Lori Shares Some Peonies, and a Fairy Mermaid

When I post here at Tattoosday, there is no definite chronological order. I tend to follow a variety of factors, which can often result in older encounters waiting in the wings for a very long time.

Take Lori, for example. At the beginning of May, while my wife was at Maimonides Hospital in Brooklyn, fighting a bout of appendicitis, I walked over to a pizzeria on 50^th Street and Fort Hamilton Parkway for a quick bite for lunch. On my way out, I noticed  two women at a table, one of whom, Lori, had some pretty nice ink. Generally, one of my unwritten rules is not to bother people while they are eating, so I handed the woman my card and asked her to contact me if she was interested in contributing to Tattoosday.

Lori e-mailed me shortly thereafter, and a few weeks later, she sent me some photos. Since then, she has been patiently waiting for the post. E-mailed submissions tend to get a little lost in the shuffle but, finally, thanks to a little nudge on our Facebook page, we’re finally seeing them here on the site.

I’ll let Lori explain what we’re seeing:

“Here are 2 peonies, one is a flash stencil, done by Mike B. at Studio Enigma on Avenue U [in Brooklyn] .... the other peony (my favorite), was hand drawn by Pablo Barada, who is from Argentina [also at Studio Enigma] …

The Fairy mermaid was a picture I found just surfing the internet,  so I printed it out. I wish I still had the black and white photo before Mike B. colored it in. Now that I look at it, I think the B&W was much prettier. By the way, she took 18 hours to do, six three-hour sittings.”

Thanks to Lori for sharing some of her tattoos with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Andrew's Traditional Sleeve by Horisei

Every once in a while, it's nice to appreciate a tattoo for its own sake. This is especially rewarding for me when I am familiar with the artist, and I know people who have been tattooed by him or her, which has allowed me to appreciate their craft over time.

Two of my friends have been fortunate enough to have been tattooed by the wonderful Horisei (their work appeared here and here). Horisei works out of Chelsea Tattoo Company, former location of Rising Dragon.

So, when I spotted Andrew, coming out of Penn Station last month, I was more than thrilled to take shots of his Horisei-crafted sleeve.

Andrew estimates that this took about twenty hours of work, over a two to three month period.

His traditional Japanese sleeve consists of a tiger, two koi, and peonies, in addition to the water background.

Thanks to Andrew for sharing his awesome sleeve with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Alicia Adams

Alicia Adams is today's tattooed poet. She contacted me back in February and told me she was moving out to Brooklyn from Southern California in March. So, last week we met in a large Union Square flagship bookstore and I snapped a photo of her stunning tattoo:

I'll let Alicia explain the story behind this beautiful piece:

This tattoo was done by an artist named Shay Bredimus at Outer Limits Tattoo and Body Piercing in Long Beach, California, the city where I was raised and educated.  I had always known I wanted a tattoo, but I could never settle on exactly what I wanted.  When I went in to Outer Limits, I still didn’t know.  I decided flowers were pretty and timeless and could mean whatever I wanted them to mean.  I decided on a peony because I had just seen my first one and fallen in love with it.  I didn’t know what peonies symbolized, and I didn’t want to know.  I decided I had a lifetime to figure out what it meant to me. 

I was getting my MFA in fiction writing, and when I met Shay he told me he had his MFA in painting.  For hours we talked about art and literature and grad school and our lives.  It was the best tattooing experience I could have hoped for, and I fell in love with the finished product immediately.  As I was leaving he invited me to his gallery.  I went when he wasn’t there.  His pieces were huge, each one taking up the better part of a wall, and they were exquisite and done in black tattoo ink only.  I wrote him an email telling him how amazing I thought his art was, and he asked me to come back in for touch ups, and that’s when he added the cherry blossoms. 

I buy cherry blossom shampoo now and cherry blossom soap.  It’s a silly thing maybe, but it makes me feel pretty and reminds me that I am part of a work of art.

In addition to this tattoo, Alicia is sharing the following poem, "Red Room," which was originally published in The Mas Tequila Review:

Red Room

By Alicia Adams

You wish you had been born from your father’s head. 

Like Athena.  When you picture Athena in the womb

of Zeus’s skull, you picture her in a hollow red room

with no corners.  You picture her curled in a ball

and growing larger, fully clothed with battle gear, spear

stuck behind her father’s eye, a migraine pulsing.  When you

picture your own father’s head, you picture it crowded. 

But you could have curled around the deep-set grooves

of gray matter, your tiny hands pressed against his frontal

cortex and into his dreams.  And when you were ready,

you could have stood on your shoed feet and pushed

up and hard with rhythmic contractions until your father,

unable to take it any longer, found a way to open

himself and let you out.  You think about this often. 

