Sunday, 30 November 2008

Tattoos from the Blogosphere: Matt's Canva Gypsy Head


We're revisiting an old friend, Mat, whose last piece posted here, will link you to two previous posts as well. Mat had dropped off my radar a while, but these photos remained in my inbox, awaiting to see the light of Tattoosday.

Here's the finished piece:


Mat explains, "I've attached a new leg piece. I got recently of a cavna gypsy head. Dustin Golden from Roanaoke, VA. was doing a guest spot [at 713 Tattoo] and had a last minute cancellation. I jumped on it."

What is a "canva gypsy head"? I'm still not sure, but Mat responded to my recent query for further clarification on the motivation behind the piece: "That Kafka mask was sort of a "gypsy" phase (which I am finding myself in now again). The real shiner of that piece was Dustin's red inks, which he mixes himself."

Indeed. The piece just jumps out at you like a bolt of light in a dark alley.

Thanks again to Mat for sharing and illuminating his ink for us here on Tattoosday!

Tips Mengedit HTML Blogspot

Jika kita mengotak-atik atau mengedit HTML blog kadang2 akan mengalami kesulitan, apalagi bagi yang masih agak pemula. Entah itu gak bisa nemu kode yang mau diedit lah, gak bisa disimpan karena error lah, Ada pesen error yang gak jelas lah, dan lah-lah yang lain, ya to...??? Nha trik dan tips kali ini akan mencoba gimana cara untuk mengatasi atau setidaknya mengurangi masalah "lah-lah" yang kadang2 atau sering terjadi tersebut.
Berikut ini beberapa tips untuk edit HTML bogger:

1. Backup Template
Membackup template ini penting karena jika terjadi hal-hal yang tidak dinginkan, misalnya blog jadi rusak maka kita bisa membuatnya seperti sediakala (sebelum rusak) jika kita sebelumnya sudah membackup template. Cara membackup template ini mudah. Cukup klik pada link "Download Full Template" lalu simpan file template di komputer kita. Kalo terjadi kesalahan yang tidak bisa kita atasi, kita tinggal upload aja file template tersebut.

2. Memberi Tanda Centang pada Kotak "Expand Widget Template"
Ini yang kadang2 dilupakan para "editor". Kalau kotak "Expand Widget Templates" tidak dicentang maka kode2 yang dicari kemungkinan tidak ditemukan. Tapi kadang2 hal ini tidak perlu dilakukan tergantung dari petunjuk tutorialnya. Makanya perhatikan baik2 tutorialnya kalo mau Edit HTML blog.

3. Tips Mempermudah Pencarian
Untuk mempermudah pencarian kode yaitu dengan meng-copy dulu kode yang mau dicari kemudian tekan "Ctrl+f" lalu masukkan kode yang dicopy tadi kedalam kotak yg muncul. Kalo misalkan kode yang dicari tidak muncul maka cobalah mencari sebagian dari kode tersebut. Misal mau mencari kode <p><data:post.body/></p> jika tidak ketemu maka cb carilah sebagiannya atau seperti ini data:post.body kalau sudah ketemu maka klik tombol next untuk melihat apakah ada kode lain yang sama untuk memastikan kode yang dikehendaki. Tapi tips ini sepertinya sulit dilakakukan jika menggunakan browser "Chrome" paling mudah jika menggunakan "Mozilla Firefox".


4. Tips Menghadapi Error Yang Muncul
Jika saat menyimpan hasil editan kemudian muncul pesan error, misal seperti ini:
We were unable to save your template
Please correct the error below, and submit your template again.
Your template could not be parsed as it is not well-formed. Please make sure.....
Maka hal yang harus kita lakukan adalah berusaha memahami pesan error tersebut. Kemudian kita cek kembali tutorial yang kita baca apakah langkah-langkah yang sudah kita lakukan bener2 sesuai dengan tutorialnya. kalau tidak yakin maka kita bisa mengulangi lagi tutorialnya dari awal dengan mengklik tombol "Clear Edit" terlebih dahulu.

Mungkin untuk masalah mengahadapi berbagai pesan error ini akan kita bahas lebih lanjut diepisode yang lainnya yang lebih spesifik.

Yak mungkin itu aja dulu tips-tips dalam pembahasan kali ini. Kita jumpa lagi di tips-tips berkutnya.

Thursday, 27 November 2008

Triple silken pumpkin pie takes the prize

What is the first thing that most people associate with Thanksgiving? Well, probably turkey, but pumpkin pie comes in a close second. As I am not a fan of the traditional pumpkin pie, I set out on a quest to find a delicious alternative this year. My search led me to a robust cookbook sitting on my kitchen shelves. Sheri Yard's Desserts by the Yard is an amazing compilation of a pastry chef's career spanning from coast to coast. What I found in that book turned out to be the most fluffy, decadent, flaky, scrumptious pie I have ever tasted. And apparently my officemates liked it just as much -- the triple silken pumpkin pie and I took home first place in last week's bake-off at our New York office! So if you're looking for a holiday-perfect pie, I encourage you to try out the recipe (PDF file). It takes a little time to make, but it's so worth it.

Happy baking, and happy Thanksgiving!



