Lori Shares Some Peonies, and a Fairy Mermaid

When I post here at Tattoosday, there is no definite chronological order. I tend to follow a variety of factors, which can often result in older encounters waiting in the wings for a very long time.

Take Lori, for example. At the beginning of May, while my wife was at Maimonides Hospital in Brooklyn, fighting a bout of appendicitis, I walked over to a pizzeria on 50^th Street and Fort Hamilton Parkway for a quick bite for lunch. On my way out, I noticed  two women at a table, one of whom, Lori, had some pretty nice ink. Generally, one of my unwritten rules is not to bother people while they are eating, so I handed the woman my card and asked her to contact me if she was interested in contributing to Tattoosday.

Lori e-mailed me shortly thereafter, and a few weeks later, she sent me some photos. Since then, she has been patiently waiting for the post. E-mailed submissions tend to get a little lost in the shuffle but, finally, thanks to a little nudge on our Facebook page, we’re finally seeing them here on the site.

I’ll let Lori explain what we’re seeing:

“Here are 2 peonies, one is a flash stencil, done by Mike B. at Studio Enigma on Avenue U [in Brooklyn] .... the other peony (my favorite), was hand drawn by Pablo Barada, who is from Argentina [also at Studio Enigma] …

The Fairy mermaid was a picture I found just surfing the internet,  so I printed it out. I wish I still had the black and white photo before Mike B. colored it in. Now that I look at it, I think the B&W was much prettier. By the way, she took 18 hours to do, six three-hour sittings.”

Thanks to Lori for sharing some of her tattoos with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Andrea's Half-Sleeve with Mermaid

Today we are checking out an awesome traditional half-sleeve by Charlie Foos at Reade Street Tattoo Parlour. I spotted it on Andrea outside of the Fuse studios on Seventh Avenue in Manhattan:

Andrea told me this was completed in three sessions of three and a half hours each and was inspired by s piece of jewelery. "I bought this pendant of a ship," she said, "and I decided I wanted a half-sleeve of something traditional." The rest is history.

Thanks to Andrea for sharing this great tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Our 1000th Post! David's Mermaid and Seahorse Blow Us Away......

Pardon the royal "we," but this is our 1000th post, and we feel a little celebratory.

To honor this milestone, we are sharing this amazing half sleeve belonging to David:

This astonishing work is the creation of artist Erick Lynch at Redemption Tattoo in Cambridge, Massachusetts.

David said that he had wanted a mermaid, as his wife loves mermaids, and that Lynch's work reflects a traditional Japanese style, thus the female figure appearing as a pearl diver, which is more in line with Japanese artistic tradition.

The whole of the half sleeve represents about 12 hours of work, in David's estimation, which includes the inside of the biceps, and this phenomenally vivid seahorse:

David points to Erick Lynch's use of white highlights in the seahorse, which really makes it "pop".

All in all, this is a remarkable piece of work that we are honored to have as our 1000th post here at Tattoosday. Thanks to David for sharing it and to Erick Lynch for his mastery of the art form!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Puma Perl

It is with great pleasure that we present another tattooed poet, Puma Perl. She offered up this beautiful tattoo:

Tattoo by Emma Griffiths, Photo by Stas Nuke

We'll let Puma talk about this great piece:

"Everything of importance in my life has involved Coney Island. As the developers moved in and the city became more and more a playground for wealthy transplants, I knew I wanted to pay homage with a tattoo. I love the Mermaid Parade and the Wonder Wheel, so envisioned a mermaid with the Wonder Wheel in the background. A friend of mine happened to give me a magnet that she had bought at Lola Starr on the boardwalk (http://www.lolastar.com/) and I used that as the basic shape, changing the tattoo on the mermaid’s arm to a tiny replica of one of mine. I’d wanted to add my eyeglasses, but it was too tiny a detail. I contacted the amazing Emma Griffiths, Porcupine Tattoo, 31 Norman Avenue, Greenpoint, Brooklyn, and made an appointment for a consultation. I brought the magnet and a photo of the Wonder Wheel and we collaborated. Emma drew our vision of the Wonder Wheel in the background and modeled her mermaid on the magnet."

Puma, as is the custom, also shared a poem. She commented that her poem is "about the Mermaid Parade, which also mentions Cha Cha’s, which was slated to be torn down but was recently granted one last season, along with 8 other unofficial Boardwalk landmarks." She also noted that "this poem was previously published in the Coney Island Examiner, along with several other poems about Coney Island." You can read all of them here.

