NYC Tattoo Convention Spotlight: Jessica's Stunning Tibetan Back Piece

The last few years that I've attended the New York City Tattoo Convention, there's always been at least on person with a full back piece that captures my attention and, much to my enjoyment, agrees to share their work with us here at Tattoosday. The biggest and brightest tattoo this year for me, was this stunning work of art on Jessica:

This beautiful piece was inked by Echo at Now or Never Tattoos & Body Works in Staten Island, New York.

Jessica estimates that this piece took 11 hours to complete and added that there may, in the future, be more coming. "We have to fill it in the bottom and the top with a whole bunch of more flower work," she told me, but for the most part, this is complete.

When I asked what the origin of the piece was, she told me " I had a lotus flower on my lower back, so he [Echo] expanded it to a Tibetan princess."

As for the inspiration for the piece, Jessica explained, "I had a friend of mine pass away who was Tibetan, so that's kind of where the whole meaning came from."

As you would imagine, this piece was garnering a lot of attention from photographers and other convention attendees. I was thrilled to speak to Jessica about the tattoo and thank her profusely for taking the time to speak with me and share her Tibetan princess with us here on Tattoosday.

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Dispatch from the 2011 New York City Tattoo Convention (A Recap)

 

Yesterday I spent a half dozen hours at the Roseland Ballroom, where the New York City Tattoo Convention was holding court. This was my third trip to the show, and each year, I have a different experience, as Tattoosday has evolved as a site (read about 2009 here and 2010 here).

In years past, I have only highlighted one or two pieces, as I go into sensory overload. What, outside of a convention's setting, would normally pique my interest, seems commonplace and ordinary. This year, however, I took many more photos, and actually interviewed four people, so this will be Convention Recap Week.

I do want to say the best part of the show was hanging and chatting with Marisa and Brian from Needles and Sins, as well as with Nathan from Knuckle Tattoos. It's not a portrait of future world domination, yet, but here's the three of us, masterminds of three of the best tattoo sites around, and hands and above, the best three inkbloggers at the show:

Nathan, Marisa and Me (photo by Brian Grosz)

That moment of self-adulation aside, I spent the first few hours talking to vendors about advertising, chatting with colleagues, and saying hello to people I've met in years past, like Greg who was the high point of last year's show for me.

I also like to introduce myself to artists whose work has appeared on the Site before, so I said hi to Adam Rosenthal of Th'Ink Tank in Denver, and Vinny Romanelli at Red Rocket in NYC.

I also took a slew of photos of people I didn't interview, so I will just throw them up here. Unfortunately I can't credit any of the amazing artists responsible. However, if you see your work here, shoot me an email and I can give you your proper due. Many of these shots were taken during the first round of the contest, which centered around black and gray work:

This one was one of my favorites, especially considering the woman's reflection in the blade of the knife:

And this Star Wars leg was totally cool:

Finally, through social media, my friend Ben in Hawai'i requested a shot of "80s West Coast punk rock logos." I thought I had failed in my quest until, as I was leaving, I captured this tiny Black Flag tattoo on a guy named Crash, who works for Tattoo Artist Magazine:

Mini-Black Flag Bars Tattoo by Oliver Peck

and this incredible Misfits piece to boot:

Tattoo by Frank Lee at Tattoo Blues in Ft. Lauderdale

Yes, we know, Misfits are an East Coast band. But it was too nice a tattoo to not photograph. Can you blame me?

Check out the Tattoo Artist Magazine blog here.

Check back throughout the week to see what four tattoos I found most blogworthy for us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Dispatch from the NYC Tattoo Convention - Greg's Amazing Back Piece

My wife Melanie and I were standing at the balcony, looking down at the floor of the Roseland Ballroom this past weekend at the New York City Tattoo Convention. This offered us a great vantage point of the stage and the mass of inked humanity in attendance.

Just to our left down below was one shop booth where a guy was standing with blue tattoos on his arms and you could tell he had color on his back, as well. Occasionally, he would turn toward our position and pull up his shirt to reveal his back to people in the booth. Camera clashes blinked and faces lit up with surprise, shock, and sheer admiration.

The first time I saw this, it piqued my curiosity, but so did a lot of things at the show. Then , we saw why he was eliciting such reactions. He turned away from us to reveal one of the more amazing back pieces I have seen. I decided that I'd love to have this as my obligatory post from the convention.

Behold, his work, up close:

Greg, the host of this astonishing tattoo, spent one and a half years having this worked on by Ian Shafer at Screamin' Ink Tattoo & Body Piercing in Fair Lawn, New Jersey.

Greg also has this pretty cool Jaws tattoo on his upper left arm:

and this amazing Great White shark on the inside of his biceps:

Greg explained to me that, aside from the obvious love of sharks that he has, the original film was the first movie he remembers seeing with his father. It doesn't hurt that he's a Pisces, either, one of the water-based astrological signs.

And, in case you were wondering, Greg told several of us who were admiring the work that the most painful part of this tattoo was the work on the buttocks. Ouch.

I took photos of several other tattoos that Greg had but decided they would just detract from this phenomenal tattoo.

A hearty thanks to Greg who was very cool in showing off his work on a day where I'm sure he had to remove his shirt more than a few times.

New York City Tattoo Convention, Part 2: Amazing Tattoos from North of the Border

Lost in the post-euphoric haze of the tattoo orgy known as a tattoo convention, was an encounter I had with several Canadians, one of which is a talented artist.

