. But many Vegans who are steadfast in their ideals find the idea of a purely vegan tattoo appealing. I featured another Vegan tattoo back in October 2007 here.

Jared, who is the musical director for the national touring company of the show "Spring Awakening", went to Cary at Body Electric Tattooing & Piercing in Hollywood for this custom design.

The top section of flowers includes at least one chrysanthemum. The bottom part spells out the word "Vegan" in twisting, viny, letters.

Jared's whole arm took three sessions and ultimately embodies the Vegan lifestyle, not just in words and design, but in the ink used to create the art.

Thanks to Jared for sharing his work with us here on Tattoosday!

Ashley's Two Little Birds

Last July, I met two tattooed women, Becky and Ashley, outside of Borders (Becky's post is here, Ashley's is here) on Penn Plaza.

A few months later, in one of my more embarrassing moments as an ink-spotter, I approached Becky again, outside of Macy*s, and asked her about her tattoos. She reminded me that she was already featured on Tattoosday, and I reddened, apologized, and moved on. In my defense, the tattoo I featured was on her foot, and it was covered in the subsequent encounter.

Flash forward to the last Friday in April, and I spotted both Ashley and Becky again, outside of Macy*s. I wasn't sure, but something seemed familiar, so I approached cautiously. Becky had dyed her black, so my failure to identify the two of them immediately was again explainable.

But unlike the previous encounter with Becky, this time I wasn't embarrassed and Ashley volunteered her two newest tattoos.

Ashley, a make-up artist, about two months ago, had two small "Mom" and "Dad" tribute tattoos inked behind her ears. Mom is on the left:


And Dad is on the right:


The birds remind her of something that her mother would tell her when she was a little girl. She would tell Ashley that if she wasn't good, the birds would get her. That, combined with the small forget-me-nots, make these small, pretty, tattoos nice tributes to her parents.

The work was done by Mohawk John at Three Kings Tattoo in Brooklyn. Work from Three Kings has appeared previously on Tattoosday here.

Thanks to Ashley for re-visiting us here on Tattoosday and sharing her newest tattoos!

The Tattooed Poets Project: Dese'Rae Stage and Some Poetic Tulips

Last Wednesday (April 15), I was trying to distract myself from having my back tattooed, when my BlackBerry chirped and I found a wonderful e-mail in my inbox. A poet and photographer named Dese'Rae Stage had graced me with some photos of a few of her fifteen tattoos. What follows is my favorite of those pieces:

The first piece is based on Sylvia Plath's poem "Tulips":


The poem is below, with the lines extracted for the tattoo highlighted:

TULIPS

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I have no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.

Dese'Rae explains the background of this tattoo:

"The interpretation is literal enough: it's a poem about suicide and I'd recently tried to commit suicide (I got the piece done back in November 2006 and the summer prior was particularly difficult). One of my oldest friends, Ryan Falcon, just happens to be a talented artist, so I took him a tiny line drawing of some tulips and a copy of the poem with the selected lines highlighted and told him to go to it. The only stencil he used was for the words. He drew a rough outline of the bulbs, but everyth ing else was free-handed. This piece is on my inner left calf."

For the sake of brevity, I am only posting this one tattoo, of the five Dese'Rae sent me. It is, in my opinion, the best of the tattoos she sent me. However, I may post more in the future, with her permission.

It should be noted that the artist behind this tattoo, the aforementioned Ryan Falcon, is based in Miami, Florida and works at Almost Famous Tattoo. Truly spectacular, and worth a second look:

Thanks to Dese'Rae for sharing her amazing tattoo with us here on Tattoosday, as well as sharing the deeply personal story that accompanies it.

Head over to BillyBlog to read one of her poems here.

Tattoorism 101: Jenny's Unforgettable Memorial to Her Mother and Grandmother

Despite unseasonably warm temperatures this weekend, I didn't see any tattoos, shattering my expectations. However, all was not lost. I received a lovely e-mail from a reader named Jenny who brightened my day with an amazing tattoo. She must have been reading my mind when she said, "Since it's winter and most of us have our ink covered by turtlenecks and wool sweaters, I would let one of my tattoos out and share it with you."

And what Jenny sent me was a breathtaking floral tattoo that is simply beautiful:


I'll let Jenny explain this piece in her own words:

"My grandmother and mother are two very special people in my life, and both have passed away. When I was 21, I got my first tattoo. It was a small piece, but it meant a lot to me. My mom was so excited for me - she told me that she wished that she had the money to get a tattoo herself! My mom died without ever getting a tattoo, but blue was her favorite color.

My grandmother passed away a few years after my mom, and I decided that I would get a tattoo for them. The tattoo did not start out as planned. I went in to the shop thinking that I'd get myself a small lilac on one shoulder that had a green ribbon wrapped around it (Grandma in the Green House had lilac trees). I was also toying around with the idea of some sort of blue tattoo for my mom, but I had no idea what to do.

When I talked to the tattoo artist, she was designing a lovely lilac tattoo, and I asked her to put some Forget-me-nots with it for my mom. She created two separate sprigs, and the forget-me-nots were perfect. I went in to plan for a lilac tattoo, but I left with a shoulder of forget me nots (my largest tattoo, and I had it done in one sitting - it was intense, but I am so glad that I did it in one sitting). A sprig of lilacs will go on the left shoulder once I have some more money and the design is "right" (it's good but not ready, yet). For now, I have my mother's forget-me-nots intertwined with my grandma's green ribbon."

