Aisha's Stunning Back Piece

This incredible back piece belongs to Aisha, a former New Yorker who now resides in Florida.

I met her last month at the corner of 36th Street and Broadway in Manhattan.

The tattoo is an interpretation of the old adage, "See No Evil, Hear No Evil, Speak No Evil".

Inked over eleven years ago and representing about twenty hours of work, this huge piece was her second of eight tattoos.

She remembers only that the artist's name is Rodrigo, so it may have been Rodrigo Melo who currently owns and works at North Star Tattoo, but I am still working to confirm he was the tattooer behind this.

"I told him what I wanted," Aisha explained. "He just drew it on my back and I loved it and that was it."

The face is female, her eyes are closed and she has a mouth bit that represents her silence.

Despite the face's eyes being closed, she indicated that the "third eye" in the middle of the forehead is open. The third eye can be interpreted many ways, but often refers to looking inward and a greater consciousness.

Thanks to Aisha for sharing this amazing tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Kathy's Back, The Beginning

I spotted Kathy walking in front of Madison Square Garden, near the corner of Seventh Avenue and 33rd Street earlier this month and, although I couldn't see specifically what she had going with her tattoos, I was intrigued enough to ask.

Some folks are often dismissive of me when I approach them, but Kathy was the total opposite. She was joyful and excited to share her ink and, when she removed her outer layer and adjusted her tank top, it was abundantly clear why. She had recently embarked on a full back piece and was proud of the foundation for what is ultimately going to be a phenomenal work of art:

Kathy had enlisted Derek Noble of Lucky Devil Tattoo Parlor in Seattle to create this tattoo. She explained, "he's really into horror, traditional, and all that kind of stuff, so I went to him back in January."

Kathy is an interior designer with twelve tattoos and agreed to share the back piece in its early stage (approximately three and a half hours in). She has tentatively agreed to keep us posted when she heads back to Seattle at the end of the summer so that we can see the work develop.

She explained further:

"I broke my back about two years ago, so I figured I'd make something nice out of a bad thing. There's little vertebrae holding candles and I love zombies ... I gave [Derek Noble] the time period, I said I wanted something Jack the Ripper era, and he went full out for it. I saw [the design] the day of, and I never even thought I wouldn't like it."

Well we here at Tattoosday can't wait to see how this turns out. With just the outlines, the piece looks incredible and, well, it's Derek Noble, after all, so we know it's going to turn out magnificently.

Thanks to Kathy for sharing the early stage of her new back piece with us here on Tattoosday! I know we can't wait to see more!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

NYC Tattoo Convention Spotlight: Jessica's Stunning Tibetan Back Piece

The last few years that I've attended the New York City Tattoo Convention, there's always been at least on person with a full back piece that captures my attention and, much to my enjoyment, agrees to share their work with us here at Tattoosday. The biggest and brightest tattoo this year for me, was this stunning work of art on Jessica:

This beautiful piece was inked by Echo at Now or Never Tattoos & Body Works in Staten Island, New York.

Jessica estimates that this piece took 11 hours to complete and added that there may, in the future, be more coming. "We have to fill it in the bottom and the top with a whole bunch of more flower work," she told me, but for the most part, this is complete.

When I asked what the origin of the piece was, she told me " I had a lotus flower on my lower back, so he [Echo] expanded it to a Tibetan princess."

As for the inspiration for the piece, Jessica explained, "I had a friend of mine pass away who was Tibetan, so that's kind of where the whole meaning came from."

As you would imagine, this piece was garnering a lot of attention from photographers and other convention attendees. I was thrilled to speak to Jessica about the tattoo and thank her profusely for taking the time to speak with me and share her Tibetan princess with us here on Tattoosday.

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Daphne Lazarus

Today's tattoo takes my breath away.

The work comes to us from Daphne Lazarus, who does not have the extensive poetry credits that many of our other contributors have, but does write poems. She heard about the Tattooed Poets Project via Theresa Edwards (day 1 of this year's project), editor of Holly Rose Review, an online poetry/tattoo publication in which her work has appeared.