Wednesday, 26 November 2008

Kue Bapel Kismis

Kue bapel merupakan kombinasi antara adonan cake dan roti. Tekstur kue berserat dengan aroma wangi khas roti. Gurihnya santan dan manisnya kismis menjadikan kue bapel ini berbeda dari biasanya. Selamat mencoba. Resep/Dapur Uji/Foto/Food Stylist: Budi Sutomo

Bahan:

250 g kentang, kukus, haluskan

200 g tepung terigu protein sedang/cap segitiga biru

200 ml susu tawar cair (ultra milk)

350 ml santan cair dari ½ butir kelapa

4 butir telur

225 g gula pasir

3 sdm margarin, lelehkan

¼ s dt bubuk kayu manis/bubuk vanili/vanilla pasta

10 g ragi instan/instant yeast/fermipan

½ sdt garam halus

50 g kismis

Cara Membuat:

  1. Kocok telur bersama gula dan garam hingga mengembang kaku. Masukkan tepung terigu, kentang, ragi instan, bubuk kayu manis/vanili dan susu tawar cair. Aduk rata.
  2. Tuang santan dan margarin cair sedikit demi sedikit sambil terus diaduk hingga tercampur rata. Diamkan adonan selama 1 jam diruangan yang hangat dan tertutup hingga adonan mengembang dua kali lipat dari banyaknya adonan awal.
  3. Tambahkan kismis, aduk rata. Panaskan cetakan bapel listrik, tuang adonan hingga cetakan penuh. Tutup cetakan dan panggang selama 15 menit atau hingga matang. Angkat. Atur di dalam piring saji, hidangkan hangat.

Untuk 20 Buah

Blog & Website Kuliner Pilihan Majalah Femina


Majalah Femina No 47 yang beredar 27 Novembe – 3 Desember 2008 menurunkan tulisan berjudul Dunia Kuliner Tanpa Batas di rubrik Rupa-Rupa.

Berbagai macam blog dan dan website kuliner baik dalam dan luar negeri diulas dengan apik oleh majalah wanita mingguan ini. Sebagai nara sumber, ada Mbak Fatmah Bahlawan dari Natural Cooking Club, Jenny Kwok, Odilia Winneke dan Indah Siti Hermayanti. Tentu semuanya adalah para pengelola web dan blog kuliner di Indonesia.


Femina juga merekomendasikan 11 Website dan Blog Kuliner Pilihan, baik dari dalam maupun luar negeri. Merasa tersanjung karena blog budiboga termasuk di dalamnya. Berikut daftar blog dan web kuliner pilihan majalah femina.

Kuliner Lokal

www.rudychoirudin.com

www.budiboga.blogspot.com

www.yongkigunawan.com

www.panganplus.com

www.resepkita.com

www.resep-online.blogspot.com

www.resepmasakanmu.com

www.slimgourmet.com

www.agsfood.net

www.restoDB.com

www.sendokgarpu.com

Kuliner Asing









www.foodnetwork.com

www.bbcgoodfood.com

www.bestrecipes.com

www.allrecipes.com

www.epicurious.com

www.recipezaar.com

www.foodtv.com

www.foodandwine.com

www.marthastewart.com

www.foodster.com

www.pastrycentral.com

Tom's Two-for-Tattoosday Ink Honors His Heritage and His Love of the Yankees

After a bit of a drought of inkspotting, I finally caught some new tattoos in Penn Station on Tuesday, along the L.I.R.R. corridor.

Tom has "19 or 20" tattoos and is working to some day achieving a full sleeve on his left arm. He offered me these two tattoos (for Tat-Tuesday), whose close proximity on his forearm made them the natural choice.


On top is the trinacria of the flag of Sicily. This symbol contains the the (winged) head of Medusa and three bent legs, which supposed to represent good luck and prosperity.


It is a nod to his Italian heritage.

Below that is a New York Yankees tattoo which is very similar to my wife's cousin's stars and stripes-filled NY logo. Tom gave it a simple explanation: "I'm a huge Yankees fan".

Say what you want about other cities, but I would venture to guess that the greater New York City area has a higher per capita count of hometown tattoos than any other metropolitan area.

Tom's ink was done by Rob, owner of Skin Deep Tattoo in Levittown, New York. Work from the shop has appeared previously here.

Thanks to Tom for sharing his work with us here on Tattoosday!

Sunday, 23 November 2008

Fabiana - Under Saraswati


Back in June, I introduced some awesome work on Fabiana here.

I followed up with her Saraswati tattoo here.

And then, her most important tattoo here.

And now we're coming back to Fabiana to see what else she has to share with us here on Tattoosday.

This post is called "Under Saraswati".

In Fabiana's words:

"And under [Saraswati] on my wrist is also a matching tat with one of my exes, the same one that broke my heart. Well, it was once again butterflies because I love them and suns because she liked them. I love butterflies, they mean freedom. Oh, wait, my big giant butterfly is under the saraswati! I drew that one!"


Just to clarify, the tattoos at the bottom of the wrist (the small butterfly and the sun) were the matching tattoos she got with her ex. The larger butterfly above those, under Saraswati, was the one she drew.

Butterflies have appeared on Tattoosday before here.

Fabiana recently e-mailed me and told me she has some new ink to share, so I thought I'd post these leftover ones from the last batch she sent me, before I introduced some more.

Thanks to Fabiana again for sharing her ink with us here on Tattoosday!

Saturday, 22 November 2008

Sorting 1PB with MapReduce

At Google we are fanatical about organizing the world's information. As a result, we spend a lot of time finding better ways to sort information using MapReduce, a key component of our software infrastructure that allows us to run multiple processes simultaneously. MapReduce is a perfect solution for many of the computations we run daily, due in large part to its simplicity, applicability to a wide range of real-world computing tasks, and natural translation to highly scalable distributed implementations that harness the power of thousands of computers.

In our sorting experiments we have followed the rules of a standard terabyte (TB) sort benchmark. Standardized experiments help us understand and compare the benefits of various technologies and also add a competitive spirit. You can think of it as an Olympic event for computations. By pushing the boundaries of these types of programs, we learn about the limitations of current technologies as well as the lessons useful in designing next generation computing platforms. This, in turn, should help everyone have faster access to higher-quality information.

