The Tattooed Poets Project: Erica Mena

Among this year's Tattooed Poets' submissions, this is one of my favorite photos:

Photograph by Julie Chen

This was submitted by the poet Erica Mena, whose tattoo was inspired by the great Pablo Neruda.

Erica gives us the detail behind these wonderful tattoos:

 "This is my most intimate tattoo, my Neruda tattoo: 'Love is so short, forgetting is so long.' It's a full line (punctuation included) from Poem XX of Neruda's Twenty Love Poems and a Song of Despair in translation by W.S. Merwin. The fish in concentric circles is the symbol printed on all of Neruda's books from mid-way through his career, and was drawn from the bronze statue at his most famous house in Isla Negra. The other two images were drawn by the tattoo artist, in response to two other lines from the same poem: 'The same night whitening the same trees. / We of that time are no longer the same.' and 'Write, for example: the night is shattered / and stars shiver blue in the distance.' The design and work were done by Ram at Fat Ram's Pumpkin Tattoo in Jamaica Plain, Massachusetts. 

I read Merwin's translation of Neruda's Twenty Love Poems when I was fifteen, and had that conversion experience, the moment when you realize this is what you want your life to be about. Not the sentiment, but the poetry. These poems, and this line in particular, convinced me that poetry can move between languages, times and places, freely and with no loss, when put into the right hands. When getting the tattoo, I considered getting the Spanish line: 'El amor es tan corto, el olvido es tan largo,' but chose the English because that was how I first encountered it. Out of all my tattoos it also hurt the most to get, fittingly I suppose--there was a moment where Ram was outlining the circles where it felt like my entire leg was on fire. Totally worth it."

I would add that I concur with Erica completely and offer up, as proof, my post over on BillyBlog in April 2008 here. I was running down my favorite poems for National Poetry Month and #28 was any of the poems in the book, and it just so happens I pointed to Poem XX as one shining example. The original edition translated by Merwin and illustrated by Jan Thompson is a must-have in anyone's library. But, I digress.

Erica offered us two poems, one of her own and one she translated. We'll share both:

(no subject) (spam poem #3)

good evening websit
Stop being a nervous wreck

I will like you to accept this token
So hard you can break an egg

hoping you will understand my point
this is not a myth

Every person dreams about meeting someone

~ ~ ~ 

Deus ex Machina

Throw the dice, Lord, your turn has come and it is winter. The trident is cornered, the mountains covered with a skin of ash. Lord, behold light’s song here, your due, in the stillness of the sea and the pure discretion of the endless night. Behold your son, Fire, burning the whole surface with his touch and seducing the water with his gilded tongue. Look here, Lord, his stepsister Dawn, liquid hierophant, maker of shape. In their terrible language they tell of celebrations, obedience, sin. This time, Lord, throw to us the seed and the male of the healthier species. Don’t announce him by chance, because he will become a cry and rise up with the warm murmur of pavement, and once again be lost to us, punished, denied. Let none but you, oh Lord, wield the butcher’s knife this time; mature a chord when life ceases and rain unexpectedly cleanses the lovers’ yoked hips. Throw the dice, Lord, your turn has inevitably come. Cast them without fear from your wide hand, because luck’s twelve sides won’t wait, and the sky points towards multitudes and disaster. Throw them, Lord, your turn has come and it is burning summer.

Translation of “Deus ex machina.” From La invención del día [The Invention of the Day]. © José Mármol. By arrangement with the author. Translation © 2011 by Erica Mena. All rights reserved.
Published in Words Without Borders, November, 2011


Erica Mena is a poet, translator and print designer, not necessarily in that order. Her poetry and translations have appeared or are forthcoming in Vanitas, The Dos Passos Review, Pressed Wafer, Arrowsmith Press, Words Without Borders, The Iowa Review, The Kenyon Review, PEN America, Asymptote, Two Lines and others. She is the coordinator and co-host of Reading the World Podcast, a monthly conversation about literary translation. She is the founding editor of Anomalous Press.

Thanks to Erica for contributing this wonderful entry of the tattooed Poets project on Tattoosday!

This entry is ©2012 Tattoosday. The poem and tattoo are reprinted with the poet's permission. 


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Steve's Zombie Apocalypse - In Progress

A couple weeks back, on an unseasonably warm and sunny February day, I spotted Steve on Penn Plaza, wearing a short-sleeve shirt, with some pretty cool ink peeking out from his arm.

Intrigued, I approached him, and started up a conversation about his tattoos. He showed me several pieces, including this, a back piece that is in progress:

Take a closer look - this is pretty cool. I spoke to Steve at length about his work. He had recently left the U.S. Marines, where he had been stationed overseas in Japan. It was there that he chanced upon an artist named Aya, at a shop called Silent Ink, located in the city of Iwakuni.

As Steve, explained it, Aya is a deaf-mute (thus the shop name) and he became a huge fan of her work while serving in Japan. "It's a full zombie apocalypse scene," he told me, and he plans to fly out to Washington State when Aya next travels to see her fiance in the U.S., so she can complete the work.