But let's just take a look at the photo Daphne sent, shall we?


The first thing I would recommend is to click on the photo to see it enlarged. Daphne did want me to acknowledge the photographer Irvin Tan at Monochrome Meese Photography. The amazing artist behind this phenomenal back piece is Shane Tan. Clicking his name will take you to the site where you can see several more photos of this work, as it was being created.

With a piece like this, as Daphne put it, the work "speaks for itself". Agreed, but I did seek clarification on the piece at the top on her neck:


This is a traditional Thai tattoo, sak yant, also known as yantra tattooing, which serves as an emblem of protection. The whole work took place over numerous sittings in a one and a half month time span. "Sometimes I had to work the next day," Daphne told me, "it was...a hell of an experience but it marked a milestone in my life. So worth it." Indeed. We are fortunate to have such amazing work displayed here on Tattoosday.

Daphne was born in Singapore. She received her BA (Hons) in Arts Management from LASALLE College of the Arts in Singapore in 2009. She has curated several contemporary art exhibitions featuring emerging Singaporean artists and an exhibition featuring art works of pioneer Singapore artists from a permanent collection of an art institution. Daphne writes for a tattoo website at www.horinaka.com in collaboration with tattoo artist Shane Tan. She was also one of the event organizers for Singapore’s first body suspension show in conjunction with the first tattoo convention in Singapore.

Daphne’s passion lies in writing about art and tattoo culture and has several articles featured in several contemporary art publications. She has also written a thesis on tattoos for her undergraduate study. She will be pursuing a Master’s in Art History at the School of Oriental and African Studies (SOAS) at the University of London.

Daphne is not a poet by profession, but she uses it as a tool for catharsis. She has published literary works mostly in contemporary art journals and aspires to be an art writer and art historian.

Check out one of her poems over on BillyBlog here.

Thanks again to Daphne for sharing her back piece with us here on Tattoosday!

The Tattooed Poets Project: Brendan Constantine

One of the more satisfying aspects of this year's Tattooed Poets Project has been completing posts for poets who first contacted me in 2009 during our inaugural year of the endeavor.

In Brendan Constantine's first e-mail to me, back in February 2009, he mentioned being "extensively tattooed," a fact that, over the last thirteen months, escaped me. Brendan and I have stayed in touch, and he was finally able to send me a photo last night of one of his tattoos. I was surprised to see this amazing back piece:

Photos by Shawn Burkley

Brendan explains how this work came into existence:

"In 1994 I went to an retrospective of legendary Japanese artist, Kawanabe Kyōsai, at the National Gallery in London. Known as the ‘Demon of Painting,’ Kyōsai was among the very first artists in his country to bring western techniques to bear upon traditional themes, a move which earned him much criticism. I was transfixed by his work and came home with a huge book of his prints. Artist, Kirby White, then with Yoni Tattoo in the San Fernando Valley, shared my enthusiasm for this unique painter and said, “I would kill to work in this style!”

Unfortunately, halfway through the process, Kirby began to experience chronic back pain which ultimately kept her from finishing the piece. Nevertheless, I asked that she sign it, something few if any people allow artist’s to do. I know the work is supposed to be its own signature, but I wanted the piece to bear Kirby’s mark the same as if it had been rendered on rice paper.

Photos by Shawn Burkley

About two years later I met artist Sung Song at Pure Tattoo in Los Angeles (he has since moved on, now at Unbreakable Tattoo in Studio City) and discovered he was also devoted to the work of Kyōsai . I showed him where Kirby left off and he enthusiastically finished the job, adding his own improvisations while respecting Kirby’s work. The piece now bears both their idiographic signatures as part of the design. I’m a happy gallery!"

Photos by Shawn Burkley

Thanks to Brendan for sharing this amazing work!

Please be sure to head over to BillyBlog to read one of his poems here.