In the back of your own mind, dark and polluted, you can feel

a tumor growing.  One that will ripen and mutate,

killing you slowly, and with little effort.

~~~

Alicia Adams graduated from California State University:  Long Beach’s Fiction MFA program in 2010.  She co-hosted Prose and Cons Radio and is the co-founder of After the Carnival (Literary Events).  Her work has been published in several magazines and anthologies, including most recently How Dirty Girls Get Clean and Beside the City of Angels.  

Thanks so much to Alicia for sharing her tattoo and poem with us here on Tattoosday's Tattooed Poets Project!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Amy Beckerman's Ink: Laughter and a Peony

It was Amy Beckerman's peony above her right ankle that first caught my attention:


This beautiful floral tattoo, designed by Dan Bythewood at Regeneration Tattoo in Alston, MA, is one of four tattoos she has.

Dan is a friend of Amy's from college who had studied art then went on to become a tattoo artist.

I thought this one was wonderful, as well:


The word "laughter" pefectly suits her, as Amy is a professional comic. This was also inked at Regeneration, but by Cathy Johnson.

You can see a segment of Amy performing below, as one of her characters, "Ida Felter":



Amy performs regularly in a show called "Dykes on Mics," the second and fourth Tuesday of every month at Comix (353 West 14th Street in Manhattan). It's a free show, starting at 9:00 PM. The next performance is Tuesday, September 28.

Amy's website is here.

Thanks to Amy for her enthusiastic participation in Tattoosday!

Chris Shares Memorial Peonies for His Grandmother, Aileen

Here at Tattoosday, we're all about finding great ink on the streets of the greatest metropolis in the world, New York City.

But we also occasionally get mail from the tattooed who I have not met, but who want to share. I had a little bit of backlog from earlier this Fall and am finally getting to some of the generous contributions.

Chris sent me a photo of his tattoo in early October, along with a thoughtful and well-written history behind the piece. His story is fascinating, and his insight into the tattoo process is meticulous and, I believe, illustrative of how best to go about creating a design that imports significant meaning into the tattoo in question. I'll let Chris' words tell the story...

Hello,

My name's Chris. I'm a freelance graphic artist who lives in the East Village. I stumbled across your blog when I was trying to track down an artist from New York Adorned - the one who did the tattoo I'd like to share with you. I hope you don't mind me just writing you like this, but I liked what I saw on your blog and I felt it would be a good place to share this piece.

I am originally from Australia SC, but I came up here two months later to visit my brother for a week or so. The first thing I did on the Sunday afternoon when I got here was head to New York, but I have lived in the US since 1990. I have not gotten to visit home the whole time I've been in the states, which means I've missed all my cousin's weddings, as well as my best friend's and I've missed being there when they had their first children. Not having been home in all this time also means I never got to see my grandmother again before she passed away in June of 2007, which was just the most horrible feeling. At the time of her passing I was still living in Adorned. I'd already set up an appointment before I came up and I'd set aside funds just for the visit, so I went over there and Damion Ross got started on my memorial piece. The piece was originally a painting that I did and Damion did some redesigning to make it truer to the style of tattoo that I wanted, so the end result is really the perfect tribute to my grandmother who loved her garden and flowers. The tattoo required two sessions and it cost more than any of my other work, but you really can't put a price on a piece that commemorates the life of someone so dear.


Just for frame of reference, I have been recovering from severe facial injuries for almost four years. At the time I made the trip up here to get the tattoo I was out of work and had no income, other than a measly settlement that a judge had begrudgingly awarded me for Social Security. I spent a sizable chunk of that settlement to memorialize my grandmother, even though I had no idea when I'd have income again. My point is that people should not be stingy when memorializing a loved one, because you're going to be carrying that reminder with you for the rest of your life. Do you really want to be reminded of how cheap you are? Give them prime real estate and wear it proudly.

Thanks for letting me share with you.

Chris.

Damion Ross' work has appeared on Tattoosday previously here. And New York Adorned has been featured many times, as evidenced here.

Chris wrote me back and expounded further on the importance of really putting thought and effort into getting the perfect design and not settling for anything less:

Hey Bill,

I'm glad to be able to share my ink and story. I am working on getting some good coverage, but that's kind of hard to do when your income is extremely limited. I've collected images and put together designs for a number of years, but this was one that I wasn't prepared for at the time, nor did I have any idea that my next tattoo would be a memorial piece. So I set about searching images for my design - looking through numerous illustrations of Japanese floral paintings, as well as photographs of flowers and different types of traditional tattoo banners. I also made sure I did my research on the symbolism of flowers in Japanese art - both for flower type and colour, as these details are of great importance. When I'd found some good, solid reference material, I was then able to start on the design work.

I did a strong pencil sketch from a photo of peonies, the two most opulent blooms and capturing as much detail as I could. I spent a good number of hours sketching to make sure I had a good solid foundation. When I'd completed the sketch I scanned it and started to colourize it in Photoshop to make sure I'd have just the right colour scheme. Once I had that down I started painting what would be my first floral painting ever! I have to honestly say I amazed myself, as I wasn't even sure I could paint flowers, but my eye didn't betray me and the results were fantastic. That said, it was the digital version that I took to New York Adorned and it ended up being simplified considerably, but the image became more bold in its simplification.

So I would recommend putting a lot of thought and work into your memorial piece, but then let the tattooist do his (do I need to say or her in this day and age) job, as they generally know what they're doing. I'm attaching a (terrible) photo of the painting,


as well as the digitized version that the tattoo artist referred to. There's a drastic difference between the scan and the photo already, as I'd only sketched the flowers when I scanned the board. I took the painting in the direction I did to offer further interpretation and ramifications to the piece. I ended up selling the painting, though not for nearly as much as I'd have liked, consider the tremendous amount of work that went into it. Before it sold I had a tattooist contact me asking if I'd sell him a digitized version to use on t-shirts. I replied with very precise terms, saying that I'd already considered making t-shirts and prints of the design so maybe we could work something out, but then I never heard back from the guy. So if you see this design around - the one with the hand and scissors - it has been stolen and I'd be most interested to hear about, as I have not had the opportunity (read: the funds) to have anything printed.....

It isn't often that I receive such an in depth analysis of a tattoo from someone. It's clear that Chris being an artist has magnified his passion about this art form. I appreciated the opportunity to share his thoughts here with everyone on Tattoosday. Once again, much thanks to Chris for illuminating his beautiful memorial tattoo for us!