This was, of course, the New York City Tattoo Convention, which I attended a couple weeks ago (see the brief recap here).

Having decided not to collect many posts and photos for the blog (I had settled on this one), I found myself chatting with Phil, a co-worker of mine, after he spotted me among the masses.

It was while we were chatting, adjacent to the snack area, that I noticed we were being watched. Just to our right, this image greeted us:


This is Janet Leigh, in her iconic role in Alfred Hitchcock's Psycho. Not only is this a masterful portrait, but it was framed beautifully by the cut-out portion of the dress worn by the woman who had this tattoo. It was as if the artist had positioned the tattoo with this dress in mind.


So I introduced myself to the woman who owns this piece. Her name is Marie and she is from Montreal. She got this tattoo because she liked the picture. And that's all that I got from her.
I would have learned more, but the room was loud and I had trouble understanding her. Her English was certainly better than my rudimentary high school French, but the environment made it difficult to pick up what she was saying.

However, shortly after our conversation began, a couple of gentleman rejoined her and one happened to be the artist of the tattoo in question.

His name is Stéphane Bérubé and he is an artist out of a shop called Tatouages Libre Expression, in Saint-Eustache, a northern suburb of Montreal, Quebec.

He was very friendly and introduced me to the other person he was with, who was one of his clients as well.

With little prompting, this guy rolled up his left pant leg to reveal a sleeve Stéphane had done, comprised of bright, multi-colored cartoon panels:





The owner of the tattoos explained that he had brought a graphic novel to Stéphane, telling him it was one of his favorite books growing up. They extracted different panels to make a cohesive combination of segments that make up the whole of the sleeve.

It is phenomenal work and I thank Stéphane and his friends for allowing me to photograph their tattoos!

Dispatch from the New York City Tattoo Convention

I take pride in the fact that this site is very positive. Even "bad" tattoos get their moments in the sun. If the story behind an "eh" tattoo is compelling, then it's worth telling.

There are enough places on the web where "free speech" reigns, wearing the stained sheet of petty negativity.

So I don't feel too bad about offering this word of advice to the organizers of the New York City Tattoo convention: answer your e-mails, answer your messages.

I left several messages via e-mail and phone offering to help promote the show via the blog. My inquiries weren't even acknowledged. And that's fine. Except, of course, it isn't. Why else would I be writing about it? The rote response from people I've voiced my disappointment to has been similar, "Well, what do you expect? They're old-time tattoo people."

There my be truth to that sentiment, but I'm not willing to embrace it. There are plenty of people who are in the tattoo industry who are savvy enough to hit "reply" on an e-mail.

So, disclosing fully, I approached the show at the Roseland Ballroom last weekend with a bit of a chip on my shoulder. But I was determined to enjoy myself. And I did.

I spent a little over five and a half hours wandering the aisles, watching the artists, introducing myself to various people, checking out some amazing tattoos.

I enjoyed meeting Mike Bellamy from Red Rocket Tattoo and Elio Espana from FlyRite Studio in Brooklyn. I had nice chats with people from Lotus Tattoo in Sayville, Rising Dragon in Chelsea, and New York Adorned. Many of the shops whose artists' work has appeared on the blog, everyone friendly and courteous. It was nice to put faces to the hard-working people in
these, and many other shops.

I was asked by a lot of people after the show if I took a lot of pictures. The answer is no, not what would be expected from a guy who is taking tattoo photos as often as he can.

I posted one amazing back piece on Sunday, and I have another post in the works featuring an incredible artist from Quebec.

Other than that, I just observed, met other fans. Talked with the editors of fine tattoo magazines, like Inked. Took in the sights.

I thought I would feel extremely self-conscious being there with no visible tattoos. But there were a lot of people who appeared similarly un-inked. I showed my tattoos once, to a big mensch of a tattoo shop owner from Staten Island, who started peppering his speech with Yiddish when he saw my last name was Cohen. He told me that his Jewishness didn't stop him from having 52 tattoos, and it drove his father crazy.

And I even ran into two people who have been featured here on Tattoosday. I passed by John, from my neighborhood in Brooklyn, whose work appears here and here. I also had a nice chat with Melanie, whose holstered revolvers remain one of my favorite on the street encounters.

In all, I had a fun time. I can see why many I've spoken to about the New York show have seemed hesitant to admit that it's a top-notch tattoo convention. It's cramped and dingy, but that seems a bit in character with what the promoters are trying to convey.

Will I go back next year? Perhaps. But it certainly leaves me hungry for more. Las Vegas, Vancouver, Milan.

A blogger can dream, can't he?

Emily's Back Piece Takes Yin and Yang to the Next Level

I spent yesterday at the New York City Tattoo Convention at the Roseland Ballroom.

I'll provide a fuller dispatch later but I wanted to share one of the more visually-stunning pieces that I chanced upon.

This is Emily's back piece:


This represents about sixty (60!) hours of work by Erick Diaz at Asylum Studios in the Williamsburg section of Brooklyn, New York. A smaller, much less complicated tattoo by Mr. Diaz appeared last summer here on Tattoosday.

What's depicted is the classic battle between good and evil, angels and devils, heaven and hell. Emily went to Erick with the basic concept of the piece and Erick did the rest.

"It's the state of every human being," Emily summarized, "a giant yin-yang".

The "13" at the bottom of the back is a memorial, of sorts, but Emily didn't want to elaborate. She also noted that this elaborate piece covered up two smaller tattoos at the top of the back.

I thank Emily for sharing her marvelous canvas with us here on Tattoosday!