Brendan Constantine is a poet based in Los Angeles. His work has appeared in numerous journals, notably Ploughshares, Ninth Letter,The Cortland Review & RUNES. His book, Letters To Guns, was released in 2009 from Red Hen Press. He is currently poet in residence at The Windward School and Loyola Marymount University Extension.

Danny's Incredible Tattoos

On occasion, I will wander from 7th Avenue to 8th Avenue, through the campus of F.I.T., hoping to spot some creative work. One of my first posts (documented here) featured tattoos from someone I met on that stretch of street.

Last month, I ran into Danny, who had several very nice tattoos.

First I took a picture of this hannya mask on his right forearm:


Then I snapped this photo of the tattoo above his right wrist:


This metal-plated heart represents Danny's emotional toughness, with a trace of sensitivity. In his words, "even if my heart is dead, it will still bleed".

I also took a photo of Danny's knuckles, which I wanted to post up on Knuckletattoos.com. However, since they're working on a six-month backlog, I thought I'd spare them the extra post and just share these here:


They read, of course, "HATE PAIN". This just represents what Danny was going through at the time he had his digits inked.

Initially, he had told me his back was done, but I didn't press him to show me the work. By the time I had taken pictures of his knuckles, I guess he felt comfortable enough to share this truly remarkable back piece:


All of his work was done by Thailand Mike at Scratch Tattoo in Elmhurst, Queens. He initially went to Mike for a cover-up on his back, providing just the central part of the design...


Danny visited from time to time for over a year, having elements of the back filled in. The demon head at the top of the back is particularly cool


and the dragon hovering above the wasitline is also impressive:


I rarely get to feature back pieces, as they have to be offered up by generous contributors, so when I see one, I am seldom disappointed.

Thanks again to Danny for sharing so much of his work with us here on Tattoosday!

Daniel's Back Piece Begins...

In my previous post, I described meeting Daniel and Katte. And, although Katte's work was what initially prompted me to stop the couple, Daniel offered up the bigger surprise.

I have yet to come up with a term for the phenomenon, but anyone who responds to an inquiry about a visible tattoo with an unprompted unveiling of a covered one, earns a place in Tattoosday lore.

(See some memorable examples here, here, here, and here).

Daniel lifted up his shirt to reveal "the start of a back piece":


He went to Chuck at Broken Heart Tattoos in Keyport, New Jersey, with a general outline and gave the artist the "freedom to shade and color" as he saw fit. Three sessions and nine hours later, Daniel had this kick-ass skull on his back to anchor what will eventually be a much larger piece.

Thanks to Daniel for sharing this awesome tattoo with us here on Tattoosday!

Brian's Amazing Angelic Ink

On Saturday, I was at the park, playing ball with my daughter, and I noticed a guy off in the distance with some dark ink on his upper arm. When we were ready to leave, I ambled on over to him.

What I initially spotted was just the tip of the iceberg, so to speak. Brian was more than generous in rolling up his sleeves and sharing his astonishing work. He showed me both biceps and his back piece which, combined, he estimates represent nearly 150 hours of work.

First, the one arm:


Then the other:


Both pieces, what he calls Bad Angel and Good Angel, were cover-ups.

And then, the feather in his cap, so to speak, his back piece:


All three pieces were custom-designed by Denise de la Cerda whose website, ChicksDigTattoos.com, is a great showcase of her work. In fact, you can see the before and after of each tattoo on the cover-ups section of her site. The back piece can be viewed here. The "good" angel can be seen here. And the "bad" angel can be viewed, before and after, here. Truly amazing!

One of Denise's tattoos, albeit a much smaller one, appeared previously on Tattoosday here.

Thanks to Brian for sharing these awesome tattoos with us here on Tattoosday!

Emily's Back Piece Takes Yin and Yang to the Next Level

I spent yesterday at the New York City Tattoo Convention at the Roseland Ballroom.

I'll provide a fuller dispatch later but I wanted to share one of the more visually-stunning pieces that I chanced upon.

This is Emily's back piece:


This represents about sixty (60!) hours of work by Erick Diaz at Asylum Studios in the Williamsburg section of Brooklyn, New York. A smaller, much less complicated tattoo by Mr. Diaz appeared last summer here on Tattoosday.