A closer look shows how well the two elements of the forget-me-nots and the green ribbon are woven together, just as Jenny's mother and grandmother are permanently sewn into the fabric of her life:


This simple and poignant memorial tattoo was inked by Kira at Sleepy Hollow Studios in Potsdam, New York (40 minutes from the Canadian border).

Much thanks to Jenny for being a loyal reader and from infusing a drab weekend with color by visiting us here at Tattoosday and sharing her tattoo!

Michael's Mariachis Celebrate Life with a Burst of Musical Color

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

Chris Shares Memorial Peonies for His Grandmother, Aileen

Here at Tattoosday, we're all about finding great ink on the streets of the greatest metropolis in the world, New York City.

But we also occasionally get mail from the tattooed who I have not met, but who want to share. I had a little bit of backlog from earlier this Fall and am finally getting to some of the generous contributions.

Chris sent me a photo of his tattoo in early October, along with a thoughtful and well-written history behind the piece. His story is fascinating, and his insight into the tattoo process is meticulous and, I believe, illustrative of how best to go about creating a design that imports significant meaning into the tattoo in question. I'll let Chris' words tell the story...

Hello,

My name's Chris. I'm a freelance graphic artist who lives in the East Village. I stumbled across your blog when I was trying to track down an artist from New York Adorned - the one who did the tattoo I'd like to share with you. I hope you don't mind me just writing you like this, but I liked what I saw on your blog and I felt it would be a good place to share this piece.

I am originally from Australia SC, but I came up here two months later to visit my brother for a week or so. The first thing I did on the Sunday afternoon when I got here was head to New York, but I have lived in the US since 1990. I have not gotten to visit home the whole time I've been in the states, which means I've missed all my cousin's weddings, as well as my best friend's and I've missed being there when they had their first children. Not having been home in all this time also means I never got to see my grandmother again before she passed away in June of 2007, which was just the most horrible feeling. At the time of her passing I was still living in Adorned. I'd already set up an appointment before I came up and I'd set aside funds just for the visit, so I went over there and Damion Ross got started on my memorial piece. The piece was originally a painting that I did and Damion did some redesigning to make it truer to the style of tattoo that I wanted, so the end result is really the perfect tribute to my grandmother who loved her garden and flowers. The tattoo required two sessions and it cost more than any of my other work, but you really can't put a price on a piece that commemorates the life of someone so dear.


Just for frame of reference, I have been recovering from severe facial injuries for almost four years. At the time I made the trip up here to get the tattoo I was out of work and had no income, other than a measly settlement that a judge had begrudgingly awarded me for Social Security. I spent a sizable chunk of that settlement to memorialize my grandmother, even though I had no idea when I'd have income again. My point is that people should not be stingy when memorializing a loved one, because you're going to be carrying that reminder with you for the rest of your life. Do you really want to be reminded of how cheap you are? Give them prime real estate and wear it proudly.

Thanks for letting me share with you.

Chris.

Damion Ross' work has appeared on Tattoosday previously here. And New York Adorned has been featured many times, as evidenced here.

Chris wrote me back and expounded further on the importance of really putting thought and effort into getting the perfect design and not settling for anything less:

Hey Bill,

I'm glad to be able to share my ink and story. I am working on getting some good coverage, but that's kind of hard to do when your income is extremely limited. I've collected images and put together designs for a number of years, but this was one that I wasn't prepared for at the time, nor did I have any idea that my next tattoo would be a memorial piece. So I set about searching images for my design - looking through numerous illustrations of Japanese floral paintings, as well as photographs of flowers and different types of traditional tattoo banners. I also made sure I did my research on the symbolism of flowers in Japanese art - both for flower type and colour, as these details are of great importance. When I'd found some good, solid reference material, I was then able to start on the design work.

I did a strong pencil sketch from a photo of peonies, the two most opulent blooms and capturing as much detail as I could. I spent a good number of hours sketching to make sure I had a good solid foundation. When I'd completed the sketch I scanned it and started to colourize it in Photoshop to make sure I'd have just the right colour scheme. Once I had that down I started painting what would be my first floral painting ever! I have to honestly say I amazed myself, as I wasn't even sure I could paint flowers, but my eye didn't betray me and the results were fantastic. That said, it was the digital version that I took to New York Adorned and it ended up being simplified considerably, but the image became more bold in its simplification.

So I would recommend putting a lot of thought and work into your memorial piece, but then let the tattooist do his (do I need to say or her in this day and age) job, as they generally know what they're doing. I'm attaching a (terrible) photo of the painting,


as well as the digitized version that the tattoo artist referred to. There's a drastic difference between the scan and the photo already, as I'd only sketched the flowers when I scanned the board. I took the painting in the direction I did to offer further interpretation and ramifications to the piece. I ended up selling the painting, though not for nearly as much as I'd have liked, consider the tremendous amount of work that went into it. Before it sold I had a tattooist contact me asking if I'd sell him a digitized version to use on t-shirts. I replied with very precise terms, saying that I'd already considered making t-shirts and prints of the design so maybe we could work something out, but then I never heard back from the guy. So if you see this design around - the one with the hand and scissors - it has been stolen and I'd be most interested to hear about, as I have not had the opportunity (read: the funds) to have anything printed.....

It isn't often that I receive such an in depth analysis of a tattoo from someone. It's clear that Chris being an artist has magnified his passion about this art form. I appreciated the opportunity to share his thoughts here with everyone on Tattoosday. Once again, much thanks to Chris for illuminating his beautiful memorial tattoo for us!