The Tattooed Poets Project: Martha Serpas

On this, our fourth day of the third annual Tattooed Poets Project, we are honored to have work from Martha Serpas.

Readers may wonder where we find all these tattooed poets. Most come our way by word of mouth, but a small handful, like in Martha's case, agree to participate after we send out e-mail inquiries, without even knowing if a poet is inked or not. Most poets don't even respond, a handful do, but are not tattooed, and once in a blue moon, we find a tattooed poet who is happy to participate.

Anyway, here's one of Martha's tattoos:

Martha explains:

This tattoo is a montage over 20 or so years in the making. First work, Willie [at Willie's Island Tattoos] on Staten Island; Dan [Williams at the Bridgeport Tattoo Shop] in Bridgeport, CT; Bonnie Jean in Yachats, OR at [Tattoo by Design]; and a guy in Houston I never should have let reline it. Bonnie Jean was is old school and taught me that tattooing is like coloring in a book: anybody can do it if the lines are really thick.

The tattoo’s a chronicle of a tumultuous time in my life. The wind/water symbol (my design) traversing the image was first. It felt like a spiritual emblem. The bird represents a goal of peace (brought it in from somewhere). The moliere/Celtic cross  (graphic artist friend, Carla Januska designed) is modeled after the one on the chapel at my divinity school and doubles as a setting sun. It is my graduation ring, of sorts. The feathery flame shapes (Bonnie Jean’s freehand) within the wings and tail came last—my attempt to soften up the image when my life became more tranquil.

I have a small tattoo on my ankle that precedes this one(s); a memorial to my best friend on my thigh; a reverse hurricane symbol on my thumb (post-Katrina); and a symbol of perichoresis (divine revolution) on my forearm. I’ve been told I look like a doodle pad. I get tattooed about every 5 years. If I ever become content with life, I’ll stop trying to achieve the ideal personal emblem. For now, I doodle.

•••••••

Martha also contributed the following poem which, she explained, "was inspired by a photograph on the cover of Tattoo."  One note, Martha adds, is that "Suzanne owned the shop in Ann Arbor where I got my first ankle tattoo: Creative Tattoo by Suzanne. Great T-shirt: Go forth and live as art. I heard she passed away: Her breast piece was amazing."

Tattoo

She knows being chosen means to choose herself

and seals upon her breasts the Sacred Heart—

a thorn-bound garnet against open lilies,

a pink-and-white ink triptych on her chest.

Every shadow, a creed professed by lines

from votive needles to her deepest cells.

Her body gives life to art, reflects the fade

of dying flesh, and honors God’s design.

No second thoughts, she thinks that pain

is easily a choice we make ourselves,

as is admiring her canvas skin

as it ages. Affirmed with words spelled

on a defiant ribbon across her chest,

her blazón: Even the blackest sheep are blessed.

            [Appeared in Côte Blanche (New Issues, 2002)]

•••••••

Martha Serpas’s two collections of poetry are Côte Blanche (New Issues, 2002) and The Dirty Side of the Storm (Norton, 2007). Her work has appeared in The New Yorker, The Nation, and Southwest Review, and in anthologies such as Bearing the Mystery: Twenty Years of Image and the Library of America’s American Religious Poems. A native of Bayou Lafourche in south Louisiana, she is involved in efforts to restore Louisiana’s wetlands. She teaches creative writing at the University of Houston and is a hospital trauma chaplain.

You can learn more about Martha and her writing at her website, http://www.marthaserpas.com/.

A sincere thanks to Martha for sharing her tattoo and poem with us here on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Kristina's Labyrinthine Symbol of Hopi

A few weeks back, I met Kristina, after spotting the top of her tattoo peeking out from under her shirt and reaching toward her neck.

I was intrigued and asked her about it. She revealed it to be a much larger piece than I initially observed and explained that it is a Hopi symbol of mother-daughter unity that accompanies her on her spiritual journey through life.

From what I can gather, this is a variation on the symbol for Tapu'a, or Mother Earth, and the maze-like construction of the emblem represents one's journey through life.

She had this inked at a shop in Camp Hill, Pennsylvania.

Thanks to Kristina for sharing this tattoo with us here on Tattoosday!

Renee's Papal Insignia Challenges Her Beliefs

I met Renee in the Clark Street subway station in Brooklyn Heights recently, and we had a fascinating conversation.

We talked for a good bit, and actually spent more time time talking about her plans for new tattoos, as opposed to what she already had on her body. She has five tattoos, two of which she did herself. We ended up talking most about this one, on the middle finger of her right hand:


This is one of her self-inked tattoos which, she says, she did using "the prison method". This generally involves using a needle or a sharpened guitar string and dipping it in ink. Sometimes with, sometimes without, a jerry-rigged motor.

The design is based on the insignia of the Pope.

At the time that she did this, she felt a connection to the Catholic Church that was very strong. Religion was a "huge part of her childhood"

However, as anyone paying attention to the news recently is well aware, the Catholic Church has been under fire for quite some time due to its handling of internal matters regarding abuse among the clergy.

Renee finds that who she is now is "irreconcilable with the Catholic Church" and, as a result, she plans on having this finger tattoo covered up "as a statement" about her feelings and her conviction that this symbol is, in her words, "something I can't have anymore".

So today's post features a tattoo whose time is running out, which is not all that common here on the site. I have always maintained that the tattoos seen here aren't always the "best" in art, but rather, interesting encounters in New York with interesting people.

Thanks to Renee for being so forthcoming about her personal connection to tattooing, and for sharing this small, seemingly harmless tattoo, that carries with it such a weight, laden with meaning.

Karen's Colorful Ink Glows in More Ways than One

Autumn has not been good to us here on Tattoosday. Inkspotting has been, um, spotty, at best, and most of the work I have seen has been indoors and/or below ground.

On Tuesday, I glimpsed some color peeking out from a woman's sleeve as she walked south on Seventh Avenue.

When I stopped to talk to her, Karen was gracious, despite the chill in the air, and filled me in on the two pieces (yes, just like last Tat-twosday) on her right wrist:


Karen is a student at Fashion Institute of Technology and was inky of another sort, with smudges on her hands and arms from her projects. She is an artist specializing in textile surfaces, designing such things as wallpaper, tissue boxes, and other items requiring her craft. She cleaned some of the ink up from around her body art, enough so we could get a clearer shot of her tattoos.

The one on the left is the insignia from the Gunslinger's revolver featured on the covers of Stephen King's Dark Tower series.

This is referred to as the "Eld Sigul" insignia and stands for the Gunslinger. I'm sure fans of the series will correct me and/or expand on the topic should they find that explanation lacking.

Do note that we had a Dark Tower tattoo recently on these pages, here back in October.

What's noteworthy about this piece is the ink used has special qualities. Karen originally wanted a hot pink tattoo, but the shop (Skin Deep Tattoo) had just received a shipment of ink that illuminates under black light. I've not seen one of these in person, but have seen samples elsewhere in the blogosphere.

The other piece, on the right, is a "third eye" designed by the artist Alex Grey, who is renowned for his cover art for the band Tool:


In fact, this "third eye" piece is from the art of the Tool album Lateralus:




This, also, was worked up at Skin Deep. Karen believes that Rob was the tattoo artist for both pieces. The extreme close-up at the top of this post emphasizes how vivid the ink used in the piece is.

Karen has two other tattoos, but they were well-protected from the elements, and were not visible higher up on her arms.

I do thank her again for being so amenable to stopping and sharing her work with us here on Tattoosday!