What's depicted is the classic battle between good and evil, angels and devils, heaven and hell. Emily went to Erick with the basic concept of the piece and Erick did the rest.

"It's the state of every human being," Emily summarized, "a giant yin-yang".

The "13" at the bottom of the back is a memorial, of sorts, but Emily didn't want to elaborate. She also noted that this elaborate piece covered up two smaller tattoos at the top of the back.

I thank Emily for sharing her marvelous canvas with us here on Tattoosday!

Adam's Tattoos Honor God and Country

On April 28th, I was walking across Penn Plaza, outside of Madison Square Garden, and saw a couple of guys taking pictures.

This is fairly common outside of "the world's most famous arena".

Depending on the event going on that day or night, one can get an eyefull of tattoo ink. When there is a rock concert scheduled, there is quite a few visible tattoos on the plaza, when the Westminster dog show's in town, not so much.

On this particular day, there was a WWE wrestling event at the Garden, and the guys I saw taking pictures were waiting for the show to begin.

I approached and met Adam, who had this very cool tattoo on his right bicep:


The piece is designed to flow with his musculature and falls under what I call the "torn flesh" category of tattooing. That is, the tattoo takes on an additional dimension, as it is inked to appear as if the flesh is ripped away, allowing the viewer to see what lies below the skin.

In Adam's case, he bleeds red, white and blue in the form of the American flag. His patriotism is exemplified by this tattoo. As a member of the United States Air Force, he serves our country proudly, and his tattoo is a symbol of how his love of our country runs deep.

Adam also wanted to show me his back piece, a religious-themed work that reflects his faith:


The cross takes up most of the space, and is anchored by a banner that proclaims "May God Have Mercy".

There are also two biblical verses on either side of the cross at the top of the back.

The left is from the book of Joshua, Chapter 1, Verse 9 (New Revised Standard Version):

"Be strong and courageous; do not be frightened or dismayed, for the LORD your God is with you wherever you go."

The right is from lines 14 and 15 of Psalm 91 (also NRSV):

"Those who love me, I will deliver; I will protect those who know my name. When they call to me, I will answer them..."

All the work shown here on Adam was inked by Adrian at Ken's Underground in Dover, Delaware.

Thanks to Adam for sharing his awesome tattoos with us here on Tattoosday!

Ben's Amazing Back Piece

With the Tattooed Poets Series under way last month, I was a bit remiss in posting about the "regular" tattoo encounters.

With apologies to the following volunteer, I am presenting some amazing work on a gentleman named Ben, who I spotted back on April 2 while walking through Penn Station.

Ben was wearing a short-sleeve shirt and had tattoos covering his arms. When I approached him and explained Tattoosday, he enthusiastically agreed to participate. In fact, he removed his shirt to reveal an incredible back piece:



The one problem with featuring huge tattoos like this is not getting all the details in. What follows are some of the finer points of the tattoo.

At the bottom of the back is an hourglass design, within which is, Ben said, kanji representing the word "redemption":


The piece represents that he has "only so much time to redeem himself".

The main set of Chinese text in the center of the back was loosely translated by Ben as "I have trust in no man except for the trust I save for myself":


Also of note on the back are the two kanji representing "father" (the right side) and "forgive me" (the left side). These characters are in disks on either side at the top of the back.

The back was done by an artist no longer practicing at Skin Deep Tattoo on Long Island.

Imagine busy Penn Station, a guy standing there talking to a bespectacled blogger, camera in hand, beholding a subject covered in ink. Where to even begin?

It's like taking someone to the world's largest buffet and telling them they can only fill one small plate with food.

The back as a whole was impressive, but Ben was willing to share more, and we settled on this view, with a dragon and a geisha:


Ben credits this part of his body's tapestry to an artist named Loco working out of Dharma Tattoo in Miami Springs, Florida.

Thanks to Ben for sharing his amazing tattoos with us here on Tattoosday!