I always defer to the contributor, as to whether they want to share work in progress, and Steve had no qualms about letting us see this early stage of the back piece. I was able to get a closer look at the completed sections:

I just love the colors and shading behind the tree that borders the upper right arm:

Steve estimates that she has already spent approximately 38 hours on his canvas over several sittings. "I like to sit for a long time," he told me.  I certainly look forward to hearing back from him when Aya has completed this work!

Thanks to Steve for sharing his ink with us here on Tattoosday!


This entry is ©2012 Tattoosday.


If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Ariel's Elm: Rising Upward, but Steadfast

I met Ariel last month in the soon-to-be-shuttered Borders bookstore on Penn Plaza and of her three tattoos, she shared this tree on her upper right biceps:

Ariel explained that this tattoo

"was originally an actual photograph of a maple tree, but it was too difficult - you can see the shading is relatively delicate for it ... it looked better with a cloudier image ... so it looks more of a cherry blossom but it was originally a maple...

As for the reason she included the roots of the tree in the design, she specified,

"I really wanted it to be something that represents being rooted and grounded and steadfast, but still growing upwards and moving towards the heavens, something that is strong and can withstand the wind, but is adaptable and changes with the seasons ... so it's just kind of, who I would like to be."

She credited Randall Muntz at Divine Machine Tattoo in Buffalo, New York with this work. Coincidentally, Randall started full-time (according to their website) at Body Electric Tattoo in Hollywood, California, just this week.

Thanks to Ariel for sharing her lovely tree tattoo with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Brian's Mat-tree-monial Tattoo

Late last month, I met Brian on the 34th Street A platform and he shared this amazing tattoo:

The piece was relatively fresh, having been inked only a couple weeks before.

He explained that this tree represents the Tree of Life. He alluded to the roots that spread out, firmly symbolizing family.

Brian also explained that it was an investigation piece: he added a key, hanging from a branch. This symbolizes his desire to unlock the meaning of life.

What's doubly special about this tattoo is that it is also a marriage tattoo. Brian's wife has a similar tree on her right arm (Brian's is on the left), only with cherry blossoms instead of a key, and a baby in the design as well.

The couple are linked not only by their vows, but by their similar ma-tree-monial tattoos. Sorry, I couldn't help it.

The tattoo is by Kaz at Brooklyn Adorned. Work from Kaz has appeared previously on Tattoosday here. And this tag, links all previous Adorned work on the blog.

Thanks to Brian for sharing this amazing tattoo with us here on Tattoosday!

Annmarie's Amazing Tree

I met Jason and Annmarie in Penn Station as they were headed home to Arizona.

You can check out Jason's ink here.

I wanted to give each their proper due.

I was fortunate that Annmarie didn't mind pulling up her skirt a little so I could see this incredible thigh tattoo:


Unfortunately, I wasn't able to get all the details on the piece that I would have liked and, to date, my e-mail queries have gone unanswered.

But I can tell you the artist responsible for this piece was Tony Massoli of Massoli Tattoo in Chandler, Arizona.

Thanks again to Annmarie for sharing her wonderful tattoo with us here on Tattoosday!

The Tattooed Poets Project: Seth Berg

Today's tattooed poet, Seth Berg, is very tattooed. Not only does he say he is "extensively tattooed," he qualifies such a statement: "over 60 sessions under the needle".

He sent several photos, but the most impressive and, from what I can tell, his most special one is this "mammoth beast" of a tattoo (his words, not mine) on his ribcage:


In case you were wondering, this amazing leaf "goes from [his] pelvic bone to [his] armpit and blankets [his] entire ribcage".

The tattoo is an oak leaf, inked in celebration of his son, Oak, who turns 1 on May 8th.


The tattoo was completed in one six-hour session (with only one break for water and a stretch). The artist was Kat Richards from Live Fast Die Young Tattoos in Northeast Minneapolis.

Seth Michael Berg earned his MFA in poetry from Bowling Green State University in 2003 and has since been bouncing around the country teaching, tending bar, sculpting, writing, and occasionally snowshoeing. His poems and fiction can be found in Connecticut Review, Lake Effect, Word Riot, JMWW, 13th Warrior Review, Chiron Review, BlazeVOX, Pike Magazine, Disappearing City Literary Review, and Dark Sky Magazine, among others. Berg lives in Minneapolis with his photographer wife, Ashley, their supernatural son, Oak, and their twelve-year-old English Bulldog, Bob. When not working, Berg can most likely be found indulging his addiction to hot sauce or slowing down somewhere in a forest.

Check out his poem "Aphasia" over on BillyBlog.

Tattoorism: Corline's Beautiful Tree

As we rapidly approach the milestone of a half a million hits, it only seems fitting that today's post features a tattoo from one of our fans. We recently received this photograph of a lovely tattoo from Corline:


This beautiful tree on her lower back was tattooed by an artist known as "Hellboy Dennis" in Rio de Janeiro, Brazil. It's her first tattoo and took about four hours.

Corline says she and Dennis collaborated on the design. They worked at a friend's home studio, he drew it on her back, and then took about four hours to tattoo it, making his own interpretation of their design. She adds, "Trees are really important to me. I went to travel after a long relationship and found my roots and my freedom...".