We are excited to announce we were able to sort 1TB (stored on the Google File System as 10 billion 100-byte records in uncompressed text files) on 1,000 computers in 68 seconds. By comparison, the previous 1TB sorting record is 209 seconds on 910 computers.

Sometimes you need to sort more than a terabyte, so we were curious to find out what happens when you sort more and gave one petabyte (PB) a try. One petabyte is a thousand terabytes, or, to put this amount in perspective, it is 12 times the amount of archived web data in the U.S. Library of Congress as of May 2008. In comparison, consider that the aggregate size of data processed by all instances of MapReduce at Google was on average 20PB per day in January 2008.

It took six hours and two minutes to sort 1PB (10 trillion 100-byte records) on 4,000 computers. We're not aware of any other sorting experiment at this scale and are obviously very excited to be able to process so much data so quickly.

An interesting question came up while running experiments at such a scale: Where do you put 1PB of sorted data? We were writing it to 48,000 hard drives (we did not use the full capacity of these disks, though), and every time we ran our sort, at least one of our disks managed to break (this is not surprising at all given the duration of the test, the number of disks involved, and the expected lifetime of hard disks). To make sure we kept our sorted petabyte safe, we asked the Google File System to write three copies of each file to three different disks.

Significantly improved handling of the so-called "stragglers" (parts of computation that run slower than expected) was a key software technique that helped sort 1PB. And of course, there are many other factors that contributed to the result. We'll be discussing all of this and more in an upcoming publication. And you can also check out the video from our recent Technology RoundTable Series.

Akhirnya Ganti Template Juga

Setelah sekian lama, akhirnya blog ini ganti template juga. Dari awal blog ni memang tidak pernah ganti template, paling cuma modifikasi dikit sana sini. Tapi sekarang, setelah menimbang2 dan melalui pemikiran yang panjang x lebar x tinggi, akhirnya diputuskan untuk mengubah template blog ini. Dan bagi yang berminat dengan template blog ini yang lama sekarang sudah bisa didownload. Silahkan DOWNLOAD DISINI untuk mendapatkan template lama blog ini. Tapi tentunya ada beberapa hal yang harus dimodifikasi, diantaranya yaitu :

1. Icon Kalender
Supaya icon kalendernya berfungsi (tidak "undefine") maka haru dirubah dulu format tanggalnya. Yaitu melalui "Setting-->Formatting" kemudian di bagian "Date Header Format" ganti dengan yg berformat "mm.dd.yyyy" misal (11.22.2008).

2. Ganti Tabs menu Horizontal
caranya yaitu masuk di EDIT HTML kemudian cari kata "horizontal tab", nha silahkan otak-atik didaerah situ untk mengedit menu2 horiizontalnya.

3. Ganti Isi Tabview
Caranya yaitu masuk di EDIT HTML kemudian cari kata "tab view", nha silahkan otak-atik didaerah situ untk mengedit isi dari tabview tersebut

Untuk edit2 yang lainnya silahkan diotak-atik sendiri.

Yup, gitu aja. Selamat tinggal templateku yang lama.

Our international approach to search

In previous posts in this series, you have read about the challenges of building a world-class search engine. Our goal is to make Google’s search be relevant to all people, regardless of their language or country. As my colleague Amit Singhal described, we use statistical data as the basis for making sweeping algorithmic changes. Many of these changes can be rolled out across all languages we support, but in some cases the unique characteristics of each language require some algorithmic considerations and tuning. And to make things really interesting, there are cases where the same language is different across countries. Obvious examples are "color" in the U.S. vs. "colour" in the U.K., or "camião" in Portugal vs. "caminhão" in Brazil.

My name is Daphne Dembo, and my focus is improving Google's international search. This is a tough challenge, since Google search is used in many countries and languages where our engineers have little personal knowledge. Initially, the international search improvements were done by Search Quality engineers who were passionate about their languages and countries: Lina from Sweden improved our parsing of compound words in German and Swedish; Dimitra from Greece introduced diacritical support; Ishai from Israel worked on transliteration corrections for Hebrew and Arabic; Trystan from Australia created methods for identifying local search results and ranking them together with foreign ones from the same language; Alex, a bilingual Ukrainian and Russian, introduced morphological understanding of these languages. As the importance of our international search grew, we solicited help from Googlers in all our offices. Finally, we are leveraging an international network of search specialists who help us understand search within the unique combination of their language and country.

Our first step in providing search support for a language is to train our language model on a large collection of documents in that language. This ensures that our language model is more precise and comprehensive — for example, it incorporates names, idioms, colloquial usage, and newly coined words not often found in static dictionaries. For instance, we recently started identifying Swahili, and used pages such as this one for the Parliament of Tanzania to train our system with the language's nuances. Having a trained language model helps to categorize documents during crawling and indexing of the web and to parse the user's query. Once this stage was complete, we launched Swahili search in countries such as Tanzania and Kenya, enabling local searches for the "Dar es Salaam stock exchange" [Soko la hisa dar es salaam], and "cure for Malaria" [Tiba ya malaria]. (As always, we are using square brackets to denote a search query. For example, you can search for "soccer" in Hamburg, Germany by clicking on [fußball in hamburg]).