The Best Day of the Year

We hung out on the roof at Cha Cha’s

watching the Mermaid Parade.

This is my favorite day of the year,

said Danny, snapping pictures

with a camera recently lifted

from the trunk of a Buick.

They need Mambo Mermaids

I said, as Zombie Mermaids,

and Vampire Mermaids

sauntered by. He ignored me,

entranced by glittery pasties

and hundreds of tits.

I had met Danny at the Siren Festival.

You can be my Coney Island Baby

was the first thing he told me,

while the New York Dolls played.

We danced straight down Surf Avenue,

all the way to Seagate where he rented

a room from a bunch of rabbis.

We’d been together almost a year.

You don’t need calendars on the boardwalk,

time is measured by cyclone screams,

sideshows, and wooden horses,

by two shadows on the sand,

by memories of striped chairs,

and thunderbolt rides.

We climbed down the stairs.

Danny tried to steal an antique car

but nobody took him seriously.

Coney Island kids paraded in wigs

left behind by drunken mermaids,

who now littered the street,

pasties lost, and breasts drooping.

This is the best day of the year,

said Danny, as we drank warm beer

and headed towards the after- parties.

We were never invited, but it was the best

day of the year, and we weren’t worried

about a thing.

© puma perl, 4/13/09

~ ~ ~

I want to interject that this poem coincidentally hearkens back to a very fortuitous day in the history of Tattoosday. For it was on July 21, 2007, when I attended the Siren Festival, the same day mentioned in the poem, when the first seeds of the Tattoosday concept began to sprout in my brain. For it was on that day, when we saw the New York Dolls, that I spotted a Keith Haring tattoo and started to connect the idea of asking about someone's tattoo, and blogging about it. Ten days later, the first Tattoosday post came to life. My recap of that day in Coney Island is recapped here, on BillyBlog. 

Puma Perl is a NYC-based writer, performance artist, and curator. Her poetry and fiction have been published in over 100 print and online journals and anthologies. 

She is the author of the award-winning chapbook, Belinda and Her Friends, and a full length collection, knuckle tattoos. 

She lives and writes on the Lower East Side and has facilitated writing workshops in community based agencies and at Riker’s Island, a NYC prison. She is a founding member of DDAY Productions, which presents poetry and performance events. Link to her blog for info about book purchases and events: http://pumaperl.blogspot.com/.

Thanks to Puma for sharing her awesome tattoo and poem here on Tattoosday, on the Tattooed Poets Project! Remember, all contributors, including those from 2009 and 2010, are indexed here.

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Two-for-Tattoosday, Brazilian-Style

Sometimes, due to a) a language barrier and b) the passage of time, we're not always able to give you the most in-depth story about our subjects' tattoos.

Such is the case with Celso and Reginaldo, who I met back in September outside of Madison Square Garden.

Both gentlemen were visiting from São Paolo, Brazil and one of Celso's tattoos caught my eye:

That was on his right arm. He also had this one on his left arm:

Celso's friend Reginaldo pulled his shirt off so I could get the full view of his koi tattoo:

Celso credited Artur at True Love Tattoo in São Paolo for inking his dragon and his mermaid.

Artur also was the artists who did Reginaldo's koi.

Thanks to Celso and Reginaldo for sharing their tattoos with us here on Tattoosday!

Elaina's Ink: The Mermaid and the Tarantula

Elaina has eighteen tattoos. And not to heap loads of praise on her, but her work is brilliant.

It was the mermaid on her inner right forearm that first grabbed my attention:


She told me that the drawing was indicative of her state of mind at the time it was inked. Her boyfriend had just moved out and she was feeling reflective (thus the hand mirror).


Elaina later followed up with an email, further clarifying the tattoo:

"I realized today when you asked me the significance of my mermaid tattoo that I probably would have been better quoted saying the absolute truth. The underlying universal secret wish of all girls and women alike... I've always wanted to be a mermaid."

But Elaina had more to share. Much to my delight, she lifted her skirt on her left side to reveal this wonderful tattoo:


The spider is modeled after her mother's pet tarantula, Shelob, who is named for the giant spider in The Two Towers, book two of The Lord of the Rings trilogy.

I asked her what Mom thought of her ink and Elaina rolled her eyes and said that her mother recently wept when she told her she was planning her nineteenth tattoo. And, Elaina added, her mom is no stranger to ink. She told me that her mom was tattooed by legendary tattooist Lyle Tuttle during the Rolling Stones' Tattoo You tour.