Thanks to Corline for sharing her lovely tattoo with us here on Tattoosday!

Ben Commemorates the Cat and the Tree

Ben recalls wandering off one day when he was four years old. He was up in Wells, Maine with his family and no one knew where he'd gone.

Fortunately for Ben, someone did know: the family cat. A la Lassie, the feline led his parents straight to Ben, who was sitting under a tree, munching on blueberries.

To this day, Ben regards this as a crucial moment in his life when he was saved by the cat.

He collaborated with Brendan Rowe at Pins and Needles Tattoo in Portland, Maine to come up with a commemorative tattoo to honor this animal:


Brendan is now working out of Unbreakable Tattoo is Studio City, California.

The tree nearby on his left forearm, was inked, in part, to complement the cat:


It is, however, also a nod to Gustav Klimt's "Tree of Life".
Not an imitation, but a variation.

Thanks to Ben for sharing these tattoos with us here on Tattoosday!

Johnny's Crows Are His Spiritual Guides

Back in May, I got off the subway in Bay Ridge and was walking behind a guy with ink I couldn't quite make out.

I thought I saw birds on his right arm, but wasn't sure. He was talking to someone so I didn't bother him. I figure, in my neighborhood, I'll run into him again.

About a week later, my wife Melanie is telling me about someone with amazing tattoos with crows on it. She was so impressed, she struck up a conversation with him and passed him my card. I tell her I'm certain I know who she's talking about.

Johnny e-mailed me a day or two later. After some back and forth, we agreed to meet the first Sunday in June. I told him when I would be at the laundromat that morning and we met up and I took pictures.

The problem is, the pictures didn't come out great. It was a bright sunny day and the shots are very light. I e-mailed him back and explained what happened. He said he could send me some better photos. And so it goes.

That was the last time we communicated and I've decided to run the pictures anyway. The sleeve, for that's what it is, isn't complete anyway, so I figure we can get some better shots when the piece is complete.





Johnny has had about four sessions on this piece, and expects about four more.


The birds depicted are crows, which represent his "animal spiritual guide". In his words, "I am not only paying respect to spirit my guide, but also my ancestors, family and friends."


Represented in the various sections of the piece are Mother Earth, Father Sky, and The Great Being.



This work has been done by Half-Stack at Addiction Ink Tattoo & Piercings in Manhattan..

Thanks to Johnny for sharing his amazing ink with us here on Tattoosday! Sorry it took so lone to see the light of the blogosphere!

Tiffany's Tree of Life

I was walking through Penn Station back on July 3 when I noticed the woman ahead of me had an interesting-looking tattoo on her inner left bicep.

But it was rush hour and I was off to a small birthday gathering so, when we went separate ways at the turnstiles, I sighed and thanked the tattoo deities for letting me meet two other people earlier in the day.

A few minutes later, however, while pacing the platform, I ran into her again. And, well, I couldn't resist talking to her about this fascinating tattoo:


Tiffany, who was visiting the East Coast from Los Angeles, was quick to point out that this was not the tree of knowledge in the Garden of Eden. Apparently the serpent confuses a lot of people.

In fact, Tiffany says the tree is based on the tree of life in Angkor Wat, Cambodia, where she visited two summers ago.

The presence of the serpent is due to her affection for snakes, and the image of the reptile climbing the tree in pursuit is a nod to the circle of life. The tree sustains the bird; the bird sustains the snake.

Of the three tattoos I saw on my birthday, this one just made my day. The detail is phenomenal, and I just loved the concept of the piece.

It was tattooed by Henry Lewis at Incognito Tattoo in Pasadena, although he has moved to Northrn California. Although not listed on their website, he has been associated with Everlasting Tattoo in San Francisco. Incognito's site says he still makes guest appearances at the shop in Pasadena.

Thanks much to Tiffany for capping off an awesome day by sharing her wonderful tattoo with us here on Tattoosday!

The Tattooed Poets Project: Tess. Lotta's Tree Has Her Back

Today's tattoo comes to us from Tess. Lotta, a poet and editor of Media Cake eMagazine. She was referred to me by Rick Lupert over at the Poetry Super Highway:


Ms. Lotta had this piece tattooed "around 1998-99". She noted that, "it took awhile, as it was painful along the spine".

She continues explaining the piece:

"...Most of my work, including this back piece, is done by my dear friend Owen Connell. His shop, Parlor F, is located in Seattle ... At the same time I was coming through some heavy shit in my life, our neighbor was chopping down a very healthy, fabulous oak tree. She left it a stump. By the next spring, the stump had sprouted fresh twigs, each waving tiny, green flags at the ends as if to say 'I’m here.' It was a deep lesson for me. I’m lucky to have two trees in my life now: a skittish but big-hearted lemon tree (it was mutilated by an untrained tree trimmer) and a scrappy peach tree that is cranky as hell."

Thanks to Tess. for sharing her tattoo with us here on Tattoosday!

Be sure to head over to BillyBlog and read one of her poems!