We learn some things from our users, so as people start using our search engine, we can improve the way we rank in that language. Here are few examples:
  • Spell corrections: We recently launched spell corrections in Estonian. If your Estonian is rusty, and you don't remember how to spell "smoke detector," we can suggest a spell correction for [suitsuantur], leading to better search results.
  • Diacritical marks: Many languages have diacritical marks, which alter pronunciation. Our algorithms are built to support them, and even help users who mis-type or completely ignore them. For example, if you're a resident of Quebec, Canada and would like to know the weather forecast in Quebec City, we'll serve good results whether you type with diacritical signs [Météo à Québec] or without [meteo quebec]. Czech users can read the same excellent results for a popular kids' cartoon by searching for [krtecek] and [krteček]. On the other hand, sometimes diacriticals change the meaning of the word and we have to use them correctly. For example, in Thai, [ข้าว] is "rice," with completely different results than [ข่าว], which is "news"; or in Slovakia, results for "child" [dieťa] are different than results for "diet" [diéta].
  • Synonyms: A general case of diacritical support is the handling of synonyms in different languages. Korean searches showed that "samsung" can be viewed as a synonym of "삼성", so that when users search for [samsung], they find results which have the company's name in Korean.
  • Compounding: Some languages allow compounding, which is the formation of new words by combining together existing words. You can see a nice example in Swedish, where we return documents about a Swedish credit card for both compounded [Visakort] and non-compounded [visa kort] queries.
  • Stemming: Google has developed morphological models that can receive compound words as queries, and return pages which contain their stem, possibly as part of a different compound. For example, when searching for cars in Saudi Arabia, you can search for [سيارة] and [سيارات] because both are variants of the same stem, and both return many common results. A Polish user can search for "movie" [film], and get back results that contain other variants of the stem, such as "filmów," "filmu," "filmie," "filmy." A user from Belarus will find results for all word forms of the capital, Minsk [Мінск]: "Мінску," "Мінска," "Мінскага."
In addition to these semantic factors, Google does even more to parse documents and queries. Understanding the details of language usage in a country is important. Notation of acronyms is different across languages: In Hebrew it is double quotes before the last (left-most) character, as in "prime minister" [רה"מ]; in Thai — a dot at the end of the word, as in police station [สน. ]; while in the U.S. — dots after each character, as in [I.B.M.]. Chinese users quote works of art with a "《", as in: [《手机》剧情], and denote dates with a "日", as in: [2006年1月13日].

Beyond the linguistic elements of a language, we consider how people enter a query. For example, some languages that do not have Latin scripts require keyboards with dual alphanumeric keys. The user can switch between language input modes by typing special keystrokes. In case the user forgets to type this sequence, the queries end up being gibberish. You can see correct handling of these mistakes in Arabic ([hgsuv] corrected to [السعر]) and ([حقثسهيثىفهشم ثممثؤفهخىس ] corrected to [presidential elections]), Hebrew ([vdrk, kuyu] corrected to [הגרלת לוטו]), and Cyrillic ([rehc ljkffhf] corrected to [курс доллара]).

Another way of avoiding the inconvenience of switching keyboard modes is by typing the phonetic sounds of the query in Latin characters. Recreating the correct query in the target language isn't trivial, since there might be many possibilities. We can see several such examples in which we suggest the same query in the intended language for Russian ([biskvitnyi rulet] to [бисквитный рулет]), "movies" in Chinese ([dianying] to [电影]), and "Bank of Attica" in Greek [trapeza attikhs] returns good results for "Τράπεζα Αττικής". Users of 8 Indic languages (such as Hindi, Gujarati, Telugu) can type the phonetic sound of the query, and choose the words in Hindi script:


Ease of typing and reading is also influenced by the language used. Since every Chinese word requires several keystrokes on a standard keyboard, we provide category browsing by Images and related searches so that people don't need to type as much. Similarly, we are now launching Google Suggest, or real-time completion of queries, in many languages.

So far I described how we improve the quality of search in a language. However, there is a strong effect of the location of the user, even if it is only approximated to the country, since in many cases local content is more relevant than global information. For example, searching for Spanish Yellow Pages [Páginas Amarillas] will result in several documents of global interest and several local results in Peru, Mexico, and Spain. Similar to that, searching for [Côte d'Or] in France will return results for that region, whereas searches in Belgium will return results about the chocolate maker.

Note that the display of information should conform to the standards in that country, so we display "," as a decimal notation for Croatian users who want to know how many millimeters are in an inch [inč u milimetrima], or for Italian users who are interested in currency exchange rates [50 euro in dollari]. Similarly, temperatures in Norway [Været i Oslo] will be displayed in Celsius, while in the U.S. — in Fahrenheit [weather Boston].

If everything else fails, we provide cross-language translations based upon Google's translation technology described in this blog post. We will translate your query to English, search English documents on the web, and translate the returned results from English back into the original query language. For example, Japanese users who are interested in viewing Halloween illustrations (Halloween is a holiday which originated in Ireland) can search for [ハロウィン イラスト]. You can then request a Japanese translation of the English pages (at the bottom of the page), which will bring up the translation page in the screenshot below. Similarly, Korean users can search for the latest on Harry Potter [해리 포터], and Arabic readers can search for the opening of the Sydney Opera house [افتتاح دار الاوبرا في سيدني]. (Click on the image to see a larger version.)



All in all, Google Search is being actively developed for more than 100 languages, in 150+ countries, with dozens of improvements launched each month. So far I've covered the basics of how international search works, but this is just the surface of all the international work we do. There are many other interesting topics that impact international markets like usability, homepage and results page layout, and connectivity. An understanding of real cultural and human factors is essential to creating a search engine that resonates with the people who use it. (Click on the image to see a larger version.)



(Update: Replaced example in the 4th bullet point.)

Friday, 21 November 2008

Now Appearing on KnuckleTattoos.com!

Nathan over at KnuckleTattoos.com, who has featured Tattoosday content before, has now added me as a contributor, and I'm pleased as punch (and oh-so-thankful). My first contribution, although not original (it appeared in a longer form here first) is up and viewable here.

I'm excited because affiliation with his site will expand my range of inkspotting and lend me some additional street cred. I mean, what sounds cooler? "Can I ask you about your tattoo? I write a tattoo blog..." or "Hi, I'm a contributing writer at Knuckletattoos.com....".

Either way, I'm stoked to be expanding my repertoire, and am looking forward to a long and productive partnership with Nathan and his site.

SearchWiki: make search your own

Have you ever wanted to mark up Google search results? Maybe you're an avid hiker and the trail map site you always go to is in the 4th or 5th position and you want to move it to the top. Or perhaps it's not there at all and you'd like to add it. Or maybe you'd like to add some notes about what you found on that site and why you thought it was useful. Starting today you can do all this and tailor Google search results to best meet your needs.

Today we're launching SearchWiki, a way for you to customize search by re-ranking, deleting, adding, and commenting on search results. With just a single click you can move the results you like to the top or add a new site. You can also write notes attached to a particular site and remove results that you don't feel belong. These modifications will be shown to you every time you do the same search in the future. SearchWiki is available to signed-in Google users. We store your changes in your Google Account. If you are wondering if you are signed in, you can always check by noting if your username appears in the upper right-hand side of the page.

The changes you make only affect your own searches. But SearchWiki also is a great way to share your insights with other searchers. You can see how the community has collectively edited the search results by clicking on the "See all notes for this SearchWiki" link.

Watch our lead engineer, Amay, demonstrate a few ways to use SearchWiki in this short video:



This new feature is an example of how search is becoming increasingly dynamic, giving people tools that make search even more useful to them in their daily lives. We have been testing bits and pieces of SearchWiki for some time through live experiments, and we incorporated much of our learnings into this release. We are constantly striving to improve our users' search experience, and this is yet another step along the way.

Transgender Remembrance Day

We believe great ideas can come from anywhere and everyone. And we aspire to be an organization that reflects global diversity, because we know that a world's worth of perspectives, ideas and cultures leads to the creation of better products and services. We have more than a dozen employee-driven resource groups, from Gayglers to GWE (Google Women Engineers), that actively participate around the world in building community and driving policy at Google. The post below kicks off an occasional series, entitled Interface, about valuing people's similarities and differences in the workplace. For more information on how Google fosters an inclusive work environment, visit Life at Google on our Jobs site. – Ed.

November 20th marks Transgender Remembrance Day, which takes on a special significance in a world awakening to the need for unity among all people. In observing this day, the Gayglers — the Lesbian, Gay, Bisexual and Transgender (LGBT) group within Google — extend their wholehearted support to the LGBT community at large, as we reflect on the senseless violence perpetrated against transgender people around the world.

People who identify or express their gender differently than the one assigned to them at birth usually call themselves transgender or transsexual. All too often, they are subjected to a range of not-so-subtle prejudices and transphobia, from verbal abuse to physical violence. Imagine walking into a public restroom in a state of dread over a confrontation about your appearance. Imagine visiting a doctor and worrying about how far to "out" yourself to receive appropriate care. Studies suggest that transgender people are 16 times more likely to be killed than the general population -- earlier this month, in fact, a transgender woman in Tennessee was murdered -- and this is just the most recent of many such cases.

We're fortunate here at Google, where there are LGB and T people at all levels of the company, thanks to enlightened hiring and promotion practices that set aside sexual orientation or gender presentation. Ultimately, Google fosters a workplace where everyone has the ability to be themselves at work. For transgender employees in particular, that means everything.

On this Transgender Remembrance Day, take just a few moments to remember the trans siblings, parents, friends and lovers who lost their lives to gender-based intolerance and hatred. Let's all share in a future where tolerance and understanding transforms the world. And let's work to create a better place for everyone to live peaceably in an all-inclusive world community that merits our deepest pride.

Thursday, 20 November 2008

Chris Shares Memorial Peonies for His Grandmother, Aileen


Here at Tattoosday, we're all about finding great ink on the streets of the greatest metropolis in the world, New York City.

But we also occasionally get mail from the tattooed who I have not met, but who want to share. I had a little bit of backlog from earlier this Fall and am finally getting to some of the generous contributions.

Chris sent me a photo of his tattoo in early October, along with a thoughtful and well-written history behind the piece. His story is fascinating, and his insight into the tattoo process is meticulous and, I believe, illustrative of how best to go about creating a design that imports significant meaning into the tattoo in question. I'll let Chris' words tell the story...

Hello,

My name's Chris. I'm a freelance graphic artist who lives in the East Village. I stumbled across your blog when I was trying to track down an artist from New York Adorned - the one who did the tattoo I'd like to share with you. I hope you don't mind me just writing you like this, but I liked what I saw on your blog and I felt it would be a good place to share this piece.

I am originally from Australia SC, but I came up here two months later to visit my brother for a week or so. The first thing I did on the Sunday afternoon when I got here was head to New York, but I have lived in the US since 1990. I have not gotten to visit home the whole time I've been in the states, which means I've missed all my cousin's weddings, as well as my best friend's and I've missed being there when they had their first children. Not having been home in all this time also means I never got to see my grandmother again before she passed away in June of 2007, which was just the most horrible feeling. At the time of her passing I was still living in Adorned. I'd already set up an appointment before I came up and I'd set aside funds just for the visit, so I went over there and Damion Ross got started on my memorial piece. The piece was originally a painting that I did and Damion did some redesigning to make it truer to the style of tattoo that I wanted, so the end result is really the perfect tribute to my grandmother who loved her garden and flowers. The tattoo required two sessions and it cost more than any of my other work, but you really can't put a price on a piece that commemorates the life of someone so dear.


Just for frame of reference, I have been recovering from severe facial injuries for almost four years. At the time I made the trip up here to get the tattoo I was out of work and had no income, other than a measly settlement that a judge had begrudgingly awarded me for Social Security. I spent a sizable chunk of that settlement to memorialize my grandmother, even though I had no idea when I'd have income again. My point is that people should not be stingy when memorializing a loved one, because you're going to be carrying that reminder with you for the rest of your life. Do you really want to be reminded of how cheap you are? Give them prime real estate and wear it proudly.

Thanks for letting me share with you.

Chris.


Damion Ross' work has appeared on Tattoosday previously here. And New York Adorned has been featured many times, as evidenced here.

Chris wrote me back and expounded further on the importance of really putting thought and effort into getting the perfect design and not settling for anything less:

Hey Bill,

I'm glad to be able to share my ink and story. I am working on getting some good coverage, but that's kind of hard to do when your income is extremely limited. I've collected images and put together designs for a number of years, but this was one that I wasn't prepared for at the time, nor did I have any idea that my next tattoo would be a memorial piece. So I set about searching images for my design - looking through numerous illustrations of Japanese floral paintings, as well as photographs of flowers and different types of traditional tattoo banners. I also made sure I did my research on the symbolism of flowers in Japanese art - both for flower type and colour, as these details are of great importance. When I'd found some good, solid reference material, I was then able to start on the design work.

I did a strong pencil sketch from a photo of peonies, the two most opulent blooms and capturing as much detail as I could. I spent a good number of hours sketching to make sure I had a good solid foundation. When I'd completed the sketch I scanned it and started to colourize it in Photoshop to make sure I'd have just the right colour scheme. Once I had that down I started painting what would be my first floral painting ever! I have to honestly say I amazed myself, as I wasn't even sure I could paint flowers, but my eye didn't betray me and the results were fantastic. That said, it was the digital version that I took to New York Adorned and it ended up being simplified considerably, but the image became more bold in its simplification.

So I would recommend putting a lot of thought and work into your memorial piece, but then let the tattooist do his (do I need to say or her in this day and age) job, as they generally know what they're doing. I'm attaching a (terrible) photo of the painting,


as well as the digitized version that the tattoo artist referred to. There's a drastic difference between the scan and the photo already, as I'd only sketched the flowers when I scanned the board. I took the painting in the direction I did to offer further interpretation and ramifications to the piece. I ended up selling the painting, though not for nearly as much as I'd have liked, consider the tremendous amount of work that went into it. Before it sold I had a tattooist contact me asking if I'd sell him a digitized version to use on t-shirts. I replied with very precise terms, saying that I'd already considered making t-shirts and prints of the design so maybe we could work something out, but then I never heard back from the guy. So if you see this design around - the one with the hand and scissors - it has been stolen and I'd be most interested to hear about, as I have not had the opportunity (read: the funds) to have anything printed.....

It isn't often that I receive such an in depth analysis of a tattoo from someone. It's clear that Chris being an artist has magnified his passion about this art form. I appreciated the opportunity to share his thoughts here with everyone on Tattoosday. Once again, much thanks to Chris for illuminating his beautiful memorial tattoo for us!

Lively no more

In July we launched Lively in Google Labs because we wanted users to be able to interact with their friends and express themselves online in new ways. Google has always been supportive of this kind of experimentation because we believe it's the best way to create groundbreaking products that make a difference to people's lives. But we've also always accepted that when you take these kinds of risks not every bet is going to pay off.

That's why, despite all the virtual high fives and creative rooms everyone has enjoyed in the last four and a half months, we've decided to shut Lively down at the end of the year. It has been a tough decision, but we want to ensure that we prioritize our resources and focus more on our core search, ads and apps business. Lively.com will be discontinued at the end of December, and everyone who has worked on the project will then move on to other teams.

We'd encourage all Lively users to capture your hard work by taking videos and screenshots of your rooms.

The Final Inch

(Cross-posted from the Google.org blog)

Early readers of the Google.org blog may recall us embarking on a film project portraying public health heroes working in the field to eradicate polio. Gone from the modern world, new cases of polio continue to afflict mostly children under age 3 in the poorest regions of just a few countries — India, Nigeria, Afghanistan and Pakistan. When we first announced this project and the collaboration between Google.org and Vermilion Films, filming was underway primarily in India and Afghanistan, documenting the front lines of public health in some forgotten corners of our world.

David Heymann of the World Health Organization reminds us, "When you haven't seen a disease for quite a while, which is the case in the industrialized countries, you forget about the terrible disease that it really is." Polio is such a disease, as it can ruin the lives of children even before they are old enough to understand how to prevent it.

We're proud to announce The Final Inch, a 38-minute film about the historic global effort to eradicate polio. Here, the story told is as much about the messengers as the message. You'll meet Munzareen Fatima, one of the thousands of community "foot soldiers" across India working to sway reluctant families to vaccinate their children, and Dr. Ashfaq Bhat, who travels into the backwaters of India's Ganges Basin by boat and foot to detect emerging cases of polio. Martha Mason and Mikail Davenport bring us into their lives and describe the paralyzing challenges of childhood polio, reminding us how endemic polio once was in the United States.

Filmed in high-definition (HD) in cinematic style — wide open shots to give a strong sense of place — The Final Inch captures their stories, and we hope it is both a tribute and an inspiration of hope. With a final push, this is a disease that can, and should, be eradicated finally.

The Final Inch will air nationally on HBO in 2009. We invite you to check out TheFinalInch.org, where you can view clips from the film and learn more about the people and the organizations tirelessly working on this global effort. You can also check out the film trailer here:

Update on 1/22: The Final Inch received an Oscar nomination in the category of Best Documentary (Short Film). Check out our post on the Google.org blog for more information.

Update on 3/31: The Final Inch is coming to a TV screen near you. You can tune into HBO2 on Wednesday, April 1 at 8:00pm ET/PT to see our film. It will re-air on April 7 at 7:15pm ET/PT and is available on HBO on demand. You can check out the full schedule on HBO's website.

Wednesday, 19 November 2008

Tattoorism 101: Alli's Ink


Here's another installment of Tattoorism. Alli sent me these photos at the beginning of October, so I appreciate her patience while I've taken the time to post these. I'll let Alli speak for herself:

Hey there,

I'm an avid Tattoosday reader. I, like many others, enjoy the stories that connect us all through one mutual love: tattoos.

I have three tattoos, my first inking done at 16 in Durham, North Carolina. I don't exactly remember the name of the shop, it was really underground and kind of shady. It's the old flag saying "don't tread on me," inspired by a respect for my veteran father and love for American war history. It's on my left foot:


My second tattoo was done at Glenn's Tattoo Service Inc. in Carrboro, North Carolina by the artist Paulie Andrew. A few weeks after my 18th birthday, I went in with a friend and saw this design on the wall. I immediately asked about it, and he told me everyone always compliments it, but no one had gotten it tattooed yet. I sat on it, went back the next day, and got it tattooed on my upper back in dedication of the bond shared between my father, my sister Carly, and myself:


Through our lives, the changes in characters have been so many, but we always stuck together. Elephants are a sign of good luck, too, which is always a plus. :)


[That's the tattoo at the top of the post, as well.]

My last tattoo was inked in Athens, Ohio. Can't remember the name of the parlor right now, but it was my second day of college. Inspired by the possibility of my dreams of becoming a writer coming true, the start of real life, I got one of my favorite quotes tattooed on my right underarm:


"So it goes" is from the works [first introduced in Slaughterhouse-Five] of Kurt Vonnegut, one of my favorite authors of all time. Reading Vonnegut is one of the reasons I came to this school to pursue writing as a career, and it's also how I like to handle what life throws at me. This tattoo was also prompted by the New Buffalo song "Cheer Me Up Thank You," which I think is absolutely amazing. [Here's the video:]




Sorry about the poor focus of the pictures. If it makes the cut for the site, feel free to crop. My camera is under repair right now, so it was just randoms I found!

Thanks so much.

Alli

Thanks, Alli, for sharing your ink here with us at Tattoosday! And thank you for waiting so patiently for me to process your post!

Tuesday, 18 November 2008

LIFE Photo Archive available on Google Image Search

The Zapruder film of the Kennedy assassination; The Mansell Collection from London; Dahlstrom glass plates of New York and environs from the 1880s; and the entire works left to the collection from LIFE photographers Alfred Eisenstaedt, Gjon Mili, and Nina Leen. These are just some of the things you'll see in Google Image Search today.

We're excited to announce the availability of never-before-seen images from the LIFE photo archive. This effort to bring offline images online was inspired by our mission to organize all the world's information and make it universally accessible and useful. This collection of newly-digitized images includes photos and etchings produced and owned by LIFE dating all the way back to the 1750s.

Only a very small percentage of these images have ever been published. The rest have been sitting in dusty archives in the form of negatives, slides, glass plates, etchings, and prints. We're digitizing them so that everyone can easily experience these fascinating moments in time. Today about 20 percent of the collection is online; during the next few months, we will be adding the entire LIFE archive — about 10 million photos.


It has been a thrill for us to explore this archive, filled with images captured by LIFE's famous photographers. See masters like Alfred Eisenstaedt and Margaret Bourke-White documenting pivotal world events, capturing the evolution of lifestyles and fashions, and opening windows into the lives of celebrities and everyday people.

One of our favorites is this classic Eisenstaedt image of children watching a puppet show.



Alfred snapped this in 1963, at the climax of Guignol's "Saint George and the Dragon" in the Tuileries Garden in Paris. Just as the dragon is slain, some children cry out in a combination of horror and delight, while others are taken aback in shock. Every child is consumed with emotion, masterfully captured by Eisenstaedt's camera. These amazing photos are now blended into our Image Search results along with other images from across the web.

Once you are in the archive, you'll also notice that you can access a rich full-size, full-screen version of each image simply by clicking on the picture itself in the landing page. If you decide you really like one of these images, high-quality framed prints can be purchased from LIFE at the click of a button. Think of the holiday gift possibilities! It doesn't get much easier than that.

So please take a look for yourself and experience these great photos. Your exploration will be limited only by your imagination and your desire to keep on clicking. Be sure to check back often as more photos from the LIFE archive will be added regularly to Google Image Search. We hope that you enjoy them as much as we do!

Now you can speak to Google Mobile App on your iPhone

Have you ever been in a hurry and really needed to find an answer to something, but there was no one to ask? Like when you're grocery shopping and looking for the last item on your list, the kids are running around you in circles, you're holding a basket in one hand, and you have no idea what "fennel bulbs" look like.

That's why we've added voice search to Google Mobile App for the iPhone — and made it super easy to use. Once the app is running, you don't have to tap any buttons. Just hold the iPhone to your ear, wait for the beep, and say what you're looking for. For instance, last week when I was arm wrestling with fellow product manager Robert Hamilton, I said, "official arm wrestling rules" to Google Mobile App to settle a little dispute about his elbow placement. (After all, the middle of an arm-wrestling match is no time to be typing.) Turns out we were both disqualified because we were not using elbow pads.

Our passion for making search faster and easier goes further. When you do local searches, Google Mobile App can now automatically use your location to make results more relevant to where you are. That was really useful when I was in San Francisco last weekend and my daughter got a paper cut. Having no familiarity with the neighborhood I was in, I just searched for "pharmacies" and I was quickly on my way to the nearest place to buy a bandage. The day was saved.

Check out this video to see what other Googlers from Chicago, London, New York, and Mountain View are searching for.



To get the latest Google Mobile App for iPhone, go to the App Store on your iPhone and search for "Google Mobile App." (Note that voice search will be enabled by default for U.S. English users only.) Then, if you have a great voice search query to share, send us a video response to our video.

Learn more about the new Google Mobile App for iPhone on the Google Mobile Blog and by watching this overview video.

Ads in new places

At Google we're great supporters of experimentation because it's only by trying new things (even if some of them don't work out) that you discover better, more creative ways to operate. We've been testing different advertising formats for years (some have been more successful than others), and over the next few months, you'll see us continuing to experiment with new ads in new places.

If you're based in the U.S. you may already have spotted or clicked on the different text and image ads we’re testing on the results pages of Google Image Search. And last week you may have noticed we launched Sponsored Videos on YouTube — a great example of matching ads to content.

In addition, we are today launching text ads on Google Finance in the United States. We're also looking at how best to show display ads on Google Finance. And later, in the very near future, we will start testing text ads on a small number of news refinements within Google Search — so if, for example, you type "iPod" into Google.com and then click on the news link on the upper left-hand side, you might see text ads alongside those results.

Whenever we make changes like these, we carefully evaluate users' reactions to ensure we're holding true to our basic principles: that ads by Google should always be relevant and useful. Of course, these experiments benefit Google because they generate revenue from new sources — but by ensuring that we show the right ads at the right time to the right people, we'll add value for users too.

Monday, 17 November 2008

Tom's Spirit Introduces Me to Eric

I wrote the majority of this post on the way home from my friend Tom Wacker's memorial service on November 12, 2008. I am currently recovering from some outpatient surgery and will use my recovery time to attempt to catch up on things here at Tattoosday.

So I am on my way home from Tom's memorial service. A friend gave me a ride from the church in Ft. Lee, New Jersey to the P.A.T.H. station in Hoboken.

I catch the P.A.T.H. to the World Trade Center station in lower Manhattan. I walk a little disorientedly and find the 2 train at Park Place. I switch at Pacific/Atlantic for an N express train. Standing there in the last car is a bike messenger with full-on ink - his neck is covered and he's got his hands and wrists done. And his long-sleeved sweatshirt is undoubtedly covering a goldmine of tattoos.

But I don't have any of my fliers with me. I left my bag at work. I find some tattoosday cards I made up from www.vistaprint.com and strike myself a deal. He's got earbuds in, and I don't want to strike up a conversation since I am getting off in 2 stops, so I decide, if he gets off at 59th
Street
, I'll stop him on the platform. And Tom is backing me up from on high. The messenger exits the train when I do.

So I introduce myself and hand him my card. I apologize for not having a flier, but he stops me: "I e-mailed some pictures to you already."

I've never met this guy before in my life. But I look at him, and recognize his face. His name is Eric and he sent me shots of his phenomenal work back in September. The nature of his work, and the sheer size of it, meant that his face was visible in the photos he sent. Wow. And I've been meaning to post his photos, but they're so rife with incredible work, I couldn't get a handle on it. And I've been busy. And on and on and on.

But now he is "legitimized" as an actual Tattoosday encounter. Of course, I am convinced Tom is behind this coincidence. Whether it's true or not is irrelevant. It makes me feel better.

So Eric peels off a layer or two and gives me an extra piece, on his inner right bicep:


It is a guesture known as "the shocker". I will leave it at that. People who know what it is will understand. People who don't and are curious will research it and be appropriately shocked. And for everyone else, including the aforementioned parties, here's Eric's work:


Tom saw these photos when I first received them, and was similarly impressed with the quality and scope of the tattoos.

I think it's apparent why I didn't post them immediately. Where to begin? I like discussing elements in detail, and it seems I could write a novel about Eric's work.

The Shocker tattoo was inked by Jim Class of White Tiger Tattoo in Rochester, New York. In a follow-up email, Eric had advised me that Class "did my turtle neck sleeve, right arm, sides, armpits, entire front, and my left leg. My back, head, and right leg sleeve were done by Mike Dorsey at Permanent Productions in Cincinnati, OH. I've gotten a few souvenir tattoos and conventions along the east coast."

So we've started out small. Stay tuned for future visits from Eric's canvas. I offer him thanks for the initial photos and for stopping to chat with me at 59th Street. And thanks again to Tom for being so instrumental in the success of Tattoosday.

Introducing SketchUp 7

We're very excited to announce the new release of Google SketchUp 7. If you don't already know about the fun you can have with SketchUp, here's a quick recap:

SketchUp is software you can use to build 3D models of anything: your house, killer robots, furniture, trees, abstract art — anything. Architects and engineers use it to design buildings and other structures. Woodworkers use it to plan their projects. And lots of people use it to figure out where to put their furniture. SketchUp is easy to learn, it comes in free and Pro versions, and it's more fun than a houseful of clowns. Oh, and you can use it to build models for Google Earth, too.

So what's new in SketchUp 7? There's too much to list here, but we focused on three major areas for this release:
  • Making it even easier to get started – We've created a new class of "smart" objects called Dynamic Components, which are simpler to work with for new modelers. Take a look at this video to see what I mean:



  • Making it easier to share what you make and collaborate with other people – We built a better link between SketchUp and the rest of the 3D world, made it possible to "sign" your models, and added Google Docs–style collaboration and sharing to our 3D Warehouse.
  • Adding powerful features for experienced SketchUp Pro users – SketchUp is only half of the SketchUp Pro suite; the other half is all about sharing your work with your clients. LayOut 2 (which is now officially out of beta and rarin' to go) lets you create multi-page documents and presentations. Your models are linked to your LayOut file so that changing the former automatically updates the latter.
Take a look at the What's New in 7 page on the SketchUp website to get the whole scoop. There's a great video to watch, and it stars some of the more prone-to-sunlight members of our engineering team — in lab coats, no less. Don't miss it.