The mermaid was tattooed by Claire at Funcity Tattoo in Manhattan. The spider on Elaina's thigh was done by Neal Aultman at Physical Graffiti in New Jersey.

Thanks to Elaina for sharing her amazing ink with us here on Tattoosday!

The Tattooed Poets Project: Caroline Malone's Trio of Intimate Tattoos

Today's tattooed poet is Caroline Malone. She was kind enough to offer not one, but three, of her tattoos for our enjoyment.

Here they are, in her own words:

"Alien cat was my first tattoo in 2006.


I had always told myself I would never get a tattoo, but then I met someone, someone who turned out to be my sweetheart, who had a tattoo for each of her three novels, and I thought, what a great way to celebrate one’s published work. Since I don’t have a book of poems published, I became concerned that to honor each of my published poems, I would end of up with a substantial part of my body tattooed. So, I opted for a tattoo that would be a tribute to my sweetheart. Also, I love felines as does my sweetheart. I wanted to steer clear of clichés because I do consider myself a decent writer. It took me a few months to find the right design and choose a spot for the tattoo. I’m happy with the location [the upper right side of the chest, near the shoulder], but I probably picked one of the tenderest areas of the body for a needle to repeatedly pierce. The tail of the cat is in the shape of an inverted letter “J,” the first initial of my love, and it’s red because my sweetheart’s hair is red.

I had this tattoo done, as I did the other two, by Anna McClain at Saint Tattoo in Knoxville, Tennessee. Saint has won all sorts of awards. It’s THE place to go for quality, creative work. Anna’s work is distinctive, but you can’t really tell from the Alien cat. If you show your Anna-tattoo to tattoo people around Knoxville, they always recognize it as Anna’s work. My other tattoos show her talent. Anna is quiet and sweet, so even though I was practically shaking with fear over what was about to be done to my body, I went through with it because Anna gave me the confidence. The entire process took about 20 minutes – the tattoo is about as small as she could make it – and the only pain resulted from when the needle was close to the bone (I’m bony).

That first tattoo I gave to myself as a birthday present and the second was a year later, another birthday gift. My sweetheart and I had become close enough that I had a pet name for her, Mermaid, so I decided to have a mermaid tattoo as a kind of promise ring or something. It took me several months to find a design that wasn’t Disney’s The Little Mermaid or a fantasy-style mermaid. I took the design to Anna, and she worked for about 20 minutes to come up with a custom design.


I loved and love the tattoo running down my left hip, like a mermaid floating under the water. Also, I can see the tattoo without having to use a mirror, just like the alien cat. I personalized further by having my sweetheart’s first and last initials lettered in one of the air bubbles surrounding the mermaid. This one took about an hour and a half, and it hurt like hell because again, I’m bony, and the only relief came when Anna worked, briefly, on the small part of the design that extended to my ass. I think Anna was almost as excited about the final product as I was. I knew she liked working with color, and the alien cat was 95% solid black, and then just the snippet of red tail. This tattoo is so sensual and feminine.

My last tattoo came on December 22, my birthday, of last year. My relationship with JW had progressed, and so the moon tattoo is a testament to our growing intimacy.


The moon is symbolic for me in many ways, one of which is that one of my favorite novels by my sweetheart has the word “moon” in the title and is an important symbol in the book. I came up with the design by taking a sort of standard shape crescent moon, adding the flowing purple hair, and then asking Anna to add her special touch to it. She nixed my initial request for red hair because she said the moon would not be red, plus it would make it look angry, which is not what I was going for. She was skeptical about my desire to have the entire first name “Julia” in script as part of the moon’s hair, but she found a way to make it work. Anna did the perfect job of choosing colors, again creating such a sensual, dreamy image. My right hip isn’t any tougher than my left one; for some reason, this one hurt worse than the mermaid, and during the last thirty minutes of the process, I could feel my nails (and my nails are nothing to speak of in length) sinking into the little black leather pillow I was cradling. Luckily, I could then concentrate on worrying I was tearing up her pillow instead of the needle.

Before the tattoos, I wrote a poem for my sweetheart, trying to use tattoo as metaphor in a fresh way. I’ve been told the poem works because of its sensual qualities, which is different from other tattoo poems."

Head over here to read Caroline's poem, "Body Art".

A hearty thank you to Caroline Malone, not only for participating in the Tattooed Poet's Project, but for providing such a close, intimate look at her tattoos and